12
2000    1h 43minHorreur, Drame
6.890%78%6.9
Ginger et Brigitte sont deux sœurs de 16 et 15 ans inséparables. Elles ont les mêmes goûts, les mêmes vêtements et sont attirées par les mêmes garçons. Une nuit, alors qu'elles se promènent dans le parc, elles constatent quelque chose d'anormal. L'endroit est trop silencieux et il y règne une atmosphère malsaine. Elles s'enfuient en courant, mais une bête, surgie de nulle part, griffe le dos de Ginger. Une fois la créature semée, elles retrouvent la sécurité de la maison familiale et examinent la blessure. En dépit d'une plaie quelque peu superficielle, Ginger n'est plus comme avant. Son attitude a changé. À l'approche de ses menstruations, elle devient de plus en plus avide de garçons. La vérité prend alors forme sous les yeux horrifiés de Brigitte : sa sœur est devenue un loup-garou.
Réalisé par John Fawcett
  • Katharine IsabelleGinger Fitzgerald
  • Emily PerkinsBrigitte Fitzgerald
  • Kris LemcheSam
  • Mimi RogersPamela Fitzgerald
  • Jesse MossJason McCardy
  • Danielle HamptonTrina Sinclair
  • John BourgeoisHenry Fitzgerald
  • Peter KeleghanMr. Wayne
  • Christopher RedmondBen
  • Jimmy MacInnisTim
  • Lucy LawlessAnnouncer on School's PA System (Uncredited)
  • Lindsay LeeseNurse Ferry
  • Wendii FulfordMs. Sykes
  • Ho Pak-KwongJanitor
  • Nick NolanCreature / Gingerwolf
  • Bryon BullyHockey Kid
  • Steven TaylorPuppy Kid
  • Ann BaggleyMother
  • Graeme RobertsonToddler
  • Maxwell RobertsonToddler
  • Dorian J Jenkins
    Dorian J Jenkins31 juillet 2026
    Ngl, the way Ginger went through every phase of a werewolf was crazy. I mean Brigette was trying to save her from lycanthropy or werewolf at this point. The design of the creature is unique because it shows a little bit of fur on the arms but remain almost hairless.
  • eatmoon13
    eatmoon134 juillet 2026
    Great guilty pleasure film. Wish they could have nailed the 3rd one to tie it all together. This is a fun film and lots of cringe in a good way.
  • Ben Rayner
    Ben Rayner12 mai 2026
    Hadn't seen this one in years and it's even better and more fun -- and bloodier -- than I remember it. Goth sisters Emily Perkins and Katharine Isabelle own this thing, but an appearance by Mimi Rogers is always appreciated. It deserves its cult status.
  • ReekoS
    ReekoS27 avril 2025
    Super disappointed with the ending. Would have been 8 out of 10, otherwise.
  • MaxRider
    MaxRider21 avril 2026
    Ginger Snaps is a raw, bloody masterpiece that doesn’t waste time on bullshit. Two sisters, obsessed with death, finally get what they wish for when the older one gets bitten and starts turning into a werewolf. It’s puberty horror at its nastiest—your body betraying you, turning you into something wild and dangerous while your own sister has to watch. The effects are practical and vicious, the acting’s real, and it actually has something to say. Most werewolf movies are jokes. This one bites hard and doesn’t let go. she's ovulating
  • David Shill
    David Shill18 avril 2026
    Thoroughly enjoyed this. The sequel was just ok.
  • Doc Worm
    Doc Worm23 mars 2026
    Immaculate in its vibes and effective as an allegory, Ginger Snaps is a surprisingly excellent Canadian indie horror. While its incredibly corny for the most part, its ultimately elevated by decent camera work, a weighty score, committed performances and some tremendous DIY special effects. Even with all of the roses I can give this one, I have one major gripe with it......why were they playing field hockey with a mutilated dog obviously in the middle of the field? There is no way they didn't know it wasn't there. Ridiculous!
  • Cubane
    Cubane29 octobre 2025
    Decent background noise for a Halloween party, maybe a drinking game, but paying attention not encouraged. The sole use of practical effects helps this film age much more gracefully than its peers; however they still slowly devolve from cute syrupy gore piles to a propmaster's rubber fever dream by the end. The acting and plot are stilted, forced, and wooden, to the surprise of no one. But isn't the gore really what we're here for anyway?
  • Jeremey
    Jeremey19 octobre 2025
    INT. DIGITAL VOID – NIGHT A lone viewer (YOU) sits in the glow of a screen. The hour is late. The runtime is long. The dialogue is… trying. YOU (muttering): I was promised werewolves, but all I got was menstruation and metaphor. NARRATOR (overly serious, unnecessarily poetic): They talk, and they talk, and they talk — as if a thesaurus exploded inside a high school goth club. Every sentence drips with the desperate need to mean something, and none of them do. GINGER (on screen): We are nothing, Bridget. Nothing but blood and fur and the inevitable decay of suburban youth. YOU (rolling eyes): Cool. But maybe shut up and, you know… transform already? NARRATOR: At minute sixty-one, the mind begins to fray. Dialogue once merely clunky now assaults the senses like a blender filled with angst. Metaphors don’t land — they crash. Subtext isn’t sub — it’s a brick with MESSAGE written on it, lobbed at your forehead. BRIDGET (on screen): Do you think dying will make us different, or just less disappointing? YOU: I think finishing this movie will make me different. NARRATOR: And yet, you press on. Because somewhere under this mountain of moody word-vomit is a werewolf. Somewhere beneath the pretension is a story worth telling. And if you survive the final thirty minutes, maybe — just maybe — you’ll find it. FADE OUT.
  • BLOCKBUSTERRRR
    BLOCKBUSTERRRR21 septembre 2025
    Great start, very Canadian, kinda lost me in the second half but overall very entertaining!

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