Lyle R. Wheeler
12 février 1905 — 10 janvier 1990 (84 ans)
From Wikipedia, the free encyclopedia
Lyle Reynolds Wheeler (February 2, 1905 – January 10, 1990) was an American motion picture art director. He received five Academy Awards — for Gone with the Wind (1939), Anna and the King of Siam (1946), The Robe (1953), The King and I (1956) and The Diary of Anne Frank (1959).
Lyle Wheeler studied at the University of Southern California, then worked as a magazine artist and industrial designer. In 1936 he was hired by David O. Selznick to work as a set designer for Selznick's motion picture production company. Wheeler proved to be a creative genius when it came to designing quality sets at reasonable costs and was very much in demand in the industry. By the end of World War II, Wheeler had joined Twentieth Century-Fox Film Corporation, where he remained as chief art director until the end of the 1950s.
In a career spanning 40 years, Wheeler created sets for more than 350 motion pictures, many of which are considered film classics. His credits include A Star is Born, A Tree Grows in Brooklyn, State Fair, The Dolly Sisters, Forever Amber, The Fan, The Pride of St. Louis, The Seven Year Itch, and Carousel and in particular, Gone With the Wind, for which he drew some of the earliest examples of storyboards for film, illustrating not only the art design, but the framing, composition and even the color for nearly every shot in the film, greatly influencing the production. He also created matte paintings for all the ceilings for the sets as well as large set pieces like the facade of Tara. He was nominated for the Academy Award for Best Art Direction 29 times, winning five. In 1951, he was nominated for four different films, three in 1952 and twice for two films in one year.
His television credits include the long-running CBS series, Perry Mason.
Late in life, Wheeler suffered financial reverses and was forced to sell his home. He lost his five Academy Award statuettes when he was unable to pay a bill in excess of $30,000 at a storage facility. His 1959 Oscar for The Diary of Anne Frank was purchased and returned to Wheeler in 1989 by a fan.
Lyle Wheeler died January 10, 1990, at the Motion Picture & Television Country House and Hospital, of pneumonia. He was cremated, and his ashes stored in the vault at the Chapel of the Pines Crematory in Los Angeles.
Lyle Reynolds Wheeler (February 2, 1905 – January 10, 1990) was an American motion picture art director. He received five Academy Awards — for Gone with the Wind (1939), Anna and the King of Siam (1946), The Robe (1953), The King and I (1956) and The Diary of Anne Frank (1959).
Lyle Wheeler studied at the University of Southern California, then worked as a magazine artist and industrial designer. In 1936 he was hired by David O. Selznick to work as a set designer for Selznick's motion picture production company. Wheeler proved to be a creative genius when it came to designing quality sets at reasonable costs and was very much in demand in the industry. By the end of World War II, Wheeler had joined Twentieth Century-Fox Film Corporation, where he remained as chief art director until the end of the 1950s.
In a career spanning 40 years, Wheeler created sets for more than 350 motion pictures, many of which are considered film classics. His credits include A Star is Born, A Tree Grows in Brooklyn, State Fair, The Dolly Sisters, Forever Amber, The Fan, The Pride of St. Louis, The Seven Year Itch, and Carousel and in particular, Gone With the Wind, for which he drew some of the earliest examples of storyboards for film, illustrating not only the art design, but the framing, composition and even the color for nearly every shot in the film, greatly influencing the production. He also created matte paintings for all the ceilings for the sets as well as large set pieces like the facade of Tara. He was nominated for the Academy Award for Best Art Direction 29 times, winning five. In 1951, he was nominated for four different films, three in 1952 and twice for two films in one year.
His television credits include the long-running CBS series, Perry Mason.
Late in life, Wheeler suffered financial reverses and was forced to sell his home. He lost his five Academy Award statuettes when he was unable to pay a bill in excess of $30,000 at a storage facility. His 1959 Oscar for The Diary of Anne Frank was purchased and returned to Wheeler in 1989 by a fan.
Lyle Wheeler died January 10, 1990, at the Motion Picture & Television Country House and Hospital, of pneumonia. He was cremated, and his ashes stored in the vault at the Chapel of the Pines Crematory in Los Angeles.
