

- Event Horizon (1997) had people losing their minds in deep space with blood on the walls, and F1 is like the grounded, no-guts-but-all-glory version where instead of a haunted ship, you're trapped in a race car doing 200mph with your past chasing you down, bro. Brad Pitt comes outta racing retirement like Fishburne stepping onto the Event Horizon, calm, haunted, and way too seasoned for the mess he’s about to get into. Damson Idris brings the fire as the young hotshot Noah, with that “I got talent but also demons” vibe, kind of like the doomed crew in Event Horizon who thought they had it handled. There’s less screaming into the void and more screaming through turns at Monaco, but emotionally? Still high stakes. The tension builds like a horror flick, not with ghosts, but with split-second decisions and legacy pressure. Then Javier Bardem and Kerry Condon bring grit, while the sound design hits you like the gravity drive revving up. Honestly, it’s Event Horizon without the eyeball trauma. Four stars, bro fast, slick, and heavy with ghost-of-who-you-used-to-be energy.
- Synopsis: In the 1990s, Sonny Hayes was the most promising Formula 1 driver until an accident on the track nearly ended his career. Thirty years later, the owner of a struggling Formula 1 team convinces Sonny to return to racing and become the best in the world. Review: "F1," directed by Joseph Kosinski, delivers a stunning visual experience, mainly due to the way it captures the speed, intensity, and essence of Formula 1 racing. The direction stands out for its use of innovative cameras, which place the viewer in the middle of the tracks and make each corner, overtake, and battle seem even closer and more visceral. The racing sequences are very well constructed, combining speed and tension in a way that efficiently conveys the feeling of being inside a Formula 1 car. The sound is another great highlight. The roar of the engines is powerful, and the sound mixing demonstrates evident attention to detail. The noise of the cars, the tracks, and the grandstands directly contributes to the feeling of immersion, while the soundtrack accompanies the moments of greatest tension without detracting from the prominence of the races. This sound design not only makes the scenes more impactful but also manages to convey the adrenaline and emotion that are part of the sport. It is in this technical aspect that the film finds one of its greatest strengths. On the other hand, the narrative ends up falling short of the spectacle the film offers. The themes and comeback are perfectly suited to a sports story, but "F1" chooses to develop them in a rather conventional way. The script follows familiar paths and, at various points, it's easy to predict where certain conflicts will lead. This doesn't completely compromise the experience, but it reduces the impact of a story that could have been bolder and found different ways to work with its characters and conflicts. Compared to the grandeur of the races, the plot ends up seeming too familiar. Even so, Brad Pitt and Damon Idris manage to bring a lot of life to the film. The relationship between the experienced Sonny Hayes and the young talent creates an interesting dynamic, alternating moments of tension, competition, and camaraderie. The two actors possess a convincing chemistry, and this interaction helps sustain the moments when the film leaves the racetracks aside to focus on the characters. Even when the script resorts to predictable situations, the presence of the protagonists gives these moments more personality and keeps the story emotionally engaging. "F1" is a film that impresses much more for what happens on the track than for what happens off it. Joseph Kosinski's direction, the cinematography, the racing sequences, and especially the sound work transform the film into an extremely immersive cinematic experience. The narrative, however, does not reach the same level of excellence, trapped in a familiar structure that limits its possibilities. The performances of Brad Pitt and Damon Idris help to balance these weaknesses, but do not completely hide the lack of originality in the script. Still, when it puts the cars on the track, "F1" shows exactly why its visual and auditory spectacle is its greatest asset.
- A great movie about Formula 1 with excellent racing sequences and impressive cinematography. However, I felt it was a bit too long. The action scenes were relatively short and spread too far apart, and some of the drama felt unnecessary. Overall, it’s still an enjoyable film, especially for F1 fans.
- I don't give a shit about formula one CORRECTION I didn't give a shit about formula one I saw F1 the movie starring Brad Pitt so here's the good and bad without spoilers This is an old school sports drama crowd pleaser With Immersive, intense, and thrilling driving sequences That were fast and furious, but still easy to follow Basically Joseph Kosinski brought the same muscular filmmaking that worked so well on Top Gun Maverick And applied it to racing here His secret weapon is Hans Zimmer’s Electronic infused score That reminded me a lot of Reznor and Ross’s work on Challenegers The movie had sharp and electric editing Brad Pitt charm turned up to 1000 Amazing chemistry with Kerry Condon Damson Idris is a star who held his own Javier Bardem levity and presence It was also pretty funny There was great dialogue scene to scene And the 2.5 hours flew by Paint by numbers, sloppy at times plotting Repetitive plot and exposition Pitt didn't land his big emotional monologue on a Las Vegas balcony But those flaws were easy to forgive because of this genre This is squarely in the grand tradition of sports dramas And it's a damn good one at that But the highest compliment I can give this movie is that it sold me on F1 racing Which I'm pretty sure was the whole point of this movie anyway
- Joseph Kosinski has figured out how to recreate the 90s summer blockbuster for a new generation. Pitt is perfectly cast. The racing footage is cinematography chef kiss. And meanwhile Zimmer is bringing us back to The Dark Knight’s most uplifting moments. Big fan. 4 stars. In the 2025 top ten at number 9.
The modern summer blockbuster
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F1® Le Film a été publié sur 25 juin 2025.
F1® Le Film a été réalisé par Joseph Kosinski.
F1® Le Film sa durée est de 2h 35min.
F1® Le Film a été réalisé par Lewis Hamilton, Joseph Kosinski, Chad Oman, Jerry Bruckheimer, Brad Pitt, Jeremy Kleiner, Dede Gardner.
Sonny Hayes était le prodige de la F1 des années 90 jusqu’à son terrible accident. Trente ans plus tard, devenu un pilote indépendant, il est contacté par Ruben Cervantes, patron d’une écurie en faillite qui le convainc de revenir pour sauver l’équipe et prouver qu’il est toujours le meilleur. Aux côtés de Joshua Pearce, diamant brut prêt à devenir le numéro 1, Sonny réalise vite qu'en F1, son coéquipier est aussi son plus grand rival, que le danger est partout et qu'il risque de tout perdre.
Les personnages principaux de * F1® Le Film * sont Sonny Hayes (Brad Pitt), Joshua Pearce (Damson Idris), Ruben Cervantes (Javier Bardem).
F1® Le Film est classé « TP ».
F1® Le Film est un film de l’Drame, Action, Adventure.
F1® Le Film a obtenu une note de 9.7 /10 de la part du public.
F1® Le Film disposait d'un budget de 300 M $US.
F1® Le Film a rapporté 634,1 M $US au box-office.






















