18
2015    60minAction, Histoire
8.591%95%8.3
Regarder sur Apple TV
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Acheter $2.99Publicité
En Angleterre, au IXème siècle, Uhtred, le fils d'un noble, kidnappé par les Vikings lorsqu'il était enfant, doit choisir entre son pays natal et le peuple qui l'a élevé.

5 saisons

  • Saison 1
    Saison 18 épisodes
  • Saison 2
    Saison 28 épisodes
  • Saison 3
    Saison 310 épisodes
  • Saison 4
    Saison 410 épisodes
  • Saison 5
    Saison 510 épisodes
  • Spécials
    Spécials1 épisode
  • Alexander DreymonUhtred of Bebbanburg / Directeur / Producteur associé
  • Eliza ButterworthAelswith
  • Arnas FedaravičiusSihtric
  • Mark RowleyFinan
  • Emily CoxBrida
  • James NorthcoteAldhelm
  • Millie BradyAethelflaed
  • Timothy InnesKing Edward
  • Cavan ClerkinPyrlig
  • Ian HartBeocca
  • Ewan MitchellOsferth
  • David DawsonAlfred
  • Adrian SchillerAethelhelm
  • Harry McEntireAethelwold
  • Jeppe Beck LaursenHaesten
  • Adrian BouchetSteapa
  • Toby RegboAethelred
  • Stefanie MartiniEadith
  • Eva BirthistleHild
  • Amelia ClarksonAelflaed
  • Hakihiko
    Hakihiko12 septembre 2026
    Worth It! "The Last Kingdom" takes a while to fully reveal what it is, but once it does, it becomes the kind of series you quietly resent for how much of your time it consumes. It's a historical epic built on a genuinely compelling central contradiction, a man belonging fully to two worlds and therefore trusted by neither, and that tension never really resolves across five seasons, which keeps the whole thing alive in ways that tidier shows rarely manage. The lead carries it on his back for most of the run and mostly gets away with it. There's a magnetic stubbornness to Uhtred that the performance nails early and maintains throughout, and the character ages and accumulates damage across the seasons in ways that feel genuinely earned rather than just telegraphed by makeup and weary dialogue. The ensemble around him is deep and well drawn, with supporting characters that arrive, develop, and sometimes depart with enough weight to make each loss land properly. The production is handsome and gritty in equal measure, with battle sequences that punch well above what a TV budget would normally allow, particularly in the middle seasons when the show hits its creative stride. The world it builds feels genuinely cold and dangerous, with a tactile physicality to its locations and costume work that keeps the historical setting believable rather than decorative. The writing is at its best when it trusts the political complexity of its era, the messy, shifting alliances and the slow, improbable emergence of something called England, and refuses to simplify it into clean heroism. Faith, identity, and loyalty are the real subject matter running underneath all the sword fights, and the show treats those themes with more seriousness than the genre usually bothers with. The final season rushes through material that deserved more room, and some of the earlier seasons have stretches that test patience. But across its full run "The Last Kingdom" is a consistently gripping, well-made piece of historical storytelling that earns its ending.
  • Dario
    Dario15 juin 2026
    The Last Kingdom remains one of the more satisfying historical action dramas I have followed from beginning to end. Built around Uhtred of Bebbanburg — Saxon by birth, Dane by upbringing, and perpetually inconvenient to every ruler who needs him — the series turns the formation of England into a personal story of loyalty, identity, revenge, faith, and unfinished business. What made it work for me was not just the battles, though the shield walls and betrayals certainly helped. It was the emotional architecture around Uhtred: Alfred’s cold vision, Brida’s wounded fury, Aethelflaed’s sacrifice, Beocca’s affection, Finan and Sihtric’s loyalty, and the long-delayed pull of Bebbanburg. The show has a strong sense of dirt, weather, politics, and consequence. You feel the years passing, and by the later seasons, every victory comes with ghosts attached. Seven Kings Must Die is an overcompressed finale and would probably feel rushed to anyone not already invested, but as a closing chapter for Uhtred, it has enough myth, melancholy, and finality to matter. A sturdy, bloody, heartfelt epic about a man who spends his whole life trying to go home while history keeps dragging him into the making of a country.
  • What a story

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