Films & Séries sur Plex
Connue pour
Filmographie
| 1988 | |
| 1986 | Our World · as Self - 'gone With The Wind' Art Director |
| 1978 | Perfect Gentlemen · as Production Design |
| 1977 | Flight to Holocaust · as Art Direction |
| 1975 | Posse · as Production Design |
| 1972 | Stand Up and Be Counted · as Production Design |
| 1971 | Bless the Beasts & Children · as Art Director |
| 1971 | The Love Machine · as Production Design |
| 1971 | Doctors' Wives · as Production Design |
| 1970 | Tell Me That You Love Me, Junie Moon · as Production Design |
| 1969 | Marooned · as Production Design |
| 1968 | Where Angels Go Trouble Follows! · as Production Design |
| 1967 | The Big Mouth · as Production Design |
| 1966 | ABC Stage 67 · as Production Designer |
| 1965 | In Harm's Way · as Production Design |
| 1964 | The Best Man · as Production Design |
| 1963 | The Cardinal · as Production Design |
| 1962 | Advise & Consent · as Production Design |
| 1960 | Let's Make Love · as Art Direction |
| 1960 | Young Jesse James · as Art Direction |
| 1960 | The Story of Ruth · as Art Direction |
| 1960 | From the Terrace · as Art Direction |
| 1960 | Wake Me When It's Over · as Art Director |
| 1960 | Wild River · as Art Direction |
| 1960 | Seven Thieves · as Art Direction |
| 1960 | Can-Can · as Art Direction |
| 1959 | Beloved Infidel · as Art Direction |
| 1959 | Journey to the Center of the Earth · as Art Direction |
| 1959 | The Story on Page One · as Art Direction |
| 1959 | The Rookie · as Art Director |
| 1959 | Hound-Dog Man · as Art Director |
| 1959 | The Man Who Understood Women · as Art Direction |
| 1959 | The Blue Angel · as Art Director |
| 1959 | The Best of Everything · as Art Direction |
| 1959 | A Private's Affair · as Art Direction |
| 1959 | Adventures in Paradise · as Art Director |
| 1959 | Five Fingers · as Art Director |
| 1959 | The Many Loves of Dobie Gillis · as Art DirectorSur Plex |
| 1959 | Five Gates to Hell · as Art Director |
| 1959 | Holiday for Lovers · as Art Direction |
| 1959 | The Oregon Trail · as Art Director |
| 1959 | Blue Denim · as Art Direction |
| 1959 | Say One for Me · as Art Direction |
| 1959 | Woman Obsessed · as Art Director |
| 1959 | Return of the Fly · as Art Direction |
| 1959 | The Alligator People · as Art Direction |
| 1959 | These Thousand Hills · as Art Direction |
| 1959 | Compulsion · as Art Director |
| 1959 | The Diary of Anne Frank · as Art Direction |
| 1959 | Warlock · as Art DirectionSur Plex |
| 1959 | The Sound and the Fury · as Art Direction |
| 1959 | The Sad Horse · as Production Designer |
| 1959 | The Third Man · as Art Director |
| 1959 | Rawhide · as Art Direction |
| 1958 | The Remarkable Mr. Pennypacker · as Art Director |
| 1958 | Rally 'Round the Flag, Boys! · as Art Direction |
| 1958 | A Nice Little Bank That Should Be Robbed · as Art Director |
| 1958 | Mardi Gras · as Art Direction |
| 1958 | In Love and War · as Art Director |
| 1958 | The Barbarian and the Geisha · as Art Direction |
| 1958 | A Certain Smile · as Art Direction |
| 1958 | The Hunters · as Art Direction |
| 1958 | The Bravados · as Art Direction |
| 1958 | The Fiend Who Walked the West · as Art Direction |
| 1958 | Ten North Frederick · as Art Director |
| 1958 | The Fly · as Art Direction |
| 1958 | From Hell to Texas · as Art Direction |
| 1958 | Fräulein · as Art Direction |
| 1958 | The Long, Hot Summer · as Art Direction |
| 1958 | Sing Boy Sing · as Art Director |
| 1958 | The Young Lions · as Art Direction |
| 1958 | South Pacific · as Art DirectionSur Plex |
| 1958 | The Gift of Love · as Art Direction |
| 1957 | The Enemy Below · as Art Direction |
| 1957 | Peyton Place · as Art Direction |
| 1957 | Kiss Them for Me · as Art Director |
