PG
1968    1h 57minDrama, Suspense
7.064%6.8
Martin es un joven con la mente perturbada que tiene una madre que lo trata como si fuera un niño pequeño, un padrastro que lo desprecia, y un hermano retrasado encerrado en una institución mental. Su única amiga es Susan, con quien le une un vínculo muy especial cuando Martin se refugia en su "otra" personalidad... la de Georgie, un niño de seis años. Pero cuando Susan se distancia de él, Martin entra en cólera y se obsesiona de tal forma con Susan que inicia un oleada de inusitada violencia.
Directed by Roy Boulting
  • Hayley MillsSusan Harper
  • Hywel BennettMartin (Georgie) Durnley
  • Billie WhitelawJoan Harper
  • Frank FinlayHenry Durnley
  • Barry FosterGerry Henderson
  • Phyllis CalvertEnid Durnley
  • Salmaan PeerzadaShashie Kadir
  • Christian RobertsPhilip Harvey
  • Gretchen FranklinClarkie
  • Timothy WestSuperintendant Dakin
  • Thorley WaltersSir John Forrester
  • Russell NapierProfessor Fuller
  • Timothy BatesonMr. Groom
  • Basil DignamDoctor
  • Marianne StoneStore Detective
  • Richard Davies'Taffy' Evans
  • Roy BoultingDirector / Guión
  • Leo MarksGuión
  • John BoultingProductor ejecutivo
  • Frank GranatProductor
  • d4nc920 de enero de 2026
    One of my favorite Thrillers. Hayley Mills is always amazing 😍🥰
  • Robert Shaw7 de enero de 2026
    And now I know where the whistle from Kill Bill Vol 1 came from!!
  • Dagmar D.28 de octubre de 2025
    I really enjoyed watching this movie, to see Beautiful and talented actors is a plus . Thanks Plex!
  • Kevin Ward1 de julio de 2025
    I was not familiar with this era of Hayley Mills filmography (post Pollyanna/Parent Trap, pre Miss Bliss/Saved by the Bell). So that, and Tarantino’s commandeering of the whistle score for Kill Bill had had me intrigued for a while. All in all. This was a pretty solid thriller. Controversial in it’s time for it’s thematics on chromosomal abnormalities and criminal behavior, but honestly there’s all kinds of dialogue that ranged from casually racist to misogynist to lots of other -ists. Still, at the center of it all is Mills, wholesome as ever as Susan, who’s being stalked by a boy essentially because she showed him some kindness and he showed her some dong. My goodness was not expecting Susan’s mommy to be as hospitable to little Georgie boy. There’s some funny moments, too. I think I died when the doctors are like “oh, you’re on your bed pan right now? 😬 I think we’re gonna bounce then.” Overall, I liked this more than I expected. A few more kills would have been nice but that’s kind of par for the course for a 60’s slasher. This definitely has me curious to check out some of Mills’ other thrillers from this era,

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