Douglas Shearer
Actor
17 de noviembre de 1899 — 6 de enero de 1971 (71 años)
Douglas Graham Shearer (November 17, 1899 – January 5, 1971) was a Canadian-American pioneering sound designer and recording director who played a key role in the advancement of sound technology for motion pictures. He won seven Academy Awards for his work. In 2008, he was inducted into Canada's Walk of Fame.
Douglas began his journey into cinema by studying experimental electricity at Northern Electric Company before joining MGM in 1925. Initially exploring lighting and cameras, he pivoted to sound when the era of sound pictures emerged in 1928. He pioneered synchronizing musical soundtracks with film scenes, notably in the groundbreaking "The Broadway Melody," which won the 1929 Oscar for Best Picture. As head of MGM's sound department until his retirement, Shearer revolutionized sound recording, winning an Academy Award for Best Sound Recording for "The Big House." His groundbreaking work at MGM significantly enhanced the technical aspects of filmmaking. His legacy was recognized even in death, receiving a front-page obituary in The New York Times—an honour typically reserved for industry giants and heads of state.
Douglas began his journey into cinema by studying experimental electricity at Northern Electric Company before joining MGM in 1925. Initially exploring lighting and cameras, he pivoted to sound when the era of sound pictures emerged in 1928. He pioneered synchronizing musical soundtracks with film scenes, notably in the groundbreaking "The Broadway Melody," which won the 1929 Oscar for Best Picture. As head of MGM's sound department until his retirement, Shearer revolutionized sound recording, winning an Academy Award for Best Sound Recording for "The Big House." His groundbreaking work at MGM significantly enhanced the technical aspects of filmmaking. His legacy was recognized even in death, receiving a front-page obituary in The New York Times—an honour typically reserved for industry giants and heads of state.
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Filmography
| 1946 | The Great Morgan · as Douglas Shearer (uncredited) |
| 1954 | Rose Marie · as Recording Supervision |
| 1954 | Her Twelve Men · as Recording Supervision |
| 1954 | Seven Brides for Seven Brothers · as Sound |
| 1954 | Valley of the Kings · as Recording Supervision |
| 1954 | Tennessee Champ · as Sound |
| 1954 | Executive Suite · as Recording Supervision |
| 1954 | The Great Diamond Robbery · as Recording Supervision |
| 1953 | Easy to Love · as Recording Supervision |
| 1953 | Escape from Fort Bravo · as Sound Recordist |
| 1953 | Kiss Me Kate · as Recording Supervision |
| 1953 | All the Brothers Were Valiant · as Recording Supervision |
| 1953 | Give a Girl a Break · as Recording Supervision |
| 1953 | Take the High Ground! · as Recording Supervision |
| 1953 | The Actress · as Recording Supervision |
| 1953 | Big Leaguer · as Recording Supervision |
| 1953 | The Affairs of Dobie Gillis · as Recording Supervision |
| 1953 | The Band Wagon · as Recording Supervision |
| 1953 | Ride, Vaquero! · as Recording Supervision |
| 1953 | Dangerous When Wet · as Recording Supervision |
| 1953 | Julius Caesar · as Recording Supervision |
| 1953 | Young Bess · as Recording Supervision |
| 1953 | Dream Wife · as Recording Supervision |
| 1953 | Scandal at Scourie · as Recording Supervision |
| 1953 | Remains to Be Seen · as Recording Supervision |