| 1957 | Collector's Item: The Left Fist of David · as Art Director |
| 1957 | Stopover Tokyo · as Art Director |
| 1957 | April Love · as Art Direction |
| 1957 | No Down Payment · as Art Director |
| 1957 | How To Marry A Millionaire · as Art Director |
| 1957 | Perry Mason · as Art Direction |
| 1957 | The Three Faces of Eve · as Art Direction |
| 1957 | A Hatful of Rain · as Art Direction |
| 1957 | Bernardine · as Art Director |
| 1957 | The Sun Also Rises · as Art Direction |
| 1957 | Desk Set · as Art Direction |
| 1957 | Will Success Spoil Rock Hunter? · as Art Direction |
| 1957 | An Affair to Remember · as Art Direction |
| 1957 | The Wayward Bus · as Art Direction |
| 1957 | The Way to the Gold · as Art Director |
| 1957 | Boy on a Dolphin · as Art Direction |
| 1957 | Oh, Men! Oh, Women! · as Art Direction |
| 1957 | The True Story of Jesse James · as Art DirectorSur Plex |
| 1956 | The Girl Can't Help It · as Art Direction |
| 1956 | Three Brave Men · as Art Direction |
| 1956 | Love Me Tender · as Art Direction |
| 1956 | Teenage Rebel · as Art Direction |
| 1956 | Between Heaven and Hell · as Art Direction |
| 1956 | The Best Things in Life Are Free · as Art Direction |
| 1956 | Broken Arrow · as Art Director |
| 1956 | 23 Paces to Baker Street · as Art Direction |
| 1956 | The Last Wagon · as Art Direction |
| 1956 | Bus Stop · as Art Direction |
| 1956 | Bigger Than Life · as Art Direction |
| 1956 | The King and I · as Art Direction |
| 1956 | The Bottom of the Bottle · as Art Direction |
| 1956 | The Revolt of Mamie Stover · as Art Direction |
| 1956 | D-Day the Sixth of June · as Art Direction |
| 1956 | The Proud Ones · as Art Direction |
| 1956 | The Man in the Gray Flannel Suit · as Art Direction |
| 1956 | Hilda Crane · as Art Direction |
| 1956 | On the Threshold of Space · as Art Direction |
| 1956 | Carousel · as Art Direction |
| 1956 | The Lieutenant Wore Skirts · as Art Direction |
| 1955 | The Rains of Ranchipur · as Art Director |
| 1955 | The Miracle on 34th Street · as Art DirectionSur Plex |
| 1955 | The Tall Men · as Art Direction |
| 1955 | Good Morning, Miss Dove · as Art Direction |
| 1955 | The View from Pompey's Head · as Art Director |
| 1955 | Seven Cities of Gold · as Art Direction |
| 1955 | The 20th Century-Fox Hour · as Art Director |
| 1955 | The Girl in the Red Velvet Swing · as Art Direction |
| 1955 | My Friend Flicka · as Art Director |
| 1955 | Love Is a Many-Splendored Thing · as Art Direction |
| 1955 | The Left Hand of God · as Art Direction |
| 1955 | House of Bamboo · as Art Direction |
| 1955 | The Virgin Queen · as Art Direction |
| 1955 | How to Be Very, Very Popular · as Art Director |
| 1955 | The Seven Year Itch · as Art Direction |
| 1955 | Soldier of Fortune · as Art Direction |
| 1955 | The Racers · as Art Direction |
| 1955 | Daddy Long Legs · as Art Direction |
| 1955 | Violent Saturday · as Art Direction |
| 1955 | A Man Called Peter · as Art Direction |
| 1955 | The 27th Annual Academy Awards · as Set Decorator |
| 1955 | Untamed · as Art Direction |
| 1955 | Prince of Players · as Art Director |
| 1954 | The Egyptian · as Art Direction |
| 1954 | There's No Business Like Show Business · as Art Direction |
| 1954 | Désirée · as Art Director |
| 1954 | Black Widow · as Art Direction |
| 1954 | Woman's World · as Art Direction |
| 1954 | Broken Lance · as Art Direction |
| 1954 | Demetrius and the Gladiators · as Art Direction |
| 1954 | Garden of Evil · as Art DirectionSur Plex |
| 1954 | River of No Return · as Art Direction |
| 1954 | Three Coins in the Fountain · as Art Direction |
| 1954 | Gorilla at Large · as Art Direction |
| 1954 | The Siege at Red River · as Art DirectionSur Plex |
