Quatre hommes, hyper qualifiés et autrefois membres respectés d'une unité d'élite de l'armée, sont chargés d'une mission secrète destinée à les piéger et qui les conduit en prison pour un crime qu'ils n'ont pas commis. Mais la somme de leurs talents leur permet de s'évader. Devenus des rebelles, ils décident de blanchir leurs noms et de retrouver les vrais coupables.
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- Richard Davis20 mai 2026This was a great tribute to the original TV series. They got the cast superbly spot on, and it really, really worked. The tone and pace of the film is spot on. It's a bloody tragedy that they didn't follow this up with another film with the same cast. It's too late now. Gutting.
- Shaydeknight20 décembre 2025The 2010 A-Team film is, on paper, an adaptation of the 1980s television series: a fun, broadly family-friendly show where hundreds of rounds were fired and almost no one ever seemed to die. It was light, jokey, self-aware, and unconcerned with emotional weight. This film, however, is not that kind of fun. To its credit, it does indeed try to capture the feel of the original show, and in many surface ways it succeeds. The archetypes are recognizable, the banter is present, and the action is plentiful. But the film makes a crucial miscalculation: it takes itself far too seriously. What should have been breezy, mischievous, and slightly ridiculous instead leans into intensity and self-importance, as if embarrassed by its own origins. The result is a movie that is noisy but curiously empty. The lame jokes? Meh. The notion that the team comes together through tattoos, honour among soldiers, and a chain of military circumstances? Meh. The ending, which hammers home that this is actualy an origin story? Meh. I found it genuinely difficult to care about anything or anyone in the film. Nothing here, neither the characters nor their backstories, and certainly not their violence, is meant to register deeply. Their words and their world are disposable, and it's no wonder they fade almost immediately once the movie ends. The underlying assumption here seems to be that audiences will overlook a film's faults as long as things are exploding every 20 minutes. This is the familiar Hollywood calculus: spectacle over substance, momentum over meaning. The performances are uneven. Liam Neeson, while physically appropriate for the role of Hannibal Smith, lacks the jocular charisma required to sell the character. He is simply too sedate. Beyond his presence, there is little spark. Quinton "Rampage" Jackson fares no better as B.A., he never approaches Mr. T's sheer bigness of personality, menace, or comic force. Bradley Cooper and Sharlto Copley, by contrast, are genuinely good. They commit fully and manage to extract energy and personality from material that often doesn't deserve it. The real surprise, however, is Patrick Wilson. As the antagonist, he is consistently more interesting to watch than the supposed heroes, which is rarely a good sign for a film built on charismatic leads. There are, admittedly, some pleasures. The cameos by Dirk Benedict and Dwight Schultz (the original Face and Murdoch) are a nice touch. The explosions and chase sequences are well executed, and the action is generally solid from a technical standpoint. Still, the larger question lingers: why make this movie at all, beyond capitalizing on Gen-X nostalgia? And if that was the goal, why not make it cooler, lighter, and more unapologetically fun? The A-Team should have been a romp. Instead, it's a loud, over-serious exercise in brand recognition. Good action. Good noise. Very little soul.
- stuhannaford16 décembre 2025Complete and utter nonsense for long stretches. The action is ridiculous at times, and feels so unlike the series, it’s as if the writers had never watched it. Silly concepts such as the tank incident and catching a parachute with a helicopter aren’t exciting or funny, just daft. The twist is obvious from minute one, offering no tension or drama. The usual saving the day routine, revolves around saving the US economy from fake money… yup, the exciting, looking after the little guy routine is binned in favour of saving literal cash. And probably best not to discuss the lazy and amateur dialogue. An extra star for hopes of nostalgia. More Z than A.
- ርልዪረ3 février 2025I Used to love watching The A-Team as a kid. This, however, is a film version many years after the original series. Plenty of action, a few good laughs, and lots of neat plans (some a tad overboard, but it's a film!!) I didn't really want to watch it as i expected it would ruin my thoughts of Liam Neeson as a top actor, gladly I was wrong. He played Hannibal perfectly, and none of the other main characters harmed their respective roles. Would love to see a sequel but maybe there won't be one.
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L'Agence tous risques a été publié sur 9 juin 2010.
L'Agence tous risques a été réalisé par Joe Carnahan.
L'Agence tous risques sa durée est de 1h 57min.
L'Agence tous risques a été réalisé par Iain Smith, Stephen J. Cannell, Tony Scott, Jules Daly, Spike Seldin, Alex Young.
Quatre hommes, hyper qualifiés et autrefois membres respectés d'une unité d'élite de l'armée, sont chargés d'une mission secrète destinée à les piéger et qui les conduit en prison pour un crime qu'ils n'ont pas commis. Mais la somme de leurs talents leur permet de s'évader. Devenus des rebelles, ils décident de blanchir leurs noms et de retrouver les vrais coupables.
Les personnages principaux de * L'Agence tous risques * sont Hannibal (Liam Neeson), Face (Bradley Cooper), Charisa Sosa (Jessica Biel).
L'Agence tous risques est classé « TP ».
L'Agence tous risques est un film de l{genres}.
L'Agence tous risques a obtenu une note de 6.6 /10 de la part du public.
L'Agence tous risques disposait d'un budget de 110 M $US.
L'Agence tous risques a rapporté 177,2 M $US au box-office.