A pitch-black, deliciously irreverent comedy that transforms a teacher’s nervous breakdown into a ruthless social satire with a blistering pace. The film’s strength lies in its absurd paradox: Maria, a schoolteacher (played by an extraordinary Saoirse Ronan), kidnaps the worst-behaved student in her class—and, incredibly, everything improves. The atmosphere becomes more peaceful, and the kidnapper is even praised by colleagues and parents alike as “Teacher of the Year.” This cynical premise traps the viewer in an ethical dilemma that is as hilarious as it is unsettling. You find yourself rooting for the criminal, laughing heartily throughout a claustrophobic thriller that derives its humor from pure discomfort—leaving the audience feeling, quite rightly, a profound sense of guilt.
Bad Apples
Rise of the Conqueror
Rise of the Conqueror
C'est quoi l'amour?
C'est quoi l'amour?
One Night Only
Take *The Purge*, strip away the beatings, and add a layer of collective performance anxiety—that’s *One Night Only*. Director Will Gluck cooks up a wild premise: a dystopian future where sex is illegal, except for a 12-hour window once a year. Think of it as Tinder, but run by North Korea. The plot’s internal logic is nowhere to be found (a black market for condoms would have caused the state to collapse long ago), but the chemistry between Monica Barbaro and Callum Turner keeps things afloat as they dash through a hysterical New York City. Amidst the madness, we see the nostalgic "cinematic corpses" of Molly Ringwald and LeVar Burton—clearly just there to pay the mortgage—contributing to a frenetic, schizophrenic pace that feels like a millennial hopped up on Red Bull. It’s not going to change the history of cinema, and it’s only funny if you switch your brain off.
One Night Only
Afterburn
A crude, shamelessly trashy film—the likes of which we haven’t seen in a long time. No tiresome moralizing, no whining: just a Europe reduced to a jungle of barbarians, Dave Bautista smashing heads with the grace of a bulldozer, and a completely nonsensical mission to retrieve the Mona Lisa. The plot is hacked together with a blunt axe and the dialogue is pure B-movie, but if you’re looking for 90 minutes of badass violence, cynical one-liners, and a total switch-off for your brain, it delivers exactly what it promises—without a shred of shame.
Afterburn
Wardriver
The film tries very hard to come across as the moody cousin of *Drive*. It’s a pity, then, that the screenplay goes completely off the rails in the final act, piling on so many plot twists and digital counter-moves that, by the end, you have no idea who is stealing from whom—to the point where you find yourself rooting for the bank. It’s a dizzying, chaotic mess of cyber-blackmail; even the YouTube algorithm wouldn’t bother trying to generate an “Ending Explained” video for this one. Characters type at lightning speed to thwart global threats, when, in reality, a simple “Forgot your password?” text message could have resolved the entire plot and prevented three murders. Rating: 3 out of 5 USB drives. Perfect for a night on the couch—just make sure that, once it’s over, you change your modem password from “123456” to something a bit more serious.
Wardriver
Grace (2021)
Grace (2021)
Peccato
Peccato
4 Blocks Zero
4 Blocks Zero
The Torment
The Torment
Paolo
Paolo
Marshals
Marshals
Rage (2025)
Rage (2025)
MobLand
MobLand
Flowers Over the Inferno • Season 1 - Flowers over the Inferno
Flowers Over the Inferno • Season 1 - Flowers over the Inferno