| 1953 | Jeopardy · as Recording Supervision |
| 1953 | Small Town Girl · as Recording Supervision |
| 1953 | Lili · as Sound |
| 1953 | The Girl Who Had Everything · as Recording Supervision |
| 1953 | The Story of Three Loves · as Recording Supervision |
| 1953 | I Love Melvin · as Recording Supervision |
| 1953 | Confidentially Connie · as Recording Supervision |
| 1953 | Battle Circus · as Recording Supervision |
| 1953 | The Naked Spur · as Recording Supervision |
| 1952 | The Bad and the Beautiful · as Recording Supervision |
| 1952 | Million Dollar Mermaid · as Recording Supervision |
| 1952 | Desperate Search · as Recording Supervision |
| 1952 | Everything I Have Is Yours · as Recording Supervision |
| 1952 | The Merry Widow · as Recording Supervision |
| 1952 | Fearless Fagan · as Recording Supervision |
| 1952 | Skirts Ahoy! · as Recording Supervision |
| 1952 | Holiday for Sinners · as Sound |
| 1952 | Shadow in the Sky · as Recording Supervision |
| 1952 | Scaramouche · as Recording Supervision |
| 1952 | Pat and Mike · as Sound Recordist |
| 1952 | Invitation · as Recording Supervision |
| 1952 | Glory Alley · as Recording Supervision |
| 1952 | The Girl in White · as Sound |
| 1952 | Young Man with Ideas · as Recording Supervision |
| 1952 | Carbine Williams · as Recording Supervision |
| 1952 | Talk About a Stranger · as Sound Director |
| 1952 | Singin' in the Rain · as Recording Supervision |
| 1952 | The Wild North · as Sound |
| 1952 | Love Is Better Than Ever · as Recording Supervision |
| 1952 | The Belle of New York · as Recording Supervision |
| 1951 | Westward the Women · as Recording Supervision |
| 1951 | Quo Vadis · as Sound Recordist |
| 1951 | Too Young to Kiss · as Recording Supervision |
| 1951 | Callaway Went Thataway · as Recording Supervision |
| 1951 | An American in Paris · as Recording Supervision |
| 1951 | Angels in the Outfield · as Recording Supervision |
| 1951 | The Red Badge of Courage · as Sound Recordist |
| 1951 | Texas Carnival · as Recording Supervision |
| 1951 | The Strip · as Recording Supervision |
| 1951 | The Tall Target · as Recording Supervision |
| 1951 | The Great Caruso · as Recording Supervision |
| 1951 | The Law and the Lady · as Recording Supervision |
| 1951 | Show Boat · as Recording Supervision |
| 1951 | Cause for Alarm! · as Recording SupervisionEn Plex |
| 1951 | Kind Lady · as Recording Supervision |
| 1951 | The Painted Hills · as SoundEn Plex |
| 1951 | Father's Little Dividend · as Recording SupervisionEn Plex |
| 1951 | Soldiers Three · as Recording Supervision |
| 1951 | Royal Wedding · as Recording SupervisionEn Plex |
| 1951 | Three Guys Named Mike · as Recording Supervision |
| 1951 | Grounds for Marriage · as Recording Supervision |
| 1950 | Pagan Love Song · as Recording Supervision |
| 1950 | The Magnificent Yankee · as Recording Supervision |
| 1950 | Watch the Birdie · as Recording Supervision |
| 1950 | Kim · as Recording Supervision |
| 1950 | King Solomon's Mines · as Recording Supervision |
| 1950 | Two Weeks with Love · as Sound |
| 1950 | To Please a Lady · as Recording Supervision |
| 1950 | Right Cross · as Recording Supervision |
| 1950 | Stars in My Crown · as Recording Supervision |
| 1950 | Summer Stock · as Recording Supervision |
| 1950 | Devil's Doorway · as Sound Supervisor |
| 1950 | Mystery Street · as Recording Supervision |
| 1950 | Duchess of Idaho · as Recording Supervision |
| 1950 | Three Little Words · as Recording Supervision |
