Ernest Palmer
6 de diciembre de 1885 — 22 de febrero de 1978 (92 años)
Ernest Palmer was an American cinematographer for more than 160 films, not to be confused with the British cinematographer Ernest Palmer.
Filmography
| 1950 | Broken Arrow · as Director Of Photography |
| 1948 | Scudda Hoo! Scudda Hay! · as Director Of Photography |
| 1948 | The Three Weird Sisters · as Director Of Photography |
| 1947 | I Wonder Who's Kissing Her Now · as Director Of Photography |
| 1946 | Three Little Girls in Blue · as Director Of Photography |
| 1946 | Centennial Summer · as Director Of Photography |
| 1945 | The Dolly Sisters · as Director Of Photography |
| 1945 | Diamond Horseshoe · as Director Of Photography |
| 1944 | Something for the Boys · as Director Of Photography |
| 1944 | Wilson · as Cinematographer |
| 1944 | Pin Up Girl · as Director Of Photography |
| 1943 | Sweet Rosie O'Grady · as Director Of Photography |
| 1943 | Coney Island · as Director Of Photography |
| 1942 | Thunder Birds: Soldiers of the Air · as Director Of Photography |
| 1942 | Springtime in the Rockies · as Director Of PhotographyEn Plex |
| 1942 | My Gal Sal · as Director Of Photography |
| 1942 | Song of the Islands · as Director Of Photography |
| 1941 | Week-End in Havana · as Director Of Photography |
| 1941 | Belle Starr · as Director Of Photography |
| 1941 | Blood and Sand · as Director Of Photography |
| 1941 | Tall, Dark and Handsome · as Director Of Photography |
| 1940 | Chad Hanna · as Director Of Photography |
| 1940 | Public Deb No. 1 · as Director Of Photography |
| 1940 | The Great Profile · as Director Of Photography |
| 1940 | Law and Disorder · as Director Of Photography |
| 1940 | Sailor's Lady · as Director Of Photography |
| 1940 | Olympic Honeymoon · as Cinematographer |
| 1940 | Shooting High · as Director Of PhotographyEn Plex |
| 1940 | He Married His Wife · as Director Of Photography |
| 1939 | 20,000 Men a Year · as Director Of Photography |
| 1939 | Hollywood Cavalcade · as Director Of Photography |
| 1939 | News Is Made at Night · as Cinematographer |
| 1939 | It Could Happen to You · as Cinematographer |
| 1939 | Flying Fifty-Five · as Director Of Photography |
| 1939 | Wife, Husband and Friend · as Director Of Photography |
| 1939 | Me and My Pal · as Cinematographer |
| 1938 | Kentucky · as Director Of Photography |
| 1938 | Little Miss Molly · as Cinematographer |
| 1938 | Straight Place and Show · as Cinematographer |
| 1938 | Three Blind Mice · as Director Of Photography |
| 1938 | Four Men and a Prayer · as Cinematographer |
| 1938 | Bedtime Story · as Cinematographer |
| 1937 | Second Honeymoon · as Cinematographer |
| 1937 | The Last Chance · as Director Of Photography |
| 1937 | Ali Baba Goes to Town · as Cinematographer |
| 1937 | Love Under Fire · as Cinematographer |
| 1937 | Slave Ship · as Director Of Photography |
| 1937 | Love Is News · as Director Of Photography |
| 1936 | Banjo on My Knee · as Director Of Photography |
| 1936 | Murder by Rope · as Cinematographer |
| 1936 | The Crime of Dr. Forbes · as Cinematographer |
| 1936 | Everything Is Rhythm · as Director Of Photography |
| 1936 | Under Two Flags · as Director Of Photography |
| 1935 | The Man Who Broke the Bank at Monte Carlo · as Director Of Photography |
| 1935 | Way Down East · as Director Of Photography |
| 1935 | The Ace of Spades · as Director Of PhotographyEn Plex |
| 1935 | The Farmer Takes a Wife · as Director Of Photography |
| 1935 | The Great Hotel Murder · as Cinematographer |
| 1935 | Charlie Chan in Paris · as Cinematographer |
| 1934 | Music in the Air · as Director Of Photography |
| 1934 | Caravane · as Director Of Photography |
| 1934 | Tangled Evidence · as Director Of Photography |
| 1934 | Now I'll Tell · as Director Of Photography |
| 1934 | The Black Abbot · as Director Of Photography |
| 1934 | Stand Up and Cheer! · as Director Of Photography |
| 1934 | Caravan · as Director Of Photography |
| 1933 | The Worst Woman in Paris? · as Cinematographer |
| 1933 | Hoopla · as Director Of Photography |
| 1933 | Berkeley Square · as Director Of Photography |
| 1933 | Charlie Chan's Greatest Case · as Cinematographer |
| 1933 | Cavalcade · as Director Of Photography |
| 1933 | Pleasure Cruise · as Director Of Photography |
| 1932 | Down to Earth · as Cinematographer |
| 1932 | The Painted Woman · as Director Of Photography |
| 1932 | The Trial of Vivienne Ware · as Director Of Photography |
| 1932 | Business and Pleasure · as Cinematographer |
| 1931 | Delicious · as Director Of Photography |
| 1931 | Out of the Blue · as Cinematographer |
| 1931 | Goldie · as Director Of Photography |
| 1931 | 6 Cylinder Love · as Director Of Photography |
| 1931 | A Connecticut Yankee · as Director Of Photography |
| 1930 | Just Imagine · as Director Of Photography |
| 1930 | City Girl · as Director Of Photography |
| 1929 | Sunny Side Up · as Director Of Photography |
| 1929 | Thru Different Eyes · as Director Of Photography |
| 1928 | The River · as Director Of Photography |
| 1928 | Street Angel · as Director Of Photography |
| 1927 | 7th Heaven · as Director Of Photography |
| 1921 | Ladies Must Live · as Director Of Photography |
| 1919 | The Miracle Man · as Director Of Photography |
| 1918 | Virtuous Wives · as Director Of Photography |