| 1954 | Prince Valiant · as Art Director |
| 1954 | Hell and High Water · as Art Director |
| 1954 | Three Young Texans · as Art Direction |
| 1953 | Man in the Attic · as Art DirectionSur Plex |
| 1953 | King of the Khyber Rifles · as Art Direction |
| 1953 | Taxi · as Art Direction |
| 1953 | The Robe · as Art Direction |
| 1953 | Beneath the 12-Mile Reef · as Art DirectionSur Plex |
| 1953 | How to Marry a Millionaire · as Art Direction |
| 1953 | White Witch Doctor · as Art Direction |
| 1953 | Vicki · as Art Direction |
| 1953 | Mister Scoutmaster · as Art Direction |
| 1953 | Inferno · as Art Direction |
| 1953 | Dangerous Crossing · as Art Direction |
| 1953 | A Blueprint for Murder · as Art DirectionSur Plex |
| 1953 | Gentlemen Prefer Blondes · as Art Direction |
| 1953 | Titanic · as Art Direction |
| 1953 | Pickup on South Street · as Art DirectionSur Plex |
| 1953 | The Kid from Left Field · as Art Director |
| 1953 | The Farmer Takes a Wife · as Art Director |
| 1953 | Powder River · as Art Direction |
| 1953 | The President's Lady · as Art Direction |
| 1953 | The Glory Brigade · as Art Direction |
| 1953 | The Desert Rats · as Art Direction |
| 1953 | The Girl Next Door · as Art Direction |
| 1953 | Destination Gobi · as Art Director |
| 1953 | The Silver Whip · as Art DirectorSur Plex |
| 1953 | Treasure of the Golden Condor · as Art Direction |
| 1953 | Call Me Madam · as Art Direction |
| 1953 | The 25th Annual Academy Awards · as Art Director |
| 1953 | You Are There · as Art Director |
| 1953 | Niagara · as Art DirectionSur Plex |
| 1953 | Tonight We Sing · as Art Direction |
| 1953 | The I Don't Care Girl · as Art Direction |
| 1952 | Down Among the Sheltering Palms · as Art Director |
| 1952 | Bloodhounds of Broadway · as Art Director |
| 1952 | My Cousin Rachel · as Art Director |
| 1952 | The Snows of Kilimanjaro · as Art DirectionSur Plex |
| 1952 | Stars and Stripes Forever · as Art Direction |
| 1952 | Pony Soldier · as Art Director |
| 1952 | We're Not Married! · as Art Direction |
| 1952 | My Pal Gus · as Art Direction |
| 1952 | The Pride of St. Louis · as Art Director |
| 1952 | My Wife's Best Friend · as Art Direction |
| 1952 | O. Henry's Full House · as Art Director |
| 1952 | Way of a Gaucho · as Art Direction |
| 1952 | Lure of the Wilderness · as Art Director |
| 1952 | Something for the Birds · as Art Direction |
| 1952 | Night Without Sleep · as Art Direction |
| 1952 | Monkey Business · as Art Direction |
| 1952 | What Price Glory · as Art Direction |
| 1952 | Les Miserables · as Art Direction |
| 1952 | Dreamboat · as Art Direction |
| 1952 | Don't Bother to Knock · as Art Direction |
| 1952 | Wait Till the Sun Shines, Nellie · as Art Direction |
| 1952 | Return of the Texan · as Art Direction |
| 1952 | Diplomatic Courier · as Art Direction |
| 1952 | Lydia Bailey · as Art Director |
| 1952 | The Outcasts of Poker Flat · as Art Direction |
| 1952 | Belles on Their Toes · as Art Direction |
| 1952 | Kangaroo · as Art DirectorSur Plex |
| 1952 | Deadline - U.S.A. · as Art Direction |
| 1952 | With a Song in My Heart · as Art Direction |
| 1952 | 5 Fingers · as Art Direction |
| 1952 | Phone Call from a Stranger · as Art DirectorSur Plex |
| 1952 | Viva Zapata! · as Art Direction |
| 1952 | Red Skies of Montana · as Art Director |
| 1951 | Elopement · as Art Direction |
| 1951 | Fixed Bayonets! · as Art Direction |
| 1951 | The Model and the Marriage Broker · as Art Direction |
| 1951 | Golden Girl · as Art Direction |
| 1951 | Let's Make It Legal · as Art Direction |
| 1951 | Mr. Belvedere Rings the Bell · as Art Direction |
| 1951 | Anne of the Indies · as Art Direction |
| 1951 | The Desert Fox: The Story of Rommel · as Art Direction |