| 1950 | Crisis · as Recording Supervision |
| 1950 | Father of the Bride · as Recording Supervision |
| 1950 | The Big Hangover · as Recording Supervision |
| 1950 | Shadow on the Wall · as Recording Supervision |
| 1950 | Annie Get Your Gun · as Recording Supervision |
| 1950 | The Asphalt Jungle · as Recording Supervision |
| 1950 | Please Believe Me · as Recording Supervision |
| 1950 | The Reformer and the Redhead · as Recording Supervision |
| 1950 | The Yellow Cab Man · as Recording Supervision |
| 1950 | Black Hand · as Recording Supervision |
| 1950 | Nancy Goes to Rio · as Sound |
| 1950 | The Outriders · as Sound Designer |
| 1949 | On the Town · as Sound Director |
| 1949 | Tension · as Recording Supervision |
| 1949 | Intruder in the Dust · as Sound Recordist |
| 1949 | Adam's Rib · as Sound Recordist |
| 1949 | Battleground · as Recording Supervision |
| 1949 | That Forsyte Woman · as Recording Supervision |
| 1949 | Challenge to Lassie · as Recording Supervision |
| 1949 | Border Incident · as Sound Supervisor |
| 1949 | The Barkleys of Broadway · as Recording Supervision |
| 1949 | Madame Bovary · as Recording Supervision |
| 1949 | In the Good Old Summertime · as Recording Supervision |
| 1949 | The Secret Garden · as Sound Director |
| 1949 | The Great Sinner · as Recording Supervision |
| 1949 | Neptune's Daughter · as Recording Supervision |
| 1949 | The Stratton Story · as Recording Supervision |
| 1949 | Little Women · as Sound Recordist |
| 1949 | Take Me Out to the Ball Game · as Sound Director |
| 1948 | Act of Violence · as Sound Director |
| 1948 | The Three Musketeers · as Recording Supervision |
| 1948 | Julia Misbehaves · as Sound |
| 1948 | A Date with Judy · as Recording Supervision |
| 1948 | Easter Parade · as Sound Director |
| 1948 | The Pirate · as Recording Supervision |
| 1948 | Big City · as Sound |
| 1948 | Summer Holiday · as Sound |
| 1947 | Good News · as Recording SupervisionEn Plex |
| 1947 | Dark Delusion · as Sound Director |
| 1947 | Killer McCoy · as Sound Director |
| 1947 | Green Dolphin Street · as Recording Supervision |
| 1947 | Desire Me · as Sound Director |
| 1947 | Song of Love · as Sound Director |
| 1947 | The Unfinished Dance · as Sound Director |
| 1947 | Living in a Big Way · as Sound |
| 1947 | Cynthia · as Sound |
| 1947 | Song of the Thin Man · as Recording Supervision |
| 1947 | The Hucksters · as Sound Director |
| 1947 | The Romance of Rosy Ridge · as Sound Director |
| 1947 | Undercover Maisie · as Sound Director |
| 1947 | The Arnelo Affair · as Sound |
| 1947 | The Sea of Grass · as Sound |
| 1946 | Lady in the Lake · as Sound Director |
| 1946 | Love Laughs at Andy Hardy · as Sound DirectorEn Plex |
| 1946 | The Secret Heart · as Sound Director |
| 1946 | The Yearling · as Recording Supervision |
| 1946 | Till the Clouds Roll By · as Sound DirectorEn Plex |
| 1946 | Undercurrent · as Sound Director |
| 1946 | Bad Bascomb · as Recording Supervision |
| 1946 | The Postman Always Rings Twice · as Sound Director |
| 1946 | Courage of Lassie · as Recording Supervision |
| 1946 | Two Sisters from Boston · as Recording Supervision |
| 1946 | Two Smart People · as Sound Director |
| 1946 | The Harvey Girls · as Recording Supervision |
| 1946 | The Hoodlum Saint · as Recording Supervision |
| 1946 | Up Goes Maisie · as Sound Director |
| 1945 | Thrill of a Romance · as Recording Supervision |
| 1945 | She Went to the Races · as Recording Supervision |
| 1945 | Week-End at the Waldorf · as Recording Supervision |
