Harry Horner
Directeur, Producteur
24 juillet 1910 — 5 décembre 1994 (84 ans)
Harry Horner (July 24, 1910 - December 5, 1994) was an Austrian art director who made a successful career in Hollywood. He was born in the town of Holitz, which now belongs to the Czech Republic, to German speaking parents in Bohemia.
He began his career working with Max Reinhardt in Vienna. When Reinhardt moved to the United States in the early 1930s, Horner went along with him. During World War II, he served as production designer and set designer for the U.S. Army Air Forces show Winged Victory. He won an Oscar in 1949 for his work on William Wyler's The Heiress and another in 1961 for Robert Rossen's drama The Hustler.
One of his first notable successes was George Cukor's A Double Life (1947) and he soon found himself up on the Oscar podium in 1949 for his work on William Wyler's The Heiress. He worked with Cukor again in 1950 on Born Yesterday and then tried his hand at directing on several TV series, including Gunsmoke. He was nominated for a third time in 1969 for Sydney Pollack's 30s drama They Shoot Horses, Don't They . Horner directed a few films beginning with Red Planet Mars and Beware, My Lovely both in 1952.
He retired after completing the Neil Diamond remake of The Jazz Singer in 1980. He died of pneumonia in 1994 in Pacific Palisades, California, aged 84.
Description above from the Wikipedia article Harry Horner, licensed under CC-BY-SA,full list of contributors on Wikipedia.
He began his career working with Max Reinhardt in Vienna. When Reinhardt moved to the United States in the early 1930s, Horner went along with him. During World War II, he served as production designer and set designer for the U.S. Army Air Forces show Winged Victory. He won an Oscar in 1949 for his work on William Wyler's The Heiress and another in 1961 for Robert Rossen's drama The Hustler.
One of his first notable successes was George Cukor's A Double Life (1947) and he soon found himself up on the Oscar podium in 1949 for his work on William Wyler's The Heiress. He worked with Cukor again in 1950 on Born Yesterday and then tried his hand at directing on several TV series, including Gunsmoke. He was nominated for a third time in 1969 for Sydney Pollack's 30s drama They Shoot Horses, Don't They . Horner directed a few films beginning with Red Planet Mars and Beware, My Lovely both in 1952.
He retired after completing the Neil Diamond remake of The Jazz Singer in 1980. He died of pneumonia in 1994 in Pacific Palisades, California, aged 84.
Description above from the Wikipedia article Harry Horner, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Connue pour
Filmographie
| 1959 | |
| 1958 | |
| 1958 | |
| 1956 | |
| 1956 | |
| 1955 | |
| 1955 | |
| 1955 | |
| 1954 | |
| 1953 | |
| 1953 | |
| 1952 | |
| 1952 | |
| 1952 | Four Star PlayhouseSur Plex |
| 1952 | |
| 1952 | Red Planet MarsSur Plex |
| 1951 |
| 1958 | Separate Tables · as Associate Producer |
| 1996 | The 68th Annual Academy Awards · as Self - Memorial Tribute |
| 1980 | The Jazz Singer · as Production DesignSur Plex |
| 1979 | Strangers: The Story of a Mother and Daughter · as Production Design |
| 1978 | Moment by Moment · as Production Design |
| 1978 | The Driver · as Production Design |
| 1977 | Audrey Rose · as Production Design |
| 1976 | Harry and Walter Go to New York · as Production Design |
| 1975 | The Black Bird · as Production Design |
| 1972 | Up the Sandbox · as Production DesignSur Plex |
| 1971 | Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? · as Production Design |
| 1969 | They Shoot Horses, Don't They? · as Production Design |
| 1964 | The Luck of Ginger Coffey · as Production Designer |
| 1961 | The Hustler · as Production DesignSur Plex |
| 1959 | The Wonderful Country · as Production Design |
| 1958 | Separate Tables · as Production Design |
| 1958 | Separate Tables · as Second Unit Director |
| 1952 | Androcles and the Lion · as Production Design |
| 1951 | He Ran All the Way · as Production Design |
| 1950 | Born Yesterday · as Production Design |
| 1950 | Outrage · as Production Design |
| 1950 | Tarzan and the Slave Girl · as Production Design |
| 1949 | The Heiress · as Production Design |
| 1947 | A Double Life · as Production Design |
| 1943 | Stage Door Canteen · as Production DesignSur Plex |
| 1943 | Tarzan Triumphs · as Production Designer |
| 1943 | Tarzan Triumphs · as Production Designer |