R
2023    1h 38minHorror, Dramma
3.721%37%5.1
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I festeggiamenti di un autore con gli amici in una baita nel bosco prendono una piega terrificante quando un virus aereo emerge nello stesso momento in cui forze soprannaturali prendono di mira il gruppo.
Diretto da Deon Taylor
  • Joseph SikoraRom
  • Andrew BachelorBenny
  • Annie IlonzehBianca
  • Ruby ModineSerena
  • Iddo GoldbergMichael
  • Terrence JRuss / Produttore Esecutivo
  • Jessica AllainMeg
  • T.I.Lou
  • Tyler AbronKim
  • Mezi AtwoodPatty
  • Bayardo De MurguiaSelf Help Author
  • Mario FernandezDoctor #1
  • Whylip LeeDoctor #2
  • Chanel GainesYoung Meg
  • Michelle McCormickMiss Wrenrich
  • Hazel ReneeEris Joseph
  • Deon TaylorRegista / Sceneggiatore / Produttore
  • John FerrySceneggiatore
  • Roxanne Avent TaylorProduttore
  • Omar JosephProduttore
  • jackmeat7 dicembre 2025
    My quick rating - 3.8/10. I had this one on Radarr for quite some time and I am not sure why, but time to find out. They had the focus completely wrong. Instead of trying so damn hard to make our paranoia about COVID the main point, that should've been the minor plot next to the major story of the witches practicing their ways at this lodge. But they went the other way around and spent entirely too much time hyping the lockdown thing after they, of course, made sure we knew the white guy brought all his black friends there. I don't even know why the makers think this is still a thing. It just seemed like they were trying to push that narrative a bit too much instead of worrying about the fact that the place they decided to vacation at was a coven of witches in the past. Nobody in this one looked familiar, and they did pull off an adequate job acting, considering the less-than-stellar dialogue they were handed. I am sure there are some outtakes of them joking, "I am supposed to say what???" Once the focus went to the more horror part of it, I did find it interesting enough. Deon Taylor does have a good eye for his shots and placement to get the impact from a scare scene, but there are so few in this that they just got drowned out by the artificial drama the story kept trying to interject. By the time any of the good stuff starts, I would think the average viewer has already abandoned this flick. And it is too bad since even with a limited budget, the effects were adequate enough and didn't have that cheap CGI feel to them. This isn't the first gig for Taylor, since at the very least he did a really good job with Black and Blue; however, it seems to be his first horror. Maybe next time he'll get handed a script that isn't fresh off the pandemic scare, so there won't be the same preoccupation that there was in this movie.

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