| 1945 | The Hidden Eye · as Recording Supervision |
| 1945 | Ziegfeld Follies · as Recording Supervision |
| 1945 | Dangerous Partners · as Recording Supervision |
| 1945 | Twice Blessed · as Sound Director |
| 1945 | Son of Lassie · as Recording Supervision |
| 1945 | The Picture of Dorian Gray · as Recording Supervision |
| 1945 | Main Street After Dark · as Recording Supervision |
| 1944 | The Thin Man Goes Home · as Recording Supervision |
| 1944 | Music for Millions · as Sound Director |
| 1944 | Gentle Annie · as Recording Supervision |
| 1944 | Meet Me in St. Louis · as Recording Supervision |
| 1944 | Thirty Seconds Over Tokyo · as Recording Supervision |
| 1944 | Mrs. Parkington · as Sound Director |
| 1944 | Kismet · as Sound Director |
| 1944 | Maisie Goes to Reno · as Sound Director |
| 1944 | The Canterville Ghost · as Sound Director |
| 1944 | Bathing Beauty · as Recording Supervision |
| 1944 | Gaslight · as SoundEn Plex |
| 1944 | The White Cliffs of Dover · as Sound Director |
| 1944 | Andy Hardy's Blonde Trouble · as Sound Director |
| 1944 | An American Romance · as Recording Supervision |
| 1944 | Rationing · as Recording Supervision |
| 1944 | See Here, Private Hargrove · as Sound Director |
| 1943 | A Guy Named Joe · as Sound |
| 1943 | Swing Fever · as Sound Director |
| 1943 | Swing Shift Maisie · as Sound Director |
| 1943 | Thousands Cheer · as Recording Supervision |
| 1943 | The Man from Down Under · as Recording Supervision |
| 1943 | Bataan · as Recording Supervision |
| 1943 | Above Suspicion · as Sound Director |
| 1943 | Cabin in the Sky · as Sound Director |
| 1943 | The Human Comedy · as Recording Supervision |
| 1942 | Andy Hardy's Double Life · as Sound Director |
| 1942 | Dr. Gillespie's New Assistant · as Recording Supervision |
| 1942 | For Me and My Gal · as Sound Director |
| 1942 | Eyes in the Night · as Sound DirectorEn Plex |
| 1942 | Fingers at the Window · as Sound Director |
| 1942 | Kid Glove Killer · as Sound Director |
| 1942 | Tortilla Flat · as Sound |
| 1942 | Cairo · as Sound Director |
| 1942 | Calling Dr. Gillespie · as Recording Supervision |
| 1942 | Mrs. Miniver · as Recording SupervisionEn Plex |
| 1942 | Her Cardboard Lover · as Recording Supervision |
| 1942 | Dr. Kildare's Victory · as Recording Supervision |
| 1942 | Maisie Gets Her Man · as Sound Director |
| 1942 | Tarzan's New York Adventure · as Recording Supervision |
| 1942 | Grand Central Murder · as Recording Supervision |
| 1942 | Mokey · as Sound Director |
| 1942 | The Courtship of Andy Hardy · as Sound Director |
| 1942 | Nazi Agent · as Sound Director |
| 1941 | Two-Faced Woman · as Sound |
| 1941 | Married Bachelor · as Sound Director |
| 1941 | Kathleen · as Sound Director |
| 1941 | Johnny Eager · as Recording Supervision |
| 1941 | Tarzan's Secret Treasure · as Recording Supervision |
| 1941 | Shadow of the Thin Man · as Recording Supervision |
| 1941 | Lady Be Good · as Sound Director |
| 1941 | The Feminine Touch · as Recording Supervision |
| 1941 | Honky Tonk · as Recording Supervision |
| 1941 | When Ladies Meet · as Sound Director |
| 1941 | Life Begins for Andy Hardy · as Sound Director |
| 1941 | Blossoms in the Dust · as Sound Director |
| 1941 | Whistling in the Dark · as Recording Supervision |
| 1941 | Love Crazy · as Sound Director |
| 1941 | I'll Wait for You · as Sound Director |
| 1941 | A Woman's Face · as Sound |
| 1941 | The People vs. Dr. Kildare · as Sound Director |
