John DeCuir
4 de junio de 1918 — 29 de octubre de 1991 (73 años)
John DeCuir (June 4, 1918 – October 29, 1991) was a Hollywood art director and production designer known for his elaborate set designs that were illustrated with his own watercolor paintings.
Películas y series en Plex
Conocido por
Filmography
| 2001 | Cleopatra: The Film That Changed Hollywood · as Self (archive Footage) |
| 1984 | On the Scene with the Ghostbusters · as Self |
| 1998 | Land of the Free · as Production DesignEn Plex |
| 1984 | Ghostbusters · as Production Design |
| 1982 | Monsignor · as Production Design |
| 1982 | Dead Men Don't Wear Plaid · as Production Design |
| 1980 | Raise the Titanic · as Production DesignEn Plex |
| 1979 | Love and Bullets · as Production DesignEn Plex |
| 1978 | Ziegfeld: The Man and His Women · as Production Design |
| 1977 | The Other Side of Midnight · as Production Design |
| 1975 | The Other Side of the Mountain · as Art Direction |
| 1975 | Once Is Not Enough · as Production Design |
| 1973 | Magnavox Presents Frank Sinatra · as Production Designer |
| 1970 | The Great White Hope · as Production Design |
| 1970 | On a Clear Day You Can See Forever · as Production Design |
| 1969 | Hello, Dolly! · as Production Design |
| 1968 | Charly · as Production Design |
| 1967 | Doctor Faustus · as Production Design |
| 1967 | The Honey Pot · as Production Design |
| 1967 | The Taming of The Shrew · as Production Design |
| 1966 | A Man Could Get Killed · as Art Direction |
| 1965 | The Agony and the Ecstasy · as Production Design |
| 1964 | Circus World · as Production Design |
| 1963 | Cleopatra · as Production Design |
| 1960 | Seven Thieves · as Art Direction |
| 1959 | The Big Fisherman · as Production Design |
| 1958 | A Certain Smile · as Art Direction |
| 1958 | South Pacific · as Art DirectionEn Plex |
| 1957 | Island in the Sun · as Art Direction |
| 1957 | An Affair to Remember · as Art Direction |
| 1956 | The Best Things in Life Are Free · as Art Direction |
| 1956 | The King and I · as Art Direction |
| 1955 | How to Be Very, Very Popular · as Art Director |
| 1955 | Daddy Long Legs · as Art Direction |
| 1955 | The 27th Annual Academy Awards · as Set Decorator |
| 1954 | There's No Business Like Show Business · as Art Direction |
| 1954 | Carmen Jones · as Art Direction |
| 1954 | Three Coins in the Fountain · as Art Direction |
| 1953 | The Robe · as Art Direction |
| 1953 | Call Me Madam · as Art Direction |
| 1952 | My Cousin Rachel · as Art Direction |
| 1952 | The Snows of Kilimanjaro · as Art DirectionEn Plex |
| 1952 | Diplomatic Courier · as Art Direction |
| 1951 | The Model and the Marriage Broker · as Art Direction |
| 1951 | Mr. Belvedere Rings the Bell · as Art Direction |
| 1951 | The House on Telegraph Hill · as Art DirectionEn Plex |
| 1951 | Half Angel · as Art Director |
| 1951 | I Can Get It for You Wholesale · as Art Director |
| 1950 | Curtain Call at Cactus Creek · as Art Direction |
| 1949 | And Baby Makes Three · as Art Direction |
| 1949 | Yes Sir, That's My Baby · as Art Director |
| 1949 | The Life of Riley · as Art Direction |
| 1948 | The Life of Riley (1949) · as Art Director |
| 1948 | Mexican Hayride · as Art Direction |
| 1948 | Mexican Hayride · as Production Designer |
| 1948 | Casbah · as Art Direction |
| 1948 | The Naked City · as Art DirectionEn Plex |
| 1947 | Brute Force · as Art DirectionEn Plex |
| 1947 | Time Out of Mind · as Art Direction |
| 1946 | White Tie and Tails · as Art Director |