Manoel de Oliveira
Director, Escritor, Editor, Actor, Productor
11 de diciembre de 1908 — 2 de abril de 2015 (106 años)
Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists. Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo's acting school at age 20, but later changed his mind when he saw Walther Ruttmann's documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titledDouro, Faina Fluvial (1931). He also acted in the second Portuguese sound film, A Canção de Lisboa (1933). His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto's street children, was a commercial failure when it opened, and its merit only came to be recognised over time. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira's conception of the cinema. In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director's seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year. Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montreal film festivals. He has been awarded two Career Golden Lions in 1985 and 2004 and a golden palm for his lifetime achievements in 2008.
Conocido por
Filmography
| 2014 | |
| 2012 | |
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| 1990 | |
| 1988 | |
| 1986 | |
| 1985 | |
| 1983 | |
| 1981 | |
| 1979 | |
| 1978 | |
| 1975 | |
| 1972 | |
| 1963 | |
| 1959 | |
| 1942 | |
| 1931 |
| 2014 | O Velho do Restelo · as Screenplay |
| 2012 | |
| 2012 | Historic Centre · as Screenplay |
| 2012 | Gebo and the Shadow · as Screenplay |
| 2010 | |
| 2009 | Eccentricities of a Blonde-Haired Girl · as Screenplay |
| 2007 | |
| 2007 | Christopher Columbus, the Enigma · as Screenplay |
| 2006 | |
| 2005 | |
| 2004 | The Fifth Empire · as Screenplay |
| 2003 | |
| 2002 | The Uncertainty Principle · as Screenplay |
| 2001 | |
| 2001 | I'm Going Home · as Screenplay |
| 2000 | |
| 1999 | The Letter · as Screenplay |
| 1998 | Anxiety · as Screenplay |
| 1997 | |
| 1996 | Party · as Screenplay |
| 1995 | |
| 1993 | Abraham's Valley · as Screenplay |
| 1993 | Memories and Confessions · as Screenplay |
| 1992 | Day of Despair · as Screenplay |
| 1991 | |
| 1990 | No, or the Vain Glory of Command · as Screenplay |
| 1988 | The Cannibals · as Screenplay |
| 1986 | My Case · as Screenplay |
| 1985 | The Satin Slipper · as Screenplay |
| 1981 | Francisca · as Screenplay |
| 1979 | Doomed Love · as Screenplay |
| 1978 | Ill-Fated Love · as Screenplay |
| 1975 | Benilde or the Virgin Mother · as Screenplay |
| 1972 | Past and Present · as Screenplay |
| 1963 | Rite of Spring · as Screenplay |
| 1959 | O Pão · as Screenplay |
| 1942 | Aniki Bobo · as Screenplay |
| 1931 |
| 2012 | |
| 2009 | |
| 2002 | |
| 1995 | |
| 1994 | |
| 1993 | |
| 1993 | |
| 1992 | |
| 1991 | |
| 1990 | |
| 1988 | |
| 1978 | |
| 1975 | |
| 1972 | |
| 1963 | |
| 1959 | |
| 1942 | |
| 1931 |
| 2007 | Christopher Columbus, the Enigma · as Manuel Luciano (2007) |
| 2003 | |
| 1998 | Anxiety · as Tango Dancer |
| 1997 | Voyage to the Beginning of the World · as Driver |
| 1991 | |
| 1990 | No, or the Vain Glory of Command · as Narrator |
| 1985 | The Satin Slipper · as Gentleman Bowing With Hat |
| 1984 | Cinématon · as N°102 |
| 1983 | |
| 1981 | The Other One · as Padre |
| 1979 | Doomed Love · as Narrator (voice) |
| 1978 | Ill-Fated Love · as (voice) |
| 1975 | Benilde or the Virgin Mother · as Screaming Madman (voice) |
| 1963 | |
| 1933 | A Song of Lisbon · as Carlos |
| 2015 | The Glory of Filmmaking in Portugal · as Himself |
| 2011 | Agnes Varda: From Here to There · as Self |
| 2011 | Agnès Varda: From Here to There · as Self |
| 2011 | Biette · as Self |
| 2010 | Guest · as Self |
| 2010 | Hitler in Hollywood · as Manoel De Oliveira |
| 2010 | Sodankylä Forever · as Self |
| 2008 | 40 x 15 · as Self |
| 2007 | A 15ª Pedra · as Himself |
| 2004 | |
| 2001 | Porto of My Childhood · as Himself / Narrator / The Thief |
| 1998 | Grande Entrevista · as Self |
| 1997 | Marcello Mastroianni: I Remember · as Self |
| 1996 | VIP World · as Self |
| 1995 | Metropolis · as Self |
| 1994 | Lisbon Story · as Himself |
| 1993 | Memories and Confessions · as Self |
| 1989 | Cinéma, de notre temps · as Self |
| 1972 | |
| 1963 | |
| 1959 | |
| 1942 | Aniki Bobo · as Co-Producer |
| 1931 |
| 1994 | The Box · as Adaptation |
| 1963 | Rite of Spring · as Director Of Photography |
| 1963 | Rite of Spring · as Sound |
| 1959 | O Pão · as Director Of Photography |
| 1959 | O Pão · as Sound Designer |