| 1941 | Ziegfeld Girl · as Recording Supervision |
| 1941 | Washington Melodrama · as Recording Supervision |
| 1941 | Rage in Heaven · as Recording Supervision |
| 1941 | Andy Hardy's Private Secretary · as Sound Director |
| 1941 | Blonde Inspiration · as Sound Director |
| 1941 | Come Live with Me · as Recording Supervision |
| 1941 | The Wild Man of Borneo · as Recording Supervision |
| 1941 | Maisie Was a Lady · as Sound Director |
| 1940 | The Philadelphia Story · as Recording Supervision |
| 1940 | Comrade X · as Sound Director |
| 1940 | Go West · as Recording Supervision |
| 1940 | Dulcy · as Recording Supervision |
| 1940 | Dr. Kildare Goes Home · as Recording Supervision |
| 1940 | Boom Town · as Sound Recordist |
| 1940 | The Golden Fleecing · as Sound Director |
| 1940 | I Love You Again · as Recording Supervision |
| 1940 | Pride and Prejudice · as Recording Supervision |
| 1940 | Gold Rush Maisie · as Sound Director |
| 1940 | We Who Are Young · as Recording Supervision |
| 1940 | Sporting Blood · as Recording Supervision |
| 1940 | Andy Hardy Meets Debutante · as Sound Director |
| 1940 | Susan and God · as Sound Director |
| 1940 | Waterloo Bridge · as Sound Director |
| 1940 | Dr. Kildare's Strange Case · as Recording SupervisionEn Plex |
| 1940 | Strange Cargo · as Sound Director |
| 1940 | Northwest Passage · as Sound Director |
| 1940 | Congo Maisie · as Sound Director |
| 1940 | The Shop Around the Corner · as Sound Director |
| 1940 | The Earl of Chicago · as Recording Supervision |
| 1939 | Nick Carter, Master Detective · as Sound |
| 1939 | Henry Goes Arizona · as Sound Director |
| 1939 | Joe and Ethel Turp Call on the President · as Recording Supervision |
| 1939 | The Secret of Dr. Kildare · as Recording SupervisionEn Plex |
| 1939 | Ninotchka · as Recording Supervision |
| 1939 | Another Thin Man · as Sound Director |
| 1939 | At the Circus · as Recording Supervision |
| 1939 | Babes in Arms · as Sound |
| 1939 | Fast and Furious · as Sound Director |
| 1939 | Judge Hardy and Son · as Sound Director |
| 1939 | Thunder Afloat · as Sound Director |
| 1939 | The Women · as Sound Director |
| 1939 | The Wizard of Oz · as Sound Director |
| 1939 | They All Come Out · as Sound Director |
| 1939 | Andy Hardy Gets Spring Fever · as Sound Director |
| 1939 | On Borrowed Time · as Recording Supervision |
| 1939 | Stronger Than Desire · as Recording Supervision |
| 1939 | Maisie · as Sound Director |
| 1939 | Tarzan Finds a Son! · as Recording Supervision |
| 1939 | 6,000 Enemies · as Recording Supervision |
| 1939 | Tell No Tales · as Sound Director |
| 1939 | Calling Dr. Kildare · as Sound Director |
| 1939 | The Hardys Ride High · as Sound Director |
| 1939 | The Kid from Texas · as Recording Supervision |
| 1939 | The Ice Follies of 1939 · as Sound Director |
| 1939 | Fast and Loose · as Sound Director |
| 1939 | Honolulu · as Sound Re-Recording Mixer |
| 1939 | Idiot's Delight · as Recording Supervision |
| 1938 | Sweethearts · as Sound Director |
| 1938 | The Girl Downstairs · as Sound Director |
| 1938 | Dramatic School · as Sound Recordist |
| 1938 | Out West with the Hardys · as Sound Director |
| 1938 | The Shining Hour · as Sound Director |
| 1938 | Spring Madness · as Recording Supervision |
| 1938 | The Great Waltz · as Sound Director |
| 1938 | Young Dr. Kildare · as Recording Supervision |
| 1938 | Vacation from Love · as Sound Director |
| 1938 | Too Hot to Handle · as Recording Supervision |
