12
2008    89minHorreur, Science-Fiction
6.056%44%5.8
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Une reporter et son caméraman sont coincés à l'intérieur d'un immeuble placé en quarantaine, où d'étranges créatures vivent...
Réalisé par John Erick Dowdle
  • Dania RamirezSadie
  • Jennifer CarpenterAngela Vidal
  • Jay HernandezJake
  • Steve HarrisScott Percival
  • Greg GermannLawrence
  • Johnathon SchaechGeorge Fletcher
  • Columbus ShortDanny Wilensky
  • Andrew FiscellaJames McCreedy
  • Rade ŠerbedžijaYuri Ivanov
  • Bernard WhiteBernard
  • Elaine KaganWanda Marimon
  • Marin HinkleKathy
  • Joey KingBriana
  • Jermaine JacksonNadif
  • Sharon FergusonJwahir
  • Denis O'HareRandy
  • Stacy ChboskyElise Jackson
  • Jeannie EpperMs. Espinoza
  • Barry SigismondiBob Orton
  • Rosine 'Ace' HatemWounded Woman
  • Dario Tibay
    Dario Tibay26 juillet 2026
    I keep Quarantine in the library partly because it is a useful companion piece to [REC] and partly because it remains a solid 89-minute found-footage horror film when watched without turning the entire experience into an adaptation audit. The setup is efficient: reporter Angela Vidal and cameraman Scott follow a Los Angeles fire crew to an apartment building, the residents are sealed inside, and a rabies-like infection begins moving through the occupants. Once the doors are closed, the film rarely relaxes. Jennifer Carpenter carries the panic convincingly, while Jay Hernandez, Steve Harris and Columbus Short give the early emergency response enough structure for its eventual collapse to matter. The full four-storey apartment set also gives the handheld camera somewhere physical to travel. The stairwell, lobby, lift and corridors become familiar, but never safe. The lack of a conventional score is another major strength. Screaming, footsteps, radio messages, impacts and distorted breathing do the work that music would normally handle. The final night-vision sequence still looks good, with Doug Jones providing an effectively inhuman presence without the film relying on obvious digital spectacle. Its weakness is fidelity. Anyone familiar with [REC] will recognise nearly every major beat, and the American explanation for the infection is much less disturbing than the original’s religious material. The familiar cast also makes the film feel slightly more performed and less accidentally captured. Worth revisiting as a compact outbreak film, although [REC] remains the version I would reach for first.
  • Chris
    Chris29 décembre 2024
    While this was a decent remake it just doesn't stand up to the original. See [REC] instead.
  • James Saenz
    James Saenz4 octobre 2025
    i watched this as a kid and all i remembered was the final shot where angela’s crawling towards the camera and then she’s pulled into the darkness. i used it as a reference for a home video my brother and father and i made. years later i finally watched [rec] and that was such a great found footage film, and very soon into my viewing i realized that quarantine was just an american remake of that movie. watching it now, this is just a shot for shot remake that somehow manages to be less scary and less captivating. i’m not sure how you manage to copy another film nearly bar for bar and manage to lose the sauce in the process. p.s. lmao is this joey king’s first role?
  • FranBiz
    FranBiz24 mai 2025
    Pretty good remake of REC. It's almost shot by shot the same movie. I enjoyed the claustrophobic environment in the apartment place. My only gripe with this movie will be the poster; it spoils the movie. Why? If you like Quarantine, I highly recommend REC.

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