

Sister Midnight
Réalisé par Karan KandhariUma débarque à Mumbai après un mariage arrangé. Dans son taudis, elle découvre la réalité de la vie conjugale avec un mari lâche et égoïste. Refusant de céder à l’enfer de son couple, Uma laisse libre cours à ses pulsions et, la nuit venue, se transforme en une figure monstrueuse et inquiétante…
Sister Midnight Notations et commentaires
- Afrin Tisha10 septembre 2025It's a simple movie if you watch it as comedy. I could not find any logic. No backround story of any character. At a point I thought it is going give a scary end but it's storyline is really confusing. Radhika Apte's acting is as usual very good. Story telling could be better.
- PravinVibhute20 juillet 2025India and Indian POV of foreinger. Complete BS. Nothing in reality. I think they have used social media to research about India. Worst.
- Aman Sandhu2 juillet 2025Very slow and boring.
- Ranveer18 juin 2025A thrillingly unpredictable, deeply odd cinematic pulse—powered by Radhika Apte’s fearless performance and Kandhari’s daring vision. Sister Midnight is a wild, unforgettable ride—a surreal fusion of black comedy, feminist satire, psychological horror, and punk-rock rebellion. It’s a bold debut from Kandhari, elevated by Apte’s magnetic presence and a fearless aesthetic. It’s not for the faint of heart—or those seeking a neat narrative—but for anyone craving cinema that defies expectations, it delivers in a bizarre, exhilarating way. Ideal for: Fans of experimental cinema (Repulsion, A Girl Walks Home Alone at Night), genre mash-ups, unsparing character studies, and standout physical performances. Not for: Traditional drama lovers, continuity purists, or those uncomfortable with gore and surrealism. Worth A Watch If You’re Up For… Female-led, anti-domestic, feminist narratives Genre-bending stylistics and atmosphere-heavy storytelling Provocative, off-kilter cinema
- Nirupam21 mai 2025There’s nothing Radhika Apte can’t do. Be it the fiery Kalindi in Lust Stories or the troubled and conflicted Nida in Ghoul or the repressed Lajjo in Parched; each and every one of her performances has shown us a different facet of her skill. It’s clear that every bone in this lady’s body is full of talent. And Sister Midnight is no different. Here, Apte showcases everything that makes her great and somehow excels upon it which I didn’t think was possible. She’s brash, chaotic, deadpan, aggressive, demented all at once and Apte plays all that with perfect physical comedy. It’s hard to talk about Sister Midnight without spoiling it. The film is about Uma, a woman who’s dragged into an unhappy marriage. And from this dissatisfaction in her married life, stems a journey that takes some incredibly twisted but fun turns leading Uma down to the path of self discovery. The film’s shot well, the cinematography oftentimes adding to the film’s quirky humor. The supporting performances are pretty great as well. It’s always a delight to see Chhaya Kadam pop up in things. And yes, the stopmotion sequences are so great. It adds to the surreal nature of the film. The only complaint I have is that there’s too much fade in and fade out, making the film feel a bit like a collection of different vignettes which made the film feel a bit not cohesive. But it didn’t hinder my enjoyment of the film.
Sister Midnight Trivia
Sister Midnight was released on 2 mai 2025.
Sister Midnight was directed by Karan Kandhari.
Sister Midnight has a runtime of 1h 47min.
Sister Midnight was produced by Alastair Clark, Anna Griffin, Alan McAlex.
Uma débarque à Mumbai après un mariage arrangé. Dans son taudis, elle découvre la réalité de la vie conjugale avec un mari lâche et égoïste. Refusant de céder à l’enfer de son couple, Uma laisse libre cours à ses pulsions et, la nuit venue, se transforme en une figure monstrueuse et inquiétante…
The key characters in Sister Midnight are Uma (Radhika Apte), Gopal (Ashok Pathak), Sheetal (Chhaya Kadam).
Sister Midnight is rated Tous publics avec avertissement.
Sister Midnight is a Comédie, Drame, Horreur film.
Sister Midnight has an audience rating of 5.5 out of 10.






