Edward Cronjager
21 de marzo de 1904 — 15 de junio de 1960 (56 años)
From Wikipedia, the free encyclopedia
Edward Cronjager (March 21, 1904 – June 15, 1960) was an American cinematographer, whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films, and included projects on the small screen towards the end of his career. He filmed in both black and white and color mediums, and his work received nominations for seven Academy Awards over the span of three decades, although he never won the statue.
He was the preferred director of photography of early film star Richard Dix, and served on several Academy of Motion Picture Arts and Sciences (AMPAS) committees, as well as being selected by the American Society of Cinematographers (ASC) to test new types of film stock. Cronjager pioneered several new techniques and types of cinematography, developing new camera angles in the 1920s, working on one of the earliest film noirs in the 1940s, and using CinemaScope in underwater photography in the 1950s.
Edward Cronjager (March 21, 1904 – June 15, 1960) was an American cinematographer, whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera. His work covered over 100 films, and included projects on the small screen towards the end of his career. He filmed in both black and white and color mediums, and his work received nominations for seven Academy Awards over the span of three decades, although he never won the statue.
He was the preferred director of photography of early film star Richard Dix, and served on several Academy of Motion Picture Arts and Sciences (AMPAS) committees, as well as being selected by the American Society of Cinematographers (ASC) to test new types of film stock. Cronjager pioneered several new techniques and types of cinematography, developing new camera angles in the 1920s, working on one of the earliest film noirs in the 1940s, and using CinemaScope in underwater photography in the 1950s.
Películas y series en Plex
Filmography
| 1960 | The Westerner · as Director Of PhotographyEn Plex |
| 1960 | The Girl in Lovers Lane · as Director Of PhotographyEn Plex |
| 1960 | Devil's Partner · as Director Of PhotographyEn Plex |
| 1959 | Men into Space · as Cinematographer |
| 1959 | Lock-Up · as Cinematographer |
| 1959 | Black Saddle · as Director Of Photography |
| 1958 | Bat Masterson · as CinematographerEn Plex |
| 1958 | Sea Hunt · as Cinematographer |
| 1956 | Zane Grey Theatre · as Cinematographer |
| 1955 | Highway Patrol (1955) · as Cinematographer |
| 1954 | The Siege at Red River · as Director Of PhotographyEn Plex |
| 1953 | Beneath the 12-Mile Reef · as Director Of PhotographyEn Plex |
| 1953 | Powder River · as Director Of Photography |
| 1953 | Treasure of the Golden Condor · as Director Of Photography |
| 1952 | Bloodhounds of Broadway · as Director Of Photography |
| 1952 | Lure of the Wilderness · as Director Of Photography |
| 1951 | Two Tickets to Broadway · as Director Of Photography |
| 1951 | Best of the Badmen · as Director Of Photography |
| 1951 | I'd Climb the Highest Mountain · as Director Of Photography |
| 1950 | The Capture · as Director Of PhotographyEn Plex |
| 1950 | House by the River · as Director Of PhotographyEn Plex |
| 1948 | The Countess of Monte Cristo · as Director Of Photography |
| 1948 | An Innocent Affair · as Director Of PhotographyEn Plex |
| 1948 | Relentless · as Director Of Photography |
| 1948 | On Our Merry Way · as Director Of Photography |
| 1947 | Desert Fury · as Director Of Photography |
| 1947 | Honeymoon · as Director Of Photography |
| 1946 | Do You Love Me · as Director Of Photography |
| 1946 | Canyon Passage · as Director Of Photography |
| 1946 | Colonel Effingham's Raid · as Director Of Photography |
| 1945 | Nob Hill · as Director Of Photography |
| 1945 | Paris Underground · as Cinematographer |
| 1944 | Home in Indiana · as Director Of Photography |
| 1943 | The Gang's All Here · as Director Of Photography |
