Neville D'Almeida
Actor, Director, Productor, Escritor, Editor
15 de mayo de 1941 (84 años)
A Brazilian filmmaker, screenwriter, actor, photographer and multimedia artist, involved with contemporary art, installations, art objects and performances, Neville Duarte Almeida was born in 1941 in the Brazilian city of Belo Horizonte. Raised by a Methodist Christian family, he studied theater at the Scholastic Theatre of Minas Gerais and participated at the local Center of Film Studies, where he started to work as an filmmaker.
Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, was a box-office champíon and still holds its place as the the third highest-grossing Brazilian film of all time.
Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, was a box-office champíon and still holds its place as the the third highest-grossing Brazilian film of all time.
Conocido por
Filmography
| 2020 | |
| 2017 | Redenção · as Lauro |
| 2005 | |
| 1997 | Razor in the Flesh · as Man In Club (cameo) |
| 1991 | Killed the Family and Went to the Movies · as Man Reading Newspaper (uncredited) |
| 1990 | |
| 1988 | Moon Over Parador · as Family Member |
| 1985 | Areias Escaldantes · as Espião |
| 1985 | Noite · as Padre |
| 1982 | The Brazilwood Man · as Crítico De Teatro |
| 1971 | |
| 1970 | |
| 1969 | |
| 1968 | The Red Light BanditEn Plex |
| 1968 | |
| 1968 |
| 2021 | |
| 2019 | |
| 2018 | |
| 2017 | |
| 2015 | |
| 2012 | |
| 2010 | |
| 2007 | |
| 2006 | |
| 2005 | |
| 2005 | |
| 2005 | |
| 1999 | |
| 1997 | |
| 1991 | |
| 1983 | |
| 1980 | |
| 1978 | |
| 1971 | |
| 1968 | |
| 1966 |
| 2015 | |
| 1991 | |
| 1980 | |
| 1978 | A Dama do Lotação · as Associate Producer |
| 1968 | |
| 1966 |
| 2018 | |
| 2017 | Redenção · as Screenplay |
| 1997 | Razor in the Flesh · as Screenplay |
| 1991 | Killed the Family and Went to the Movies · as Screenplay |
| 1971 | |
| 1968 | |
| 1966 |
| 2023 | Com as Próprias Mãos · as Self |
| 2021 | Torquato Imagem da Incompletude · as Self |
| 2020 | Candango: Memórias do Festival · as Self |
| 2020 | Ivan, O TerrirVel · as Self (archive Footage) |
| 2018 | |
| 2017 | Dunas do Barato · as Self |
| 2017 | Pitanga · as Self |
| 2016 | O País do Cinema · as Self |
| 2012 | Hélio Oiticica · as Self |
| 2003 | Glauber: O Filme, Labirinto do Brasil · as Self / Interviewee |
| 1997 | Dib · as Self |
| 1978 | Horror Palace Hotel · as Himself |
| 1966 |
| 2019 | Humanos Causa · as Director Of Photography |
| 2015 | The Cold Front Brought by the Rain · as Art Direction |
| 2015 | The Cold Front Brought by the Rain · as Adaptation |
| 2010 | Boa Noite Cinderela · as Screenstory |
| 1991 | Killed the Family and Went to the Movies · as Music Supervisor |
| 1983 | Rio Babilonia · as Original Story |
| 1980 | The Seven Kittens · as Adaptation |
| 1978 | A Dama do Lotação · as Adaptation |
| 1968 | Jardim de Guerra · as Set Decoration |