U
1990    1h 45minAction, Adventure
6.263%53%6.2
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La célèbre bande dessinée qui a tenu en haleine des générations d'Américains depuis 1931 portée à l'écran avec des bons vraiment bons, dont le séduisant et incorruptible policier Dick Tracy, et des méchants vraiment méchants.
Réalisé par Warren Beatty
  • Warren BeattyDick Tracy / Director / Producteur
  • Al PacinoBig Boy Caprice
  • MadonnaBreathless Mahoney
  • Dustin HoffmanMumbles
  • James CaanSpaldoni
  • Charlie KorsmoKid
  • Glenne HeadlyTess Trueheart
  • Mandy Patinkin88 Keys
  • Seymour CasselSam Catchem
  • James KeanePat Patton
  • Charles DurningChief Brandon
  • William ForsytheFlattop
  • James TolkanNumbers
  • Ed O'RossItchy
  • Dick Van DykeD.A. Fletcher
  • R.G. ArmstrongPruneface
  • Michael J. PollardBug Bailey
  • Paul SorvinoLips Manlis
  • Henry SilvaInfluence
  • Tom SignorelliMike
  • Risk The Bard22 avril 2025
    pacing needed a lot work. very much enjoyed the over the top prosthetics, color palette and music. watch if you like campy comic accurate vibes.
  • Jefferson Bittencourt-5 j
    Beautiful tribute to the author of comic books and a great tribute to the film noir of the 40s. Exquisite sets, costumes and production design
  • Daniel Genser25 mai 2026
    They were so busy working on the look of the movie they forgot to out the movie in the movie. It plods along limply, and Beatty has zero preeence. So boring.
  • Richard25 octobre 2025
    Love the style, it’s like a living comic book punched onto celluloid. Warren Beatty directs and stars as the square jawed detective in a world that’s pure pulp fantasy: bold colors, matte-painted skylines and villains with prosthetics so wild they feel ripped straight from Sunday strips. It’s not just stylized, it’s committed. Every frame looks like it was inked, shaded and dipped in primary paint. The cast is stacked: Al Pacino goes full goblin as Big Boy Caprice, Madonna slinks through scenes as Breathless Mahoney and the supporting rogues gallery is a prosthetic fever dream. The plot? Classic noir, corruption, romance and shootouts in alleyways, but filtered through a lens that’s more pop art than realism. It’s campy, theatrical and unapologetically cartoonish. And that’s the charm. You don’t watch Dick Tracy for subtlety, you watch it for the vibe, the visuals and the sheer audacity of turning a comic strip into a Technicolor opera.

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