T
2012    1h 41minCrime, Action
5.211%47%5.1
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Alex Cross è un detective e profiler della polizia di Detroit. A seguito del ritrovamento del corpo orribilmente mutilato di una donna viene messo a capo delle indagini che dovrebbero portare all'arresto di un pericoloso serial killer. In squadra col suo partner e amico Tommy Kane e la neo collega Monica Ashe i tre si mettono sulle tracce dell'assassino che sta puntando a Giles Mercier, proprietario di una multinazionale di Detroit. Non ci vorrà molto perché per Cross e Kane la caccia all'uomo si trasformi in un'operazione che va oltre l'ambito professionale.
Diretto da Rob Cohen
  • Tyler PerryDr. Alex Cross
  • Edward BurnsTommy Kane
  • Matthew FoxPicasso
  • Rachel NicholsMonica Ashe
  • Carmen EjogoMaria Cross
  • Jean RenoGilles Mercier
  • John C. McGinleyRichard Brookwell
  • Giancarlo EspositoDaramus Holiday
  • Cicely TysonNana Mama
  • Chad LindbergVincent Dardis
  • Stephanie JacobsenFan Yau
  • Sonny SurowiecHans Friedlich
  • Yara ShahidiJanelle Cross
  • Simon RheeFan Yau Bodyguard #3
  • Alexandra RuddyBrookwell Aide
  • Christian 'Trick Trick' MathisFight Manager
  • Werner DaehnErich Nunemacher
  • Sayeed ShahidiDamon Cross
  • Bonnie BentleyDetective Jody Klebanoff
  • Keith CameronBodyguard
  • Richard Davis11 maggio 2026
    Decent villain. Decent story with an average twist, but not a patch on the Morgan Freeman films... not even close.
  • Shaydeknight5 gennaio 2026
    Alex Cross feels oddly muted, more like a made-for-TV production than a theatrical release. The script is genuinely poor, riddled with non sequiturs and exchanges that sound read rather than lived. Scenes do not build or resolve, they simply occur, often without logic or emotional continuity. As a result, there is no sense of escalation, no meaningful peaks or valleys, just a flat progression toward inevitable boredom. Tyler Perry lacks the gravitas required for the role, a problem exacerbated by the material he is given. Matthew Fox appears to be performing what he imagines to be intense character work, but it comes across as overwrought and ungrounded, like a first year theatre student mistaking excess for depth. Edward Burns remains, as usual, a block of wood. Rob Cohen's direction does the film no favours. The camera work is frenetic and way too jiggly, and the screenplay is lazily written. The clearest example is John C. McGinley's character, who exists solely to bark out hard-boiled one liners in the tradition of an 80s police chief, but the effect is rayon rather than silk: cheap, artificial, and hollow. There is no emotional connection to any of the characters, no sense of investment in their success or failure. Even moments clearly intended to be big scenes are undercut by cheap effects and poor staging. The end result is a film that is not merely bad, but dull, which is arguably the greater sin.
  • Kent Butterfield19 marzo 2025
    One of my favorites. Oioh nooooo.

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