18
2025    1h 35minHorreur, Science-Fiction
4.671%52%5.2
Ash est un film de science-fiction horrifique dont l'héroïne, Riya, chercheuse sur une station spatiale, découvre à son réveil que ses collègues ont été brutalement assassinés lors d'une attaque dont elle n'a aucun souvenir. Avec l'aide de Brion, un autre chercheur envoyé pour la secourir, elle tente de découvrir ce qui s'est passé, déclenchant une série d'évènements terrifiants.
Réalisé par Flying Lotus
  • Eiza GonzálezRiya
  • Aaron PaulBrion
  • Iko UwaisAdhi
  • Kate ElliottClarke
  • Beulah KoaleKevin
  • Flying LotusDavis / Director / Executive Producer / Compositeur de musique originale
  • Jonni RemmlerScreenplay
  • Neill BlomkampExecutive Producer
  • Nate BolotinProducteur
  • Matthew MetcalfeProducteur
  • Tom BlackwellCo-Producer
  • Maxime CottrayExecutive Producer
  • Maile DaughertyExecutive Producer
  • Lesley HansenCo-Producer
  • Adam RibackExecutive Producer
  • Nick SpicerExecutive Producer
  • Aram TertzakianExecutive Producer
  • Sam StoreyArt Direction
  • Gui TaccettiSet Decoration
  • Natalie TsuchiyaSet Decoration Buyer
  • N-U-M-A-N25 avril 2025
    A complete waste of time. If you want a good movie, go for Event Horizon, not this SHIT.
  • therealstupid22 mars 2026
    Passable sci fi thriller but too many silly plot points to enjoy. Great for watching if you're sick in bed and just need something mindless.
  • SirMonkalot13 février 2026
    All style, no substance. Was pretty slow paced and not much happened for a while. It’s like the temu version of Event Horizon.
  • RipLinesMan24 avril 2025
    Ash wants to be Event Horizon (1997), but only captures the shadows, not the fire. Eiza González leads as Riya, a survivor in the aftermath of a massacre aboard a distant space station. She brings conviction, but the script drifts — more quiet than tension, more mystery than menace. Aaron Paul’s Brion is watchable, but underwritten, and while Iko Uwais brings intensity as Adhi, his presence is more setup than payoff. The supporting cast — Kate Elliott as Clarke and Beulah Koale as Kevin — do what they can, but the film’s rhythm never quite locks in. Compare that to Event Horizon, where Laurence Fishburne’s Captain Miller and Sam Neill’s Dr. Weir tear through grief and cosmic dread with urgency. That ship felt cursed — alive. In Ash, the station is eerily quiet, but rarely threatening. The horror comes in waves, but never crashes. Both films ask: what happens when you wake up too late to stop the nightmare? But only one feels like it stares back. Ash aims high, but in space, drifting is still drifting.
  • Tom Cooper27 avril 2025
    Crappy CGI. Crappy script. Crappy plot. Crappy colour palette. Crappy budget. Does everything have to be in red/blue/green/purple lighting? (We get it, it's scifi) Don't they own normal white lights anywhere on this space station? Wake me up when something interesting happens.. 💤😴 People comparing this to event horizon or dead space mustn't have seen either. When the director calls himself "flying lotus" you should know it's going to be absolute crud.
  • Mroczko9 janvier 2026
    A trippy, cosmic horror induced movie. Not perfect, but enjoyable.
  • Sam17 novembre 2025
    kind of predictable and like a worse The Thing or Invasion of the Body Snatchers
  • GrimeFiVideo17 septembre 2025
    A visually GORGEOUS movie with a fantastic soundtrack. Unfortunately the great is overloomed by an incredibly boring plot and script. It's hard to care about any of the characters, and the story is spoonfed to the audience through flashbacks. I feel like a lot of potential was here, and I almost wish this had been a Sci-Fi movie instead of a Sci-Fi Horror flick given how much of a vibe the movie is.
  • Alistair Onesayi Nhiwatiwa1 septembre 2025
    Fun watch for your sci fi, comedy nights. Easy on the eyes
  • Kristian Odland30 juillet 2025
    A lot of red, a lot of gore, and a lot of Eiza González. If you are particularly obsessed with any of those, you are going to LOVE this.
  • Mr Uberjuden5 juillet 2025
    It's shite
  • Kevin Ward1 juillet 2025
    Ash is a frustratingly uneventful slow burn that finally wakes up in the final act—just in time to salvage some of the face-melty, ooey-gooey sci-fi horrors it spends the first hour and change only teasing through fleeting, non-sequitur flash jumpscares. Flying Lotus wears his influences loudly, but instead of synthesizing them into something fresh, the film mostly drifts through a haze of familiar beats without any urgency. The script somehow manages to be both incoherent and entirely predictable, which is almost impressive in its own way. Eiza González and Aaron Paul do what they can, but the film gives them little to work with. I was, however, impressed with how much effort they put into hyping the film and supporting each other. Before the screening, they were engaging with fans; during the film, Paul was whooping and hollering at every big moment—even when the audience wasn’t. Throughout the screening, he and González exchanged reassuring hand clasps and encouraging shoulder squeezes. Apparently longtime friends, their enthusiasm was infectious and made me wish I had enjoyed the movie more. At least Flying Lotus’s score absolutely slaps, and the visuals—especially given the budget—are commendable. If only the film had matched its ambition with more substance.
  • parcolan28 juin 2025
    80% of the entire movie is fake, boring and even predictable despite the fact that it is a sci-fi and it should not be
  • Sarah J27 juin 2025
    I think they spent all their budget on getting Aaron Paul.
  • rampage9818 juin 2025
    Another movie that is build upfront and then cut at the end. Wishing for more character development, but priority is finish it. Love small cast movies in hopeless locations. Aaron Paul pulls the story along nicely.

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