Les Guetteurs
Réalisé par Ishana Night Shyamalan5.732%50%6.3
Cette forêt n'existe sur aucune carte. Toutes les voitures qui y pénètrent tombent immanquablement en panne, et celle de Mina n'a pas fait exception. Bloquée sur place, elle n'a pas d'autre choix que de s'aventurer dans les bois. Le cri d'une femme la mène jusqu'à un bunker au milieu des arbres. Quand elle franchit la porte, des dizaines de cris résonnent autour d'elle. Mina se retrouve prisonnière d'une pièce aux murs de verre et dont la lumière s'allume automatiquement au coucher du soleil, lorsque les Guetteurs sortent. Ces créatures émergent pour observer leurs captifs humains et un sort terrible attend tous ceux qui n'atteignent pas le bunker à temps. Terrifiée et prise au piège avec des inconnus, Mina cherche désespérément des réponses, et un moyen de s'enfuir. Qui sont les Guetteurs ? Pourquoi gardent-ils des humains enfermés ? Et pourquoi surveillent-ils leurs moindres mouvements ?
- jackmeat8 février 2026My quick rating - 6.1/10. I flipped on The Watchers, knowing it was the directorial debut of Ishana Shyamalan, daughter of M. Night Shyamalan. Thankfully, I didn't see a case of “nepo baby sleepwalking through a movie.” Her direction is confident, and she clearly understands pacing and atmosphere. Knowing how to let tension simmer rather than scream at you just works in this flick. The story is very much within familiar survival horror territory, but its setting and characters prevent it from feeling like something you’ve seen a dozen times already. Dakota Fanning plays Mina, and she is very good in the part. She's resourceful, believable, and avoids the horror movie trope of people forgetting how to walk when something scary happens. The rest of the cast - Georgina Campbell, Oliver Finnegan, Olwen Fouere - round out the trapped, all bringing just enough character to the film that I cared, well, a little, which of them would survive when things inevitably went wrong. One of the film’s biggest strengths is the setting. That Irish forest is gorgeous. You might even forget it’s actively trying to kill everyone. Cinematographer Eli Arenson does some nice work, capturing sweeping shots that make the wilderness feel both magical and deeply unsettling. The constant play between light and shadow gives The Watchers a moody, fairy-tale-gone-wrong vibe that works really well. Of course, this being a Shyamalan-adjacent project, there’s a twist. And yes, you’ll probably see it coming. That’s the downside of carrying that last name. Expectations are sky-high. The twist isn’t bad, it just doesn’t hit with the “oh damn” energy needed to push the movie into something great. It lands more in “yeah, that was my guess” territory, which is a bit of a letdown after such a strong buildup. The horror itself is handled with a pretty gentle touch. This is less of a nightmare and more eerie bedtime story, making it surprisingly family-friendly. That restraint helps the atmosphere, but us hardcore horror fans definitely wanted Shyamalan to take a bloodier bite. Still, the tension is steady, and I never found myself losing interest. In the end, The Watchers is a visually striking, well-acted debut that shows real promise. It doesn’t fully capitalize on its concept, but it’s engaging and original. A solid launching point for Ishana Shyamalan’s career in my eyes. And if you’re picking up on some extra meaning behind the whole “everyone is watching” vibe…Yeah, I seriously doubt that was a social mistake.
- MetroidTalon22 août 2025The Watchers opens with promise but fades fast. The setup hints at mystery and tension, but the execution is sluggish and scattered. Characters make baffling choices, the lore feels undercooked, and the scares never land with impact. There’s atmosphere and potential in the concept, but the film keeps circling without ever finding a satisfying point. A slow spiral of wasted ideas that leaves more frustration than fear.
- Kevin Ward1 juillet 2025The Watchers is a solid debut feature with some striking visuals and some moments of genuine intrigue even if the script gets bogged down by frustrating character decisions and exposition dumps by the end. Dakota Fanning stars as Mina in search of her estranged sister, but she finds herself in a eerie forest in Ireland unable to find her way out. She happens across Madeleine (Olwen Fouéré), Ciara (Georgina Campbell), and Daniel (Oliver Finnegan), all similarly stranded in the wood, but having taken refuge in an isolated room with a one-way mirror where unknown entities come to watch them when the sun goes down. As strange as the setup is, I was very much enjoying the film. The premise felt ripe for a thematic exploration of mimicry, voyeurism, and performative aspects of identity. The group of strangers have to essentially perform each night for this unseen audience but the only real instruction is to be themselves. Mina doesn’t seem to have a real sense of who she actually is. We see flashes of her life in which she liked to dress up in wig and makeup and just go out on the town as someone else, perhaps as a counter to the fact that she has a twin sister, a literal copy of her own genetic makeup, somewhere out in the world. How much of our own identity is simply copying what we see in others? Stuck in “the coop” as the group has come to refer to their refuge, they do have access to a television and a copy of a Big Brother style reality show Love Island (season 3) that they watch over and over. This voyeurism heavily mirrors their own situation which has the unknown watchers peering in on their lives every evening. It’s when we begin to find out more about the watchers that the film takes a bit of a turn and instead of going deeper into the thematics, it gets a little too bogged down in establishing the lore of these creatures. Steeped heavily in Irish folklore of faeries and changelings, the film spends much of the final act attempting to explain this world and its inhabitants. Obviously, the idea of changelings still lends itself to the thematic ideas of identity and mimicry, but by the end this aspect seems kind of completely lost. Still, I mostly enjoyed this film. I think Ishana shows significant promise as a director. I had actually watched all of the Apple TV series Servant and I believe she directed several episodes. I will be curious to see what she has up next.
Visionner des vidéos de Les Guetteurs
Les Guetteurs Trivia
Les Guetteurs was released on 5 juin 2024.
Les Guetteurs was directed by Ishana Night Shyamalan.
Les Guetteurs has a runtime of 1h 42min.
Les Guetteurs was produced by Nimitt Mankad, M. Night Shyamalan, Ashwin Rajan.
Cette forêt n'existe sur aucune carte. Toutes les voitures qui y pénètrent tombent immanquablement en panne, et celle de Mina n'a pas fait exception. Bloquée sur place, elle n'a pas d'autre choix que de s'aventurer dans les bois. Le cri d'une femme la mène jusqu'à un bunker au milieu des arbres. Quand elle franchit la porte, des dizaines de cris résonnent autour d'elle. Mina se retrouve prisonnière d'une pièce aux murs de verre et dont la lumière s'allume automatiquement au coucher du soleil, lorsque les Guetteurs sortent. Ces créatures émergent pour observer leurs captifs humains et un sort terrible attend tous ceux qui n'atteignent pas le bunker à temps. Terrifiée et prise au piège avec des inconnus, Mina cherche désespérément des réponses, et un moyen de s'enfuir. Qui sont les Guetteurs ? Pourquoi gardent-ils des humains enfermés ? Et pourquoi surveillent-ils leurs moindres mouvements ?
The key characters in Les Guetteurs are Mina / Lucy (Dakota Fanning), Ciara (Georgina Campbell), Madeline (Olwen Fouéré).
Les Guetteurs is rated 12.
Les Guetteurs is a Fantastique, Horreur, Mystère film.
Les Guetteurs has an audience rating of 5 out of 10.
Les Guetteurs had a budget of 30 M $US.
Les Guetteurs has made 51,1 M $US at the box office.