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- what frustrates me most about silo is that the truth doesn’t automatically set anyone free i can understand why people would obey the rules if the outside world really were uninhabitable. if the silo was genuinely the only thing keeping humanity alive then order would make sense even if it was cruel and unfair. but once you realize that people have been manipulated and entire generations have been treated as experiments the justification for that obedience starts falling apart robert sims was one of the most interesting characters to me because i can understand his perspective. survival comes first when you believe everything outside is death. the problem is what happens when the people enforcing that survival know more than everyone else and use that knowledge to maintain control what i find interesting about silo is that escaping isn’t even the whole problem. you have to dismantle the systems that keep people trapped, convince people who have spent their entire lives believing the same lies, and somehow protect them from whatever comes after. taking control of silo 1 is only the beginning i also don’t think every silo would react the same way. some people would rebel and others would continue obeying because that’s the only reality they’ve ever known. i’d rather show them evidence that rebellion can succeed and give them the information they need to make their own decisions than expect everyone to blindly trust another authority and that’s what makes the story frustrating. even if you win against the people controlling you there is no guarantee that the world beyond them is any better. thousands of people can fight for their freedom and still be powerless against forces much bigger than themselves ultimately i think what matters is that the people who died aren’t forgotten and that their suffering actually leads to something different. otherwise you’re just replacing one system with another and calling it progress silo makes me think about fear as the foundation of control and how easily survival can become an excuse for taking away someone’s right to choose. the worst part isn’t simply that people are trapped underground. it’s that they’ve been made to believe they have no reason to question why
- Great show, with a wonderful cast. This has vibes of the Fallout games and in ways could be a prequel to them in spirit. This show has done a good job of keeping character motivations consistent, yet being able to turn unsympathetic “villains” in to more sympathetic characters as the plot moves forward. Well done. The opening theme definitely evokes some Fallout notes, and for the longest time, I thought it was Ramin Djawadi of GOT and Westworld fame. Special shout out to Atli Ovarsson
- S1 had me hooked. S2 almost lost me completely. S3 is starting to hook me back in. S4 better not dissapoint. I really love the idea of this show, and I do believe it's a bit of a metaphore in a sense. We're all purposely disconnected from the truth, kept in a state of fear and obedience, or else face rejection from society/authority. We're all kept in a silo in a sense, each one being taught different lies. The entire world is kept under illusions so they won't revolt. Sound familiar? Sure does to me.
- I had to change my initial 5 star rating for this show after season 1, to 3 stars after watching the first two episodes of season 3. I thought about changing it after season 2, but decided to give season 3 a chance to redeem itself. I was not surprised to see it did not. So sad, this show had such a great premise. I'm not sure there are any good writing teams left in T.V. or Movies. Edit: I wish all the soap operas that were cancelled in the early 2000's were still around. At least then, this type of crap would have a place, and writers wouldn't feel the need to include it in absolutely everything they make.
- ⭐⭐⭐⭐½ — Silo — Hope is rationed. Truth is contraband. Based on Hugh Howey’s Wool series, Silo drops us into a future that feels brutally inevitable rather than flashy or far-fetched. A long-ago rebellion was crushed, history was rewritten, and a vast underground silo became humanity’s entire world. What we’re watching now is the slow, dangerous resurfacing of questions that were never really answered — only buried. The brilliance of Silo lies in its pressure. Every interaction feels constrained by class, secrecy, and fear. The rigid hierarchy between “up top” and “down below” isn’t just social — it’s mechanical, architectural, and psychological. When we learn that one of the silo’s most capable figures willingly abandoned privilege to live among the working class, the show sharpens its focus on choice versus obedience, and whether opting out of power is itself a kind of rebellion. Season one is a masterclass in sustained tension. Nothing explodes without consequence, and nothing is revealed without cost. By the time the truth starts to fracture the official narrative, you’re already complicit — you understand why people cling to lies, and why tearing them down could be catastrophic. Season two widens the lens in a bold but controlled way. Exile, once framed as a death sentence, becomes something more complicated when we discover the outside world exists exactly as promised — and yet survivable, under very specific conditions. Survival shifts from being a matter of obedience to one of ingenuity, adaptability, and sheer will. At every level, Silo respects its source material while making smart choices for television pacing. It doesn’t spoon-feed answers, and it never undercuts its own stakes with easy hope. This isn’t Shakespeare — but it’s uncomfortably close in spirit, asking the same enduring questions about power, truth, and whether humanity deserves to survive the systems it builds. You don’t watch Silo casually. You lean forward. And once it has you, it does not let go. 🥃 Pairing: a neat bourbon or rye — something patient, warming, and unforgiving if rushed.
- Across its first three seasons, Silo has established itself as one of television's more distinctive science fiction dramas, pairing meticulous world-building with a mystery that constantly suggests there's another layer waiting beneath the surface. That approach can be both the show's greatest strength and its biggest obstacle. The series is at its most captivating when its revelations reshape the people living inside the silo, but far less effective when it mistakes withholding information for building suspense. Even during its slower stretches, the production design remains exceptional, creating an environment that feels convincingly lived in rather than simply constructed. Rebecca Ferguson continues to define the series as Juliette, giving the character a quiet resilience that never depends on grand speeches, while the supporting ensemble has steadily grown into one of the show's strongest assets. As someone who grew up a The Walking Dead devotee, I also enjoyed seeing Avi Nash in a substantial recurring role, bringing a welcome sense of warmth and humanity to an increasingly heavy story. The first season lays an absorbing foundation, the second expands that mythology with greater ambition, and the third pushes even further into the history of this world while proving just how difficult it is for Silo to maintain momentum across an entire season. Its ability to move between the present and the “before times” without making hundreds of years of history difficult to follow is genuinely impressive, but another heavy middle stretch shows that the series still has a tendency to stretch its mysteries and plot lines beyond their natural lifespan. Fortunately, the closing run continues to be where Silo is at its best, with the final two episodes of the third season delivering some of the show's strongest filmmaking yet. The adaptation continues to honor the spirit of Hugh Howey's novels while making thoughtful adjustments for television, and although pacing remains its most persistent weakness, Silo has now built a world compelling enough to keep drawing me back underground.
- I really liked Season 1 and S2, pretty much from the start of each. This season still has the look and feel I've liked, but E1 hasn't drawn me in fully. I'll definitely continue watching, but it's starting to feel a bit gimmicky and less organic than previous seasons. Maybe the tone switch is purposeful and will propel the narrative. Hard to tell at this early stage.
We'll see how it goes
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Silo compte 4 saisons.
Silo compte 31 épisodes.
Les personnages principaux de * Silo * sont Juliette Nichols (Rebecca Ferguson), Robert Sims (Common), Paul Billings (Chinaza Uche).
Silo a été réalisé par Bert, Michael Dinner, Aric Avelino, Adam Bernstein, Morten Tyldum, Bertie, David Semel, Alrick Riley.
Silo a été réalisé par Joanna Thapa, Jessica Blaire, Ben Brafman, Matthew Bird, Jeffery Wang.
Dans un monde futur dévasté et toxique, des milliers de survivants habitent un gigantesque silo souterrain. Après la transgression d'une règle d'or par leur shérif et la mort mystérieuse de plusieurs résidents, Juliette, une mécanicienne, perce peu à peu les terribles secrets du Silo.
Silo est classé « 12 ».
Silo est une émission de « Drame, Mystère, Science-Fiction ».
Silo a obtenu une note de 7 /10 de la part du public.
Silo Les épisodes durent 49min.
Le studio n'a pour l'instant donné aucune information quant à la possibilité d'une nouvelle saison.
