| 1938 | Boys Town · as Recording Supervision |
| 1938 | Three Loves Has Nancy · as Sound Director |
| 1938 | Marie Antoinette · as Sound |
| 1938 | The Chaser · as Sound Director |
| 1938 | Love Finds Andy Hardy · as Sound Director |
| 1938 | Fast Company · as Sound Director |
| 1938 | Three Comrades · as Sound Director |
| 1938 | Paradise for Three · as Sound Director |
| 1938 | Test Pilot · as Sound Director |
| 1938 | Judge Hardy's Children · as Sound Director |
| 1938 | Arsène Lupin Returns · as Sound Director |
| 1938 | Of Human Hearts · as Sound Director |
| 1938 | Love Is a Headache · as Recording Supervision |
| 1938 | Man-Proof · as Sound |
| 1937 | The First Hundred Years · as Recording Supervision |
| 1937 | Mannequin · as Sound Director |
| 1937 | You're Only Young Once · as Sound Director |
| 1937 | Beg, Borrow or Steal · as Sound Director |
| 1937 | Navy Blue and Gold · as Recording Supervision |
| 1937 | Conquest · as Sound Director |
| 1937 | Double Wedding · as Sound Director |
| 1937 | The Bride Wore Red · as Sound Director |
| 1937 | Madame X · as Sound Director |
| 1937 | My Dear Miss Aldrich · as Sound Director |
| 1937 | The Women Men Marry · as Recording Supervision |
| 1937 | Broadway Melody of 1938 · as Recording Supervision |
| 1937 | Captains Courageous · as Sound |
| 1937 | Married Before Breakfast · as Sound Director |
| 1937 | A Day at the Races · as Sound Director |
| 1937 | Parnell · as Sound Recordist |
| 1937 | The Good Earth · as Recording Supervision |
| 1937 | They Gave Him a Gun · as Sound Director |
| 1937 | The Thirteenth Chair · as Sound Director |
| 1937 | Night Must Fall · as Recording Supervision |
| 1937 | Maytime · as Sound Engineer |
| 1937 | A Family Affair · as Sound Director |
| 1937 | The Last of Mrs. Cheyney · as Sound |
| 1936 | Camille · as Sound Director |
| 1936 | After the Thin Man · as Recording Supervision |
| 1936 | Sinner Take All · as Sound Director |
| 1936 | Born to Dance · as Sound |
| 1936 | Mad Holiday · as Recording Supervision |
| 1936 | Tarzan Escapes · as Recording Supervision |
| 1936 | Libeled Lady · as Recording Supervision |
| 1936 | The Longest Night · as Recording Supervision |
| 1936 | Sworn Enemy · as Recording Supervision |
| 1936 | Romeo and Juliet · as Sound Director |
| 1936 | Suzy · as Sound Director |
| 1936 | The Devil-Doll · as Recording Supervision |
| 1936 | San Francisco · as Sound Director |
| 1936 | Fury · as Sound Director |
| 1936 | Trouble for Two · as Recording Supervision |
| 1936 | Absolute Quiet · as Sound Director |
| 1936 | The Unguarded Hour · as Sound Director |
| 1936 | The Great Ziegfeld · as Sound Director |
| 1936 | Three Godfathers · as Recording Supervision |
| 1936 | Wife vs. Secretary · as Recording Supervision |
| 1936 | Three Live Ghosts · as Sound Director |
| 1936 | The Garden Murder Case · as Sound Director |
| 1935 | A Tale of Two Cities · as Sound Director |
| 1935 | Whipsaw · as Recording Supervision |
| 1935 | Kind Lady · as Recording Supervision |
| 1935 | Mutiny on the Bounty · as Sound Director |
| 1935 | A Night at the Opera · as Sound Director |
| 1935 | Anna Karenina · as Sound |
| 1935 | I Live My Life · as Sound Director |
| 1935 | Broadway Melody of 1936 · as Recording Supervision |
| 1935 | The Bishop Misbehaves · as Sound Director |
| 1935 | China Seas · as Sound |
| 1935 | Woman Wanted · as Sound Director |
| 1935 | Mad Love · as Sound Director |
| 1935 | Calm Yourself · as Sound Director |
