Philip Dunne
Scénariste, Directeur, Producteur
11 février 1908 — 2 juin 1992 (84 ans)
Philip Ives Dunne (February 11, 1908 – June 2, 1992) was an American screenwriter, film director and producer, who worked prolifically from 1932 until 1965. He spent the majority of his career at 20th Century Fox. He crafted well regarded romantic and historical dramas, usually adapted from another medium. Dunne was a leading Screen Writers Guild organizer and was politically active during the "Hollywood Blacklist" episode of the 1940s–1950s. He is best known for the films How Green Was My Valley (1941), The Ghost and Mrs. Muir (1947), The Robe (1953) and The Agony and the Ecstasy (1965).[1]
Dunne received two Academy Award nominations for screenwriting: How Green Was My Valley (1941) and David and Bathsheba (1951). He also received a Golden Globe nomination for his 1965 screen adaptation of Irving Stone's novel The Agony and the Ecstasy, as well as several peer awards from the Writers Guild of America (WGA), including the Laurel Award for Screenwriting Achievement.
Many notable directors worked with Dunne's screenplays, including Carol Reed, John Ford, Jacques Tourneur, Elia Kazan, Otto Preminger, Joseph L. Mankiewicz, and Michael Curtiz, among others.
Dunne received two Academy Award nominations for screenwriting: How Green Was My Valley (1941) and David and Bathsheba (1951). He also received a Golden Globe nomination for his 1965 screen adaptation of Irving Stone's novel The Agony and the Ecstasy, as well as several peer awards from the Writers Guild of America (WGA), including the Laurel Award for Screenwriting Achievement.
Many notable directors worked with Dunne's screenplays, including Carol Reed, John Ford, Jacques Tourneur, Elia Kazan, Otto Preminger, Joseph L. Mankiewicz, and Michael Curtiz, among others.
Connue pour
Filmographie
| 1992 | The Last of the Mohicans · as Screenplay |
| 1966 | Blindfold · as Screenplay |
| 1959 | Blue Denim · as Screenplay |
| 1958 | Ten North Frederick · as Screenplay |
| 1956 | |
| 1956 | Hilda Crane · as Screenplay |
| 1955 | |
| 1954 | The Egyptian · as Screenplay |
| 1954 | Demetrius and the Gladiators · as Screenplay |
| 1953 | The Robe · as Screenplay |
| 1952 | Way of a Gaucho · as Screenplay |
| 1952 | |
| 1951 | Anne of the Indies · as Screenplay |
| 1951 | |
| 1949 | Pinky · as Screenplay |
| 1948 | The Luck of the Irish · as Screenplay |
| 1948 | |
| 1947 | |
| 1947 | The Ghost and Mrs. Muir · as Screenplay |
| 1947 | The Late George Apley · as Screenplay |
| 1942 | Son of Fury: The Story of Benjamin Blake · as Screenplay |
| 1941 | How Green Was My Valley · as Screenplay |
| 1940 | Johnny Apollo · as Screenplay |
| 1939 | Swanee River · as Screenplay |
| 1939 | The Rains Came · as Screenplay |
| 1939 | Stanley and Livingstone · as Screenplay |
| 1938 | Suez · as Screenplay |
| 1937 | |
| 1936 | The Last of the Mohicans · as ScreenplaySur Plex |
| 1936 | King of Burlesque · as Contributing Writer |
| 1935 | Magnificent Obsession · as Contributing Writer |
| 1934 | |
| 1934 | |
| 1932 |
| 1966 | |
| 1962 | |
| 1961 | |
| 1959 | |
| 1958 | |
| 1958 | |
| 1956 | |
| 1956 | |
| 1955 | |
| 1955 |
| 1988 | The Story of Hollywood · as Self |
| 1983 | The 55th Annual Academy Awards · as Self - Presenter |
| 1965 | The Agony and the Ecstasy · as Screenstory |
| 1952 | O. Henry's Full House · as Screen Play By |
| 1948 | That Wonderful Urge · as Contract Writer |
| 1947 | Kiss of Death · as Additional ScenesSur Plex |
| 1935 | Under Pressure · as Revisions |