Pasqualino De Santis
24 avril 1927 — 23 juin 1996 (69 ans)
Pasquale "Pasqualino" De Santis (24 April 1927 – 23 June 1996) was an Italian cinematographer.
Born in Fondi, he was the brother of film director Giuseppe De Santis. They worked together in Non c'è pace tra gli ulivi, Uomini e lupi (1956), La strada lunga un anno (1958) and La garçonnière (1960).
He collaborated with Francesco Rosi in C'era una volta (1967), Uomini contro (1970), Il caso Mattei (1972), Lucky Luciano (1974), Cristo si è fermato a Eboli (1979), Tre fratelli (1981), Carmen (1984), Cronaca di una morte annunciata (1987), Diario napoletano (1992) and La tregua (1996), filmed in Ukraine, where he died.
He worked with Luchino Visconti (La caduta degli dei, 1969; Death in Venice, 1971; Conversation Piece, 1974; L'Innocente, 1976), Federico Fellini (Fellini: A Director's Notebook, 1969), Joseph L. Mankiewicz (The Honey Pot, 1966), Vittorio De Sica (Amanti, 1968), Joseph Losey (The Assassination of Trotsky, 1972), Carlo Lizzani (Torino nera, 1972), Robert Bresson (Lancelot du Lac, 1974; Le diable probablement, 1977; L'Argent, 1982), Ettore Scola (A Special Day, 1977; La terrazza, 1980), Giuliano Montaldo (Marco Polo, 1982).
Description above from the Wikipedia article Pasqualino De Santis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born in Fondi, he was the brother of film director Giuseppe De Santis. They worked together in Non c'è pace tra gli ulivi, Uomini e lupi (1956), La strada lunga un anno (1958) and La garçonnière (1960).
He collaborated with Francesco Rosi in C'era una volta (1967), Uomini contro (1970), Il caso Mattei (1972), Lucky Luciano (1974), Cristo si è fermato a Eboli (1979), Tre fratelli (1981), Carmen (1984), Cronaca di una morte annunciata (1987), Diario napoletano (1992) and La tregua (1996), filmed in Ukraine, where he died.
He worked with Luchino Visconti (La caduta degli dei, 1969; Death in Venice, 1971; Conversation Piece, 1974; L'Innocente, 1976), Federico Fellini (Fellini: A Director's Notebook, 1969), Joseph L. Mankiewicz (The Honey Pot, 1966), Vittorio De Sica (Amanti, 1968), Joseph Losey (The Assassination of Trotsky, 1972), Carlo Lizzani (Torino nera, 1972), Robert Bresson (Lancelot du Lac, 1974; Le diable probablement, 1977; L'Argent, 1982), Ettore Scola (A Special Day, 1977; La terrazza, 1980), Giuliano Montaldo (Marco Polo, 1982).
Description above from the Wikipedia article Pasqualino De Santis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmographie
| 1969 | The 41st Annual Academy Awards · as Self - Winner |
| 1969 | Fellini: A Director’s Notebook · as Self |
| 1967 | Our World · as Self (italien Segment) |
| 1967 | NBC Experiment in Television · as Self |
| 1997 | The Truce · as Director Of PhotographySur Plex |
| 1997 | The Colors of the Devil · as Director Of Photography |
| 1995 | A Month by the Lake · as Director Of Photography |
| 1992 | Neapolitan Diary · as Director Of Photography |
| 1990 | The Palermo Connection · as Director Of Photography |
| 1989 | Musica per vecchi animali · as Director Of Photography |
| 1989 | 12 Directors for 12 Cities · as Director Of Photography |
| 1988 | Eurocops · as Cinematographer |
| 1988 | High Frequency · as Director Of Photography |
| 1987 | Rigoletto · as Director Of Photography |
| 1987 | Chronicle of a Death Foretold · as Director Of Photography |
| 1986 | Salomé · as Director Of Photography |
| 1985 | Big Deal After 20 Years · as Director Of Photography |
| 1985 | Harem · as Director Of Photography |
| 1984 | Sheena: Queen of the Jungle · as Director Of Photography |
| 1984 | Carmen · as Director Of Photography |
| 1983 | Misunderstood · as Director Of Photography |
| 1983 | L'Argent · as Director Of Photography |
| 1982 | Marco Polo · as Director Of Photography |
| 1981 | Three Brothers · as Director Of Photography |
| 1981 | Habibi, amor mío · as Director Of Photography |
| 1980 | The Terrace · as Director Of Photography |
| 1979 | Liquirizia · as Director Of Photography |
| 1979 | Christ Stopped at Eboli · as Director Of Photography |
| 1977 | Sweet Adolescents · as Director Of Photography |
| 1977 | A Special Day · as Director Of Photography |
| 1977 | The Devil, Probably · as Director Of Photography |
| 1976 | The Innocent · as Director Of PhotographySur Plex |
| 1976 | Illustrious Corpses · as Director Of Photography |
| 1975 | The Immortal Bachelor · as Director Of Photography |
| 1974 | Conversation Piece · as Director Of Photography |
| 1974 | Lancelot of the Lake · as Director Of Photography |
| 1973 | Lucky Luciano · as Director Of Photography |
| 1972 | Torino nera · as Director Of Photography |
| 1972 | The Assassination of Trotsky · as Director Of Photography |
| 1972 | The Mattei Affair · as Director Of Photography |
| 1971 | The Automobile · as Director Of Photography |
| 1971 | Er più: storia d'amore e di coltello · as Director Of Photography |
| 1971 | Death in Venice · as Director Of Photography |
| 1970 | Many Wars Ago · as Director Of Photography |
| 1970 | Red Hot Shot · as Director Of Photography |
| 1969 | Unknown Woman · as Director Of Photography |
| 1969 | The Damned · as Director Of Photography |
| 1969 | Fellini: A Director’s Notebook · as Director Of Photography |
| 1968 | A Place for Lovers · as Director Of Photography |
| 1968 | Listen, Let's Make Love · as Director Of Photography |
| 1968 | Romeo and Juliet · as Director Of Photography |
| 1967 | More Than a Miracle · as Director Of Photography |
| 1967 | NBC Experiment in Television · as Cinematographer |
| 1965 | The Moment of Truth · as Director Of Photography |