12
2025    89minDrame, Horreur
6.7100%5.6
Watch on Apple TV
On Apple TV
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Dans les landes désolées du Yorkshire du Nord en 1859 à l’époque de l’Angleterre Victorienne, Mary Stevens, une femme māorie en quête de vérité sur ses origines, rejoint le manoir Hawkser. Entre les couloirs lugubres, apparaissent alors d’ancestrales visions qui révèlent peu à peu un mystère terrifiant.
Réalisé par Toa Stappard
  • Ariāna OsborneMary
  • Toby StephensNathaniel Cole
  • Umi MyersPeggy
  • Erroll ShandJack Fenton
  • Jordan MooneyArthur Cole
  • Evelyn TowersyAnne
  • Mihi Te Rauhi DanielsHinemoana
  • Turia Schmidt-PekeArorangi
  • Toa StappardDirector / Scénariste
  • Victoria DabbsExecutive Producer
  • Sharlene GeorgeProducteur
  • Paraone GloyneProducteur
  • Gal GreenspanExecutive Producer
  • Rouzie HassanovaProducteur
  • RickyLee Waipuka-RussellProducteur
  • Jill MacnabExecutive Producer
  • Phil BremnerExecutive Producer
  • Badie AliExecutive Producer
  • Hamza AliExecutive Producer
  • Greg NewmanExecutive Producer
  • preston.j525 mai 2026
    Outstanding. Surpasses Indian Horse, Killers of the Flower Moon. Brilliant directing, videography, script, screenplay. Stunning. Haunting. An authentic story that goes beyond acting or performance. Hits on matriarchal inter-generational trauma, blood memory, birth trauma, forced incest, documentation manipulation, the evils and psychosis of possessive ownership, fetishization and theft and appropriation of Indigenous culture and identity, stolen women & children, interracial guilt and justice, the truth of dreams, awakening the spirit of Seeing and Listening, language rights and preservation, remembering our songs, honouring our lodges and homefires, gathering of the bones, ancestral calls to warrior rites of passage, and reclamation lifeways that will help the world understand how and why colonialism is a disgusting, imprisoning, invasive disease that needs to have its legacy end. This ends with freedom and prayers that we can heal from the torture, displacement, disenfranchisement, connect back to our relatives as stewards of the earth, and Return Home to be who we really are and with who belong. Carrying medicine and unconditional love.
  • Kevin Ward24 mai 2026
    Mārama sizzles with gorgeous gothic visuals, rich period costuming, and a slow, simmering sense of dread. It’s an atmospheric critique of colonial exploitation finding Mary (Ariaana Osborne) as a young Maori woman sent from Aotearoa to Victorian England after receiving a mysterious letter about her parents. Once there, she becomes trapped in a wealthy whaler’s household and uncovers the lies, violence, and exploitation that shaped her past. Osborne is incredible as Mary. She carries the whole film with a dormant volcanic emotion, and that erupts in that party scene via a defiant haka. Easily the most unforgettable moment of the movie.

Visionner des vidéos de Marama

  • Marama (US Trailer 1)
    Marama (US Trailer 1)Bande-annonce
  • Scream (US)
    Scream (US)Scène

Marama Trivia