12
2012    1h 41minCrime, Action
5.211%47%5.1
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Inspecteur de police à Détroit, Alex Cross fait équipe avec son ami de toujours, Tommy Kane, et l’inspectrice Monica Ashe pour élucider une affaire de meurtres en série. Le tueur, surnommé Picasso, cherche à s’en prendre à un puissant industriel de la ville, Gilles Mercier. Mais dans cette affaire, les évidences cachent parfois des pièges et rien n’est vraiment ce qu’il paraît. Alors que Cross emploie toute son expertise psychologique à anticiper les actes du tueur, il doit aussi lutter contre les pulsions que Picasso a fait surgir en lui.
Réalisé par Rob Cohen
  • Tyler PerryDr. Alex Cross
  • Edward BurnsTommy Kane
  • Matthew FoxPicasso
  • Rachel NicholsMonica Ashe
  • Carmen EjogoMaria Cross
  • Jean RenoGilles Mercier
  • John C. McGinleyRichard Brookwell
  • Giancarlo EspositoDaramus Holiday
  • Cicely TysonNana Mama
  • Chad LindbergVincent Dardis
  • Stephanie JacobsenFan Yau
  • Sonny SurowiecHans Friedlich
  • Yara ShahidiJanelle Cross
  • Simon RheeFan Yau Bodyguard #3
  • Alexandra RuddyBrookwell Aide
  • Christian 'Trick Trick' MathisFight Manager
  • Werner DaehnErich Nunemacher
  • Sayeed ShahidiDamon Cross
  • Bonnie BentleyDetective Jody Klebanoff
  • Keith CameronBodyguard
  • Richard Davis11 mai 2026
    Decent villain. Decent story with an average twist, but not a patch on the Morgan Freeman films... not even close.
  • Shaydeknight5 janvier 2026
    Alex Cross feels oddly muted, more like a made-for-TV production than a theatrical release. The script is genuinely poor, riddled with non sequiturs and exchanges that sound read rather than lived. Scenes do not build or resolve, they simply occur, often without logic or emotional continuity. As a result, there is no sense of escalation, no meaningful peaks or valleys, just a flat progression toward inevitable boredom. Tyler Perry lacks the gravitas required for the role, a problem exacerbated by the material he is given. Matthew Fox appears to be performing what he imagines to be intense character work, but it comes across as overwrought and ungrounded, like a first year theatre student mistaking excess for depth. Edward Burns remains, as usual, a block of wood. Rob Cohen's direction does the film no favours. The camera work is frenetic and way too jiggly, and the screenplay is lazily written. The clearest example is John C. McGinley's character, who exists solely to bark out hard-boiled one liners in the tradition of an 80s police chief, but the effect is rayon rather than silk: cheap, artificial, and hollow. There is no emotional connection to any of the characters, no sense of investment in their success or failure. Even moments clearly intended to be big scenes are undercut by cheap effects and poor staging. The end result is a film that is not merely bad, but dull, which is arguably the greater sin.
  • Kent Butterfield19 mars 2025
    One of my favorites. Oioh nooooo.

Visionner des vidéos de Alex Cross

  • Alex Cross
    Alex CrossBande-annonce
  • Edward Burns On James Patterson
    Edward Burns On James PattersonDans les coulisses
  • Rob Cohen On Casting Matthew Fox
    Rob Cohen On Casting Matthew FoxDans les coulisses
  • Rachel Nichols On Doing Action Roles
    Rachel Nichols On Doing Action RolesDans les coulisses
  • James Patterson On Tyler Perry As Alex Cross
    James Patterson On Tyler Perry As Alex CrossDans les coulisses
  • Matthew Fox On The Physical Preparation For The Character
    Matthew Fox On The Physical Preparation For The CharacterDans les coulisses
  • Picasso
    PicassoScène
  • He Won't Stop
    He Won't StopScène
  • Dig Two Graves
    Dig Two GravesScène
  • Drop The Gun Now
    Drop The Gun NowScène
  • You're In My Way
    You're In My WayScène
  • I'm A Professional
    I'm A ProfessionalScène
  • Her Heart Just Stopped
    Her Heart Just StoppedScène

Alex Cross Trivia