Malte Sarnes
Malte Sarnes is a visual effects supervisor at MPC. He previously worked at MR. X in Adelaide, Australia.
He studied industrial design in Germany, which he credits with giving him a strong sense of form, aesthetic composition and visual storytelling — skills he carries into his VFX supervision.
Sarnes has held roles at several VFX studios; at one point, he served at Rising Sun Pictures (RSP), joining them in 2017. His work at RSP encompassed a broad range of projects: for example, on Captain Marvel (2019), he supervised nearly 300 visual effects shots — including the creation of a fully 3D subterranean aircraft hangar complete with military hardware and holographic effects.
Sarnes was also a VFX supervisor on Ford v Ferrari (2019), for which RSP contributed a major share of the visual-effects work. That contribution earned him, along with collaborators, a nomination from the Visual Effects Society (VES) in 2020 for Outstanding Supporting Visual Effects in a Photoreal Feature.
Beyond that, he supervised the VFX for Jungle Cruise (2021), where his team helped recreate vast, photo-real rainforest environments and deliver complex water, explosion and creature effects in service of the film's stylised adventure story.
He studied industrial design in Germany, which he credits with giving him a strong sense of form, aesthetic composition and visual storytelling — skills he carries into his VFX supervision.
Sarnes has held roles at several VFX studios; at one point, he served at Rising Sun Pictures (RSP), joining them in 2017. His work at RSP encompassed a broad range of projects: for example, on Captain Marvel (2019), he supervised nearly 300 visual effects shots — including the creation of a fully 3D subterranean aircraft hangar complete with military hardware and holographic effects.
Sarnes was also a VFX supervisor on Ford v Ferrari (2019), for which RSP contributed a major share of the visual-effects work. That contribution earned him, along with collaborators, a nomination from the Visual Effects Society (VES) in 2020 for Outstanding Supporting Visual Effects in a Photoreal Feature.
Beyond that, he supervised the VFX for Jungle Cruise (2021), where his team helped recreate vast, photo-real rainforest environments and deliver complex water, explosion and creature effects in service of the film's stylised adventure story.
Filmographie
| 2025 | Back in Action · as Visual Effects Supervisor |
| 2023 | Ant-Man and the Wasp: Quantumania · as Visual Effects Supervisor |
| 2022 | Hocus Pocus 2 · as Visual Effects Supervisor |
| 2021 | Spider-Man: No Way Home · as Visual Effects Supervisor |
| 2021 | Shang-Chi and the Legend of the Ten Rings · as Visual Effects Supervisor |
| 2021 | Jungle Cruise · as Visual Effects Supervisor |
| 2019 | Ford v Ferrari · as Visual Effects Supervisor |
| 2019 | Captain Marvel · as Visual Effects Supervisor |
| 2018 | Animal World · as Visual Effects Supervisor |
| 2017 | xXx: Return of Xander Cage · as Visual Effects Supervisor |
| 2016 | The Promise · as Visual Effects Supervisor |
| 2014 | A Most Wanted Man · as Visual Effects SupervisorSur Plex |
| 2013 | Only Lovers Left Alive · as Visual Effects Supervisor |
| 2013 | The Taste of Apple Seeds · as Visual Effects Supervisor |
| 2013 | After Earth · as Visual Effects Supervisor |