Albert Lewin
Productor, Director, Escritor, Actor
23 de septiembre de 1894 — 9 de mayo de 1968 (73 años)
From Wikipedia, the free encyclopedia.
Albert Lewin (1894–1968) was an American film director, producer, and screenwriter.
He was born in Brooklyn, New York on September 23, 1894 and raised in Newark, New Jersey. He earned a Master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924.
Lewin was appointed head of the studio's script department and by the late 20s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include True Confession (1937), Spawn of the North (1938), Zaza (1939) and So Ends Our Night (1941).
In 1942, Lewin began to direct. He made six films, writing all of them and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, The Unaltered Cat. He died of pneumonia in New York on May 9, 1968.
Description above from the Wikipedia article Albert Lewin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Albert Lewin (1894–1968) was an American film director, producer, and screenwriter.
He was born in Brooklyn, New York on September 23, 1894 and raised in Newark, New Jersey. He earned a Master's degree at Harvard and taught English at the University of Missouri. During World War I, he served in the military and was afterwards appointed assistant national director of the American Jewish Relief Committee. He later became a drama and film critic for the Jewish Tribune until the early 1920s, when he went to Hollywood to become a reader for Samuel Goldwyn. Later he worked as a script clerk for directors King Vidor and Victor Sjöström before becoming a screenwriter at MGM in 1924.
Lewin was appointed head of the studio's script department and by the late 20s was Irving Thalberg's personal assistant and closest associate. Nominally credited as an associate producer, he produced several of MGM's most important films of the 1930s. After Thalberg's death, he joined Paramount as a producer in 1937, where he remained until 1941. Notable producing credits during this period include True Confession (1937), Spawn of the North (1938), Zaza (1939) and So Ends Our Night (1941).
In 1942, Lewin began to direct. He made six films, writing all of them and producing several himself. As a director and writer, he showed literary and cultural aspirations in the selection and treatment of his themes. In 1966, Lewin published a novel, The Unaltered Cat. He died of pneumonia in New York on May 9, 1968.
Description above from the Wikipedia article Albert Lewin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Filmography
| 1957 | |
| 1953 | |
| 1951 | |
| 1941 | |
| 1941 | |
| 1938 | |
| 1938 | |
| 1937 | |
| 1937 | The Good Earth · as Associate Producer |
| 1935 | Mutiny on the Bounty · as Associate Producer |
| 1935 | China Seas · as Associate Producer |
| 1934 | |
| 1932 | |
| 1932 | |
| 1931 | |
| 1931 | |
| 1929 |
| 1958 | |
| 1957 | |
| 1953 | Saadia · as Screenplay |
| 1947 | The Private Affairs of Bel Ami · as Screenplay |
| 1945 | The Picture of Dorian Gray · as Screenplay |
| 1927 | |
| 1927 | |
| 1926 | Ladies of Leisure · as Screenplay |
| 1925 | The Only Thing · as Officer |
| 1954 | Camera Three · as Self |
| 1953 | The Life of Riley (1953) · as Teleplay |
| 1951 | Pandora and the Flying Dutchman · as Story |
| 1942 | The Moon and Sixpence · as Adaptation |
| 1926 | Blarney · as Adaptation |
| 1924 | Name the Man! · as Script Supervisor |