- ርልዪረ20 febbraio 2025Based on a Steven King novella this is a chilling and disturbing tale which explores the pervasive nature of evil and poses the question whether its presence and manifestation is due to nature or nurture. Set in suburban America the highly unlikely conceit is that a bright middle-class teenage boy notices a curious resemblance between an old man living in his neighbourhood and the face of a Nazi officer contained within wartime photographs he has been researching for a school project. The confirmation comes early in the film and within a tense atmosphere of blackmail and suspicion there develops a disquieting co-dependence between the two protagonists. Ian McKellan’s sublime performance as the unrepentant chain-smoking war criminal is almost matched by that of Bran Renfro as the manipulative youngster obsessed by Nazism and the Holocaust. There are some notable scenes and that involving the SS uniform is perhaps the most intense as it encapsulates the power dynamics between the two. An impressive film, quietly understated but nevertheless powerful.
- Callum21 dicembre 2025⭐⭐⭐⭐½ – Apt Pupil A study in curiosity curdling into complicity. Apt Pupil isn’t a thriller in the way people expect one. There’s no rush, no cathartic justice, no real release. Instead, it’s a slow, suffocating examination of what happens when intellect, boredom, and moral vacancy collide. This is a film about fascination turning poisonous — not through accident, but through choice. Ian McKellen is, frankly, terrifying here not because he shouts or postures, but because of how easily he rationalises. Evil isn’t presented as monstrous spectacle; it’s presented as routine, conversational, almost instructional. Brad Renfro matches him disturbingly well, portraying a teenager whose curiosity doesn’t shock him into revulsion, but instead sharpens into something colder and more deliberate. Watching the balance of power shift between them is deeply uncomfortable — and that’s the point. What makes Apt Pupil linger isn’t what it shows, but what it refuses to soften. There’s no comforting moral framing, no external hand stepping in to reassure you that everything will be put right. The film trusts the audience to sit with the ugliness, to recognise that corruption doesn’t always announce itself — sometimes it arrives as intellectual interest, as arrogance, as the belief that you’re immune because you’re “just observing.” This isn’t a film you enjoy in the conventional sense. It’s one you respect, then think about later when you didn’t expect to. It’s heavy, deliberate, and morally abrasive — and it earns that discomfort rather than exploiting it. You don’t recommend this casually. But if someone asks for something challenging, unsettling, and intelligent — this belongs on the list. 🥃 Drink Pairing A neat Islay single-malt Scotch — smoky, medicinal, and unapologetically harsh. Much like the film, there’s no sweetness to hide behind, only a lingering reminder that discomfort was the point.
Ottenere Plex sui dispositivi
Gratuito su oltre 20 piattaforme. Scegliete la vostra.L'allievo Trivia
L'allievo è stato rilasciato il 23 ottobre 1998.
L'allievo era diretto da Bryan Singer.
L'allievo ha una durata di 1h 47min.
L'allievo è stato prodotto da Don Murphy, Bryan Singer, Jane Hamsher.
Todd Bowen, brillante ragazzo, scopre che il suo vicino di casa è in realtà un ex criminale nazista, celato sotto falso nome. Affascinato dall'ideologia, lo obbliga a raccontargli particolari sempre più shockanti, minacciando di denunciarlo alla polizia nel caso in cui si rifiuti. Il “gioco”, però, gli sfugge di mano, trasformandosi in un vortice di morbosità e insanità.
I personaggi principali di L'allievo sono Todd Bowden (Brad Renfro), Kurt Dussander (Ian McKellen), Richard Bowden (Bruce Davison).
L'allievo è votato VM14.
L'allievo è un film Dramma, Thriller, Crime.
L'allievo ha una valutazione di 5.6 su 10 dal pubblico.
L'allievo aveva un budget di 14 Mln USD.
L'allievo ha guadagnato 8,9 Mln USD al botteghino.