| 1935 | David Copperfield · as Sound Director |
| 1935 | No More Ladies · as Sound Director |
| 1935 | Public Hero Number 1 · as Sound |
| 1935 | Murder in the Fleet · as Sound Director |
| 1935 | Reckless · as Recording Supervision |
| 1935 | Baby Face Harrington · as Recording Supervision |
| 1935 | Naughty Marietta · as Sound Director |
| 1935 | The Casino Murder Case · as Recording Supervision |
| 1935 | Times Square Lady · as Sound Director |
| 1935 | The Winning Ticket · as Recording Supervision |
| 1934 | Forsaking All Others · as Sound Director |
| 1934 | Sequoia · as Recording Supervision |
| 1934 | The Gay Bride · as Recording Supervision |
| 1934 | What Every Woman Knows · as Recording Supervision |
| 1934 | The Barretts of Wimpole Street · as Sound Director |
| 1934 | Chained · as Sound Director |
| 1934 | Hide-Out · as Sound Director |
| 1934 | Treasure Island · as Sound Director |
| 1934 | The Girl from Missouri · as Sound Director |
| 1934 | Paris Interlude · as Sound Director |
| 1934 | Operator 13 · as Sound Director |
| 1934 | Hollywood Party · as Sound DirectorEn Plex |
| 1934 | The Thin Man · as Sound Director |
| 1934 | Sadie McKee · as Sound Director |
| 1934 | Manhattan Melodrama · as Sound Director |
| 1934 | Viva Villa! · as Sound |
| 1934 | Tarzan and His Mate · as Recording Supervision |
| 1934 | Men in White · as Sound Director |
| 1934 | Riptide · as Sound Director |
| 1934 | The Show-Off · as Sound Director |
| 1934 | The Mystery of Mr. X · as Sound Director |
| 1934 | The Cat and the Fiddle · as Sound Director |
| 1933 | Queen Christina · as Sound Director |
| 1933 | Going Hollywood · as Sound Director |
| 1933 | Dinner at Eight · as Sound Director |
| 1933 | The Women in His Life · as Sound Director |
| 1933 | Should Ladies Behave · as Sound Director |
| 1933 | Dancing Lady · as Sound Director |
| 1933 | The Stranger's Return · as Sound Director |
| 1933 | Bombshell · as Sound Director |
| 1933 | Night Flight · as Sound |
| 1933 | Stage Mother · as Sound Director |
| 1933 | The Solitaire Man · as Sound Director |
| 1933 | Penthouse · as Sound Director |
| 1933 | Beauty for Sale · as Sound Director |
| 1933 | Turn Back the Clock · as Sound Director |
| 1933 | Another Language · as Sound Director |
| 1933 | Storm at Daybreak · as Sound Director |
| 1933 | Hold Your Man · as Sound Director |
| 1933 | Midnight Mary · as Sound Director |
| 1933 | When Ladies Meet · as Sound Director |
| 1933 | Reunion in Vienna · as Sound |
| 1933 | The Nuisance · as Recording Supervision |
| 1933 | Peg o' My Heart · as Sound Director |
| 1933 | Made on Broadway · as Sound Director |
| 1933 | The Barbarian · as Sound Director |
| 1933 | Looking Forward · as Sound Director |
| 1933 | Today We Live · as Sound Director |
| 1933 | The White Sister · as Sound Director |
| 1933 | Gabriel Over the White House · as Sound Director |
| 1933 | Fast Workers · as Sound Director |
| 1933 | Men Must Fight · as Sound Director |
| 1933 | The Secret of Madame Blanche · as Sound Director |
| 1933 | Whistling in the Dark · as Sound Director |
| 1932 | Strange Interlude · as Sound Director |
| 1932 | Rasputin and the Empress · as Sound Director |
| 1932 | The Son-Daughter · as Sound Director |
| 1932 | Flesh · as Sound |
| 1932 | Downstairs · as Sound |
| 1932 | Payment Deferred · as Sound Director |
| 1932 | The Mask of Fu Manchu · as Sound Director |
| 1932 | Red Dust · as Sound Director |
| 1932 | Faithless · as Sound Director |
