R
2020    1h 42minTerror, Comedia
3.650%37%4.9
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Sky Sharks es una película dirigida por Marc Fehse (Sex, Dogz and Rock n Roll) y escrita junto a A. D. Morel que cuenta la historia de un grupo de geólogos que viaja al Ártico para descubrir un laboratorio que utilizaban los nazis en los últimos días de la Segunda Guerra Mundial para realizar experimentos. Al encontrar el laboratorio, por accidente los geólogos activan el último experimento de los nazis: tiburones modificados genética y tecnológicamente. Los tiburones causan el caos y un grupo especializado debe frenarlos con armas si no quieren que toda la situación se convierta en un gran desastre con repercusiones terribles.
Directed by Marc Fehse
  • Barbara NedeljakovaAngelique
  • Eva HabermannDiabla / Coproductor
  • Michaela SchaffrathHeidi Lönz
  • Micaela SchäferAmazone
  • Tony ToddMajor General Frost
  • Cary-Hiroyuki TagawaMichael Morel
  • Naomi GrossmanNatalie Rochefort
  • Amanda BearseMarjorie Phelps
  • Lar Park LincolnSidney Scott
  • Robert LaSardoFather Rodriguez
  • Mick GarrisDr. Gage Creed
  • Lynn LowryMother Mary
  • Nick PrincipeHans Leiber
  • Yan BirchGodfrey Graves
  • Thomas MorrisKlaus Richter
  • Ralf RichterJoseph Langner
  • Charles RettinghausRainer Wein
  • AsamiFumiko Katsube
  • Alex ReeceCamera Guy / Mad Dog
  • Oliver KalkofeHermann Göring
  • Richard19 de octubre de 2025
    Saw this one on streaming, clicked play knowing full well it would be ridiculous and it delivered in spades. Nazi zombies riding flying sharks? That’s not a plot, that’s a dare. The setup is pure grindhouse fever dream: deep in the Antarctic ice, a Nazi lab is uncovered, revealing genetically engineered sharks that fly, bite and carry undead pilots with fascist fashion sense. The cast is a genre buffet, Tony Todd, Cary-Hiroyuki Tagawa, Amanda Bearse and even Naomi Grossman show up to lend cult cred. Barbara Nedeljakova and Eva Habermann bring the Euro horror flair, while Micaela Schäfer adds the kind of cameo that screams “midnight screening.” The effects are gloriously over the top: CGI sharks zoom through the sky like fighter jets, blood splatters in slow motion and the soundtrack pulses like it’s trying to summon a rave in Valhalla. It’s not about coherence, it’s about commitment. The film throws everything at the screen: gore, satire, sci-fi and a dash of grindhouse feminism. I liked it for the sheer audacity. It’s the kind of movie that made feel like a metal album cover come to life, with undead pilots, airborne predators and a plot that dares you to take it seriously.

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