Michelangelo Antonioni
Directeur, Scénariste, Éditeur, Acteur, Producteur
29 septembre 1912 — 30 juillet 2007 (94 ans)
Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".
Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard.
Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard.
Connue pour
Filmographie
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| 2012 | Welcome To The Basement · as Screenplay |
| 2004 | |
| 2004 | |
| 1995 | |
| 1980 | |
| 1975 | The Passenger · as Screenplay |
| 1972 | |
| 1970 | Zabriskie Point · as Screenplay |
| 1966 | Blow-Up · as Screenplay |
| 1964 | Red Desert · as Screenplay |
| 1961 | La Notte · as Screenplay |
| 1960 | L'Avventura · as Screenplay |
| 1957 | Il Grido · as Screenplay |
| 1955 | Le Amiche · as Screenplay |
| 1953 | |
| 1953 | The Lady Without Camelias · as Screenplay |
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| 1947 | Tragic Hunt · as Screenplay |
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| 1942 | A Pilot Returns · as Screenplay |
| 2024 | The Great Ambition · as Self |
| 2022 | Nos italiennes, de Magnani à Muti · as Self |
| 2018 | Jeanne Moreau, l'affranchie · as Self - Filmmaker (archive Footage) |
| 2016 | Water and Sugar · as Self |
| 2010 | 1960 · as Self |
| 2010 | I Wish I Knew · as Self |
| 2008 | Coração Vagabundo · as Self |
| 2008 | The 80th Annual Academy Awards · as Self - Memorial Tribute |
| 2004 | Michelangelo Eye to Eye · as Self |
| 2001 | Michelangelo Antonioni: Lo sguardo che ha cambiato il cinema · as Self (archive Footage) |
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| 1995 | To Make a Film Is to Be Alive · as Self (uncredited) |
| 1995 | The 67th Annual Academy Awards · as Self - Honorary Award Recipient |
| 1993 | Hollywood U.K. (1993) · as Self - Contributor |
| 1984 | Farewell to Enrico Berlinguer · as Self |
| 1982 | Room 666 · as Self |
| 1973 | AFI Life Achievement Award · as Self - Audience Member |
| 1967 | Cinéma et réalité · as Self |
| 1965 | Antonioni: Documents and Testimonials · as Self |
| 1953 | The Academy Awards · as Self |
| 1952 | Reflets de Cannes · as Self |
| 1997 |
| 2004 | Michelangelo Eye to Eye · as Production Designer |
| 1995 | Beyond the Clouds · as Book |
| 1982 | Identification of a Woman · as Story |
| 1962 | L'Eclisse · as Story |
| 1959 | Sign of the Gladiator · as Second Unit Director |
| 1958 | Tempest · as Assistant Director |
| 1953 | The Vanquished · as Story |
| 1952 | The White Sheik · as Story |
| 1950 | Story of a Love Affair · as Story |
| 1942 | The Devil's Envoys · as Assistant Director |