| 1943 | Heaven Can Wait · as Director Of PhotographyEn Plex |
| 1943 | Margin for Error · as Director Of Photography |
| 1942 | Life Begins at Eight-Thirty · as Director Of Photography |
| 1942 | Girl Trouble · as Director Of Photography |
| 1942 | The Pied Piper · as Director Of Photography |
| 1942 | To the Shores of Tripoli · as Director Of Photography |
| 1942 | Friendly Enemies · as Cinematographer |
| 1941 | Rise and Shine · as Director Of Photography |
| 1941 | I Wake Up Screaming · as Director Of Photography |
| 1941 | Sun Valley Serenade · as Director Of Photography |
| 1941 | A Very Young Lady · as Cinematographer |
| 1941 | Western Union · as Director Of Photography |
| 1940 | Youth Will Be Served · as Cinematographer |
| 1940 | The Gay Caballero · as Director Of Photography |
| 1940 | Young People · as Director Of Photography |
| 1940 | Girl in 313 · as Director Of Photography |
| 1940 | I Was an Adventuress · as Director Of Photography |
| 1939 | Everything Happens at Night · as Director Of Photography |
| 1939 | Heaven with a Barbed Wire Fence · as Director Of Photography |
| 1939 | The Gorilla · as Director Of PhotographyEn Plex |
| 1938 | Keep Smiling · as Cinematographer |
| 1938 | Gateway · as Director Of Photography |
| 1938 | Rascals · as Cinematographer |
| 1938 | Island in the Sky · as Cinematographer |
| 1937 | Wife, Doctor and Nurse · as Director Of Photography |
| 1937 | Thin Ice · as Director Of Photography |
| 1937 | Wake Up and Live · as Director Of Photography |
| 1936 | One in a Million · as Director Of Photography |
| 1936 | The Texas Rangers · as Director Of Photography |
| 1936 | Special Investigator · as Cinematographer |
| 1936 | Yellow Dust · as Director Of Photography |
| 1935 | In Person · as Director Of Photography |
| 1935 | Jalna · as Director Of Photography |
| 1935 | The Nitwits · as Director Of Photography |
| 1935 | Roberta · as Director Of Photography |
| 1935 | Enchanted April · as Director Of Photography |
| 1934 | Lightning Strikes Twice · as Director Of Photography |
| 1934 | Kentucky Kernels · as Director Of Photography |
| 1934 | Down to Their Last Yacht · as Director Of Photography |
| 1934 | Strictly Dynamite · as Director Of Photography |
| 1934 | Spitfire · as Director Of Photography |
| 1933 | If I Were Free · as Director Of Photography |
| 1933 | Ann Vickers · as Director Of Photography |
| 1933 | Good Housewrecking · as Cinematographer |
| 1933 | Professional Sweetheart · as Director Of Photography |
| 1933 | Diplomaniacs · as Cinematographer |
| 1933 | Sweepings · as Director Of Photography |
| 1933 | The Monkey's Paw · as Director Of Photography |
| 1933 | No Other Woman · as Cinematographer |
| 1932 | The Conquerors · as Director Of Photography |
| 1932 | Hell's Highway · as Director Of PhotographyEn Plex |
| 1932 | Bird of Paradise · as Director Of PhotographyEn Plex |
| 1932 | Roar of the Dragon · as Director Of Photography |
| 1932 | Girl Crazy · as Cinematographer |
| 1932 | The Lost Squadron · as Director Of Photography |
| 1932 | Never the Twins Shall Meet · as Cinematographer |
| 1932 | Docks of San Francisco · as Cinematographer |
| 1931 | Night Beat · as Director Of Photography |
| 1931 | Secret Service · as Director Of Photography |
| 1931 | Scratch-As-Catch-Can · as Director Of Photography |
| 1931 | False Roomers · as Cinematographer |
| 1931 | The Public Defender · as Director Of Photography |
| 1931 | Cimarron · as Director Of Photography |
| 1930 | Shooting Straight · as Director Of Photography |
| 1930 | He Knew Women · as Director Of Photography |
| 1930 | Lovin' the Ladies · as Director Of Photography |
| 1929 | Seven Keys to Baldpate · as Director Of Photography |
| 1929 | The Virginian · as Director Of Photography |
| 1929 | Redskin · as Director Of Photography |
| 1929 | Nothing But the Truth · as Cinematographer |
| 1926 | Let's Get Married · as Cinematographer |
| 1925 | Womanhandled · as Cinematographer |