| 1951 | Meet Me After the Show · as Art Director |
| 1951 | Love Nest · as Art Direction |
| 1951 | Take Care of My Little Girl · as Art Director |
| 1951 | The Day the Earth Stood Still · as Art Direction |
| 1951 | The Secret of Convict Lake · as Art Direction |
| 1951 | The Frogmen · as Art Direction |
| 1951 | As Young as You Feel · as Art Direction |
| 1951 | People Will Talk · as Art DirectionSur Plex |
| 1951 | The Guy Who Came Back · as Art Direction |
| 1951 | David and Bathsheba · as Art Direction |
| 1951 | The House on Telegraph Hill · as Art DirectionSur Plex |
| 1951 | Follow the Sun · as Art Direction |
| 1951 | Fourteen Hours · as Art Direction |
| 1951 | You're in the Navy Now · as Art Direction |
| 1951 | Half Angel · as Art Director |
| 1951 | On the Riviera · as Art Direction |
| 1951 | Call Me Mister · as Art Director |
| 1951 | I Can Get It for You Wholesale · as Art Director |
| 1951 | Rawhide · as Art Direction |
| 1951 | Halls of Montezuma · as Art Direction |
| 1951 | Bird of Paradise · as Art Direction |
| 1951 | I'd Climb the Highest Mountain · as Art Direction |
| 1951 | The 13th Letter · as Art Direction |
| 1950 | For Heaven's Sake · as Art Director |
| 1950 | My Blue Heaven · as Art Direction |
| 1950 | American Guerrilla in the Philippines · as Art Direction |
| 1950 | The Jackpot · as Art Direction |
| 1950 | Mister 880 · as Art Direction |
| 1950 | The Jack Benny Program · as Art Director |
| 1950 | All About Eve · as Art Direction |
| 1950 | Two Flags West · as Art Direction |
| 1950 | I'll Get By · as Art Direction |
| 1950 | The Gunfighter · as Art DirectionSur Plex |
| 1950 | No Way Out · as Art Direction |
| 1950 | Panic in the Streets · as Art Direction |
| 1950 | Where the Sidewalk Ends · as Art DirectionSur Plex |
| 1950 | Broken Arrow · as Art Direction |
| 1950 | Stella · as Art Direction |
| 1950 | The Big Lift · as Art DirectionSur Plex |
| 1950 | Love That Brute · as Art Direction |
| 1950 | Under My Skin · as Art Direction |
| 1950 | Wabash Avenue · as Art Direction |
| 1950 | A Ticket to Tomahawk · as Art Direction |
| 1950 | Cheaper by the Dozen · as Art Direction |
| 1950 | Mother Didn't Tell Me · as Art Direction |
| 1950 | Three Came Home · as Art DirectionSur Plex |
| 1950 | When Willie Comes Marching Home · as Art Direction |
| 1950 | Whirlpool · as Art Direction |
| 1949 | Twelve O'Clock High · as Art Direction |
| 1949 | Everybody Does It · as Art Director |
| 1949 | Dancing in the Dark · as Art Direction |
| 1949 | Oh, You Beautiful Doll · as Art Director |
| 1949 | Prince of Foxes · as Art Direction |
| 1949 | Thieves' Highway · as Art Direction |
| 1949 | Father Was a Fullback · as Art Direction |
| 1949 | Pinky · as Art Direction |
| 1949 | Come to the Stable · as Art Direction |
| 1949 | I Was a Male War Bride · as Art Direction |
| 1949 | Slattery's Hurricane · as Art Direction |
| 1949 | Sand · as Art Direction |
| 1949 | The Fan · as Art Direction |
| 1949 | You're My Everything · as Art Direction |
| 1949 | House of Strangers · as Art Direction |
| 1949 | Chicken Every Sunday · as Art Director |
| 1949 | It Happens Every Spring · as Art Direction |
| 1949 | Mother Is a Freshman · as Art Director |
| 1949 | The Beautiful Blonde from Bashful Bend · as Art Direction |
| 1949 | Mr. Belvedere Goes to College · as Art Direction |
| 1949 | Down to the Sea in Ships · as Art Direction |
| 1949 | A Letter to Three Wives · as Art Direction |
| 1948 | That Wonderful Urge · as Art Direction |
| 1948 | Yellow Sky · as Art Direction |
| 1948 | Unfaithfully Yours · as Art Direction |
| 1948 | Deep Waters · as Art Direction |
| 1948 | The Walls of Jericho · as Art Direction |
| 1948 | The Snake Pit · as Art Director |
| 1948 | When My Baby Smiles at Me · as Art Director |
