Archie Stout

30 de marzo de 1886 — 10 de marzo de 1973 (86 años)
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Archie Stout (March 30, 1886 – March 10, 1973), A.S.C. was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as second unit cinematographer on Fort Apache (1948), She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Academy Award. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954. In 1914, Mack Sennett was filming a comedy with Louise Fazenda, and it required a scene with a pelican "nibbling at [Louise's] posterior". However, the state law in California required that a representative of the fish and game committee be present at all times when handling the pelican. Archie was game warden of the fish and game commission of California at the time, and was assigned to oversee the handling of a pelican. However, several days after the scene with the pelican, Stout continued to observe and speak to Mack Sennett and his lead cameraman, Fred Jackman, throughout the rest of the shoot. Jackman, taking a liking to Stout, and in need of background shots, asked if Stout would be interested in getting the shots for him. Stout eagerly agreed, and after a brief lesson on how the camera worked, went up into the High Sierras to get the shots. Once the film was developed, Jackman saw the potential in Stout's abilities and hired him immediately.

By the 1930s, Stout was "earning a reputation for outstanding outdoor photography" and was moving between director of photography positions and second unit jobs. He would go on to develop a strong professional relationship with actor John Wayne, shooting at least 25 of his films, most of which were westerns.

Stout eventually became a part of director John Ford's camera crew, handling second unit photography on Fort Apache (1948), She Wore a Yellow Ribbon (1949), Rio Grande (1950), Wagon Master (1950) and The Quiet Man (1952). Between his background with nature and his eye for exterior shots, Stout would go on to be "among the top dozen cinematographers associated with Westerns".

In an interview, Archie said in the first eight years of his career he "roughly made 300 pictures for Mack Sennett and the Christie boys". By the printing of the article, he would be shooting his 500th film. Although that is a staggering number of movies for a cinematographer, especially one well into his 50s, Archie was not too impressed with the number, saying that "in the old days a one-reeler was shot in two or three days, and as soon as you finished one you started right in with another".

Películas y series en Plex

  • La legión invencible
    La legión invencible1949
  • El ángel y el pistolero
    El ángel y el pistolero1947
  • También somos seres humanos
    También somos seres humanos1945
  • Sucedió mañana
    Sucedió mañana1944
  • Los diez mandamientos
    Los diez mandamientos1923
  • El capitán Kidd
    El capitán Kidd1945
  • Acero azul
    Acero azul1934
  • El camino de Sagebrush
    El camino de Sagebrush1933
  • El tejano afortunado
    El tejano afortunado1934
  • La calle de los conflictos
    La calle de los conflictos1946
  • El jinete del alba
    El jinete del alba1935
  • El que lleva la estrella
    El que lleva la estrella1934
  • El hombre de Utah
    El hombre de Utah1934
  • Jinetes del destino
    Jinetes del destino1933
  • Las aventuras de Marco Polo
    Las aventuras de Marco Polo1938
  • Bajo el cielo de Arizona
    Bajo el cielo de Arizona1934
  • Frontera sin ley
    Frontera sin ley1934
  • Al oeste de la división
    Al oeste de la división1934
  • El cañón del Paraíso
    El cañón del Paraíso1935
  • El camino del desierto
    El camino del desierto1935

Conocido por

  • El hombre tranquilo
    El hombre tranquilo1952

Filmography

1953
The 25th Annual Academy Awards · as Self - Winner For Cinematography Color Production