| 1932 | Kongo · as Sound Recordist |
| 1932 | Smilin' Through · as Sound Director |
| 1932 | Blondie of the Follies · as Sound Director |
| 1932 | The Washington Masquerade · as Sound Director |
| 1932 | Unashamed · as Sound Director |
| 1932 | Red-Headed Woman · as Sound Director |
| 1932 | Night Court · as Sound Recordist |
| 1932 | New Morals for Old · as Recording Supervision |
| 1932 | As You Desire Me · as Sound Director |
| 1932 | Grand Hotel · as Sound Director |
| 1932 | Letty Lynton · as Sound Director |
| 1932 | Huddle · as Sound Director |
| 1932 | -But the Flesh Is Weak · as Sound Director |
| 1932 | Tarzan the Ape Man · as Sound |
| 1932 | The Wet Parade · as Sound Director |
| 1932 | Arsène Lupin · as Sound Director |
| 1932 | Polly of the Circus · as Sound |
| 1932 | The Passionate Plumber · as Recording Supervision |
| 1932 | Lovers Courageous · as Sound Director |
| 1932 | Emma · as Sound Director |
| 1932 | Freaks · as Recording Supervision |
| 1931 | Hell Divers · as Sound |
| 1931 | Mata Hari · as Sound Director |
| 1931 | Buster se marie · as Sound |
| 1931 | Private Lives · as Sound Director |
| 1931 | The Cuban Love Song · as Recording Supervision |
| 1931 | West of Broadway · as Sound Director |
| 1931 | Possessed · as Sound Director |
| 1931 | The Champ · as Recording Supervision |
| 1931 | Flying High · as Sound Director |
| 1931 | The Guardsman · as Sound Director |
| 1931 | The Sin of Madelon Claudet · as Sound Director |
| 1931 | Casanova wider Willen · as Sound |
| 1931 | Susan Lenox (Her Fall and Rise) · as Sound Director |
| 1931 | The Squaw Man · as Sound Director |
| 1931 | This Modern Age · as Sound Director |
| 1931 | Guilty Hands · as Sound Director |
| 1931 | Politics · as Recording Supervision |
| 1931 | The Great Lover · as Sound Director |
| 1931 | The Man in Possession · as Sound Director |
| 1931 | A Free Soul · as Sound Director |
| 1931 | Five and Ten · as Sound Director |
| 1931 | Laughing Sinners · as Sound Director |
| 1931 | Strangers May Kiss · as Sound Director |
| 1931 | Trader Horn · as Recording Supervision |
| 1931 | Parlor, Bedroom and Bath · as Recording Supervision |
| 1931 | Dance, Fools, Dance · as Sound Director |
| 1931 | The Bachelor Father · as Sound Director |
| 1931 | Reducing · as Recording Supervision |
| 1930 | Paid · as Sound Director |
| 1930 | New Moon · as Sound Director |
| 1930 | Anna Christie · as Sound Engineer |
| 1930 | Passion Flower · as Sound Director |
| 1930 | Min and Bill · as Sound |
| 1930 | War Nurse · as Sound Director |
| 1930 | El presidio · as Sound |
| 1930 | A Lady's Morals · as Sound Director |
| 1930 | Madam Satan · as Sound Recordist |
| 1930 | Romance · as Sound Director |
| 1930 | Let Us Be Gay · as Sound Director |
| 1930 | Our Blushing Brides · as Sound Director |
| 1930 | The Big House · as Sound |
| 1930 | The Florodora Girl · as Sound Director |
| 1930 | The Lady of Scandal · as Sound Director |
| 1930 | Children of Pleasure · as Sound Director |
| 1930 | The Divorcee · as Sound Director |
| 1930 | Montana Moon · as Sound Director |
| 1930 | The Ship from Shanghai · as Sound Engineer |
| 1930 | They Learned About Women · as Sound Director |
| 1929 | So This Is College · as Sound Engineer |
| 1929 | The Unholy Night · as Sound Recordist |
| 1929 | Wonder of Women · as Sound Engineer |
| 1929 | The Idle Rich · as Sound Engineer |
| 1929 | The Voice of the City · as Sound Engineer |
| 1929 | The Broadway Melody · as Sound Recordist |