| 1948 | Road House · as Art Direction |
| 1948 | Cry of the City · as Art Direction |
| 1948 | Give My Regards to Broadway · as Art Direction |
| 1948 | Apartment for Peggy · as Art Direction |
| 1948 | That Lady in Ermine · as Art Direction |
| 1948 | Scudda Hoo! Scudda Hay! · as Art Direction |
| 1948 | The Luck of the Irish · as Art Direction |
| 1948 | The Street with No Name · as Art Direction |
| 1948 | Fury at Furnace Creek · as Art Direction |
| 1948 | The Iron Curtain · as Art Direction |
| 1948 | Green Grass of Wyoming · as Art Director |
| 1948 | Sitting Pretty · as Art Direction |
| 1948 | Call Northside 777 · as Art Direction |
| 1948 | You Were Meant for Me · as Art Direction |
| 1947 | Daisy Kenyon · as Art Direction |
| 1947 | Gentleman's Agreement · as Art Direction |
| 1947 | Nightmare Alley · as Art Direction |
| 1947 | Forever Amber · as Art Direction |
| 1947 | The Foxes of Harrow · as Art Direction |
| 1947 | Kiss of Death · as Art DirectionSur Plex |
| 1946 | My Darling Clementine · as Art Direction |
| 1946 | Wake Up and Dream · as Art Director |
| 1946 | Do You Love Me · as Art Direction |
| 1946 | Anna and the King of Siam · as Art Direction |
| 1946 | Three Little Girls in Blue · as Art Director |
| 1946 | Centennial Summer · as Art Direction |
| 1946 | Smoky · as Art Director |
| 1946 | Cluny Brown · as Art Direction |
| 1946 | Dragonwyck · as Art Direction |
| 1946 | Sentimental Journey · as Art Director |
| 1946 | Behind Green Lights · as Art DirectionSur Plex |
| 1946 | Shock · as Art DirectionSur Plex |
| 1946 | Colonel Effingham's Raid · as Art Direction |
| 1945 | Doll Face · as Art Direction |
| 1945 | Leave Her to Heaven · as Art Direction |
| 1945 | Fallen Angel · as Art DirectionSur Plex |
| 1945 | The Spider · as Art Director |
| 1945 | Nob Hill · as Art Direction |
| 1945 | The Dolly Sisters · as Art Direction |
| 1945 | The House on 92nd Street · as Art Director |
| 1945 | A Royal Scandal · as Art Direction |
| 1945 | Hangover Square · as Art Direction |
| 1945 | State Fair · as Art Direction |
| 1945 | Thunderhead: Son of Flicka · as Art Direction |
| 1945 | Within These Walls · as Art Direction |
| 1945 | A Bell for Adano · as Art Direction |
| 1945 | Captain Eddie · as Art Director |
| 1945 | Junior Miss · as Art Direction |
| 1945 | The Caribbean Mystery · as Art Direction |
| 1945 | Don Juan Quilligan · as Art Direction |
| 1945 | Molly and Me · as Art Direction |
| 1945 | Where Do We Go from Here? · as Art Direction |
| 1945 | Diamond Horseshoe · as Art Direction |
| 1945 | The Bullfighters · as Art Direction |
| 1945 | Circumstantial Evidence · as Art Direction |
| 1945 | A Tree Grows in Brooklyn · as Art Direction |
| 1944 | Winged Victory · as Art Direction |
| 1944 | Sunday Dinner for a Soldier · as Art Director |
| 1944 | Something for the Boys · as Art Director |
| 1944 | Irish Eyes Are Smiling · as Art Direction |
| 1944 | Laura · as Art Direction |
| 1944 | The Big Noise · as Art Direction |
| 1944 | Sweet and Low-Down · as Art Director |
| 1944 | Dragon Seed · as Art Direction |
| 1944 | Wing and a Prayer · as Art Direction |
| 1943 | Bataan · as Art Direction |
| 1941 | That Hamilton Woman · as Art Direction |
| 1940 | Rebecca · as Art Direction |
| 1939 | Gone with the Wind · as Art Direction |
| 1939 | Intermezzo · as Art DirectionSur Plex |
| 1939 | Made for Each Other · as Art DirectionSur Plex |
| 1938 | The Young in Heart · as Art Direction |
| 1938 | The Adventures of Tom Sawyer · as Art Direction |
| 1937 | Nothing Sacred · as Art DirectionSur Plex |
| 1937 | The Prisoner of Zenda · as Art Direction |
| 1937 | A Star Is Born · as Art DirectorSur Plex |
| 1936 | The Garden of Allah · as Set Decoration |