12
2007    1h 36minDrame, Fantastique
4.827%29%4.9
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On Apple TV
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Felix Bonhoeffer, un scénariste, vit entre deux mondes : le monde réel et celui qu'il a développé dans son esprit au fil du temps. Il n'a pas conscience qu'il vit au bord d'une ligne depuis des années et qu'il est sur le point de la franchir. Il se trouve donc perplexe lorsque, engagé pour remanier l'histoire d'un meurtre situé dans un café désert, des personnages du film qu'il est en train d'écrire apparaissent dans la vie réelle et vice-versa. Et alors qu'il essaye tant bien que mal de vivre sereinement entre ces deux mondes, des références à des chansons et à des films de science fiction des années 1950 se mèlent soudain à son quotidien, sélectionnées de manière aléatoire par sa mémoire...
Réalisé par Anthony Hopkins
  • Anthony HopkinsFelix Bonhoeffer / Director / Scénariste / Compositeur de musique originale
  • Stella ArroyaveGina / Producteur
  • Svetlana IvanovaLily
  • Lindsay BarthShelly's Sister
  • Michael Clarke DuncanMort / Phil Henderson / Patrolman
  • S. Epatha MerkersonBonnie
  • John TurturroHarvey Brickman
  • Christian SlaterRay / Matt Dobbs / Patrolman #2
  • Camryn ManheimBarbara
  • Jeffrey TamborGeek / Jeffrey / Dr. Geekman
  • Fionnula FlanaganBette Lustig
  • Michael LernerBig Mikey
  • Christopher LawfordLars
  • Lisa PepperTracy / Nurse
  • Gavin GrazerGavin / Ambulance Driver
  • Aaron TuckerChauffeur / Aaron
  • Jana ThompsonMarcia
  • Gene BorkanMel
  • Adolf HitlerAdolf Hitler (archive footage)
  • Betsy DanburyExecutive Producer
  • jackmeat14 février 2025
    My quick rating - 4.6/10. Anthony Hopkins steps behind the camera in in this flick, a surreal exploration of an aging screenwriter’s fractured mind. Felix Bonhoeffer (Hopkins) finds himself lost between reality and his own screenplay, with characters bleeding into his everyday life. It’s a bold premise and an equally ambitious effort, but one that ultimately crumbles under the weight of its chaotic editing and lack of coherent narrative. This is one of those movies that is open for interpretation but I believe there are some references to some form of brain damage going on throughout which may explain the plot's disjointed nature. The film boasts an impressive ensemble cast—too many notable names to list—but even their talent can’t save Slipstream from its own pretentiousness. Hopkins, a legend I deeply respect, delivers a performance that’s overshadowed by the film’s relentless attempts to be strange for the sake of art. The rapid rewinds, abrupt cuts, and jarring scene shifts feel less like creative choices and more like an endurance test for the audience. In the streaming era, this constant visual disarray might even make you question your internet connection, but rest assured (or not), it’s all intentional. There are glimpses of brilliance here, particularly in how the cast interacts within Felix’s disjointed reality. However, the plot never fully gels, leaving you with an experience akin to a David Lynch knockoff—strange, unsettling, but lacking the payoff Lynch is known for. Hopkins himself described the film as “bizarre,” and that might be the most fitting review of all. It is an interesting experiment but one that left me more frustrated than fascinated. The first thing I typed out when this ended was "A fever dream mess that tries too hard to be artsy." and I'll be copying that over for my headline/excerpt.

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