R
2010    82minComedia, Terror
5.766%46%5.9
Cuando Robert, un neumático inanimado, descubre sus destructivos poderes telepáticos, pronto pone su punto de mira en una ciudad, y, en particular, en una misteriosa mujer que se convierte en su obsesión.
Dirigida por Quentin Dupieux

Dónde ver Rubber

  • Thomas F. DuffyXavier
  • David BoweM. Hughes
  • Stephen SpinellaChad
  • Roxane MesquidaSheila
  • Jack PlotnickAccountant
  • Wings HauserMan in Wheelchair
  • Ethan CohnFilm Buff Ethan
  • Charley KoontzFilm Buff Charley
  • Daniel QuinnDad
  • Devin BrochuSon
  • Hayley HolmesTeenager Cindy
  • Haley RammTeenager Fiona
  • Cecelia AntoinetteBlack Woman
  • Remy ThorneZach
  • Tara Jean O'BrienCleaning Lady / Production Coordinator
  • Pete DiceccoLuke
  • James ParksDoug
  • Courtenay TaylorDenise
  • Blake RobbinsEric
  • Gaspard AugéHitchhiker / Compositor de música original
  • Tyler Durden
    Tyler Durden21 de mayo de 2026
    Is mid.
  • @F_ReK.i5--
    @F_ReK.i5--21 de octubre de 2026
    I watch this after watching Mother! and it is a million times better. The symbolism and metaphors are outstanding. For example, the bi-directional tire has a direction; it needed to turn around to face the police car following it even though it is not a uni-directional tire. That is so deep. Or the people watching from the hill judging the arguing amongst themselves. The film is just brilliant.
  • Brandon J Hicks
    Brandon J Hicks16 de octubre de 2026
    I have awesome memories of renting this back in the day..
  • James Pearson
    James Pearson3 de octubre de 2026
    Very unique, not what I expected, fun time
  • Katreina Edelweiss
    Katreina Edelweiss8 de febrero de 2026
    A joke that goes on for far too long. Funny if you're high.
  • makdelart
    makdelart13 de noviembre de 2025
    Pure nonsense, surrealism in its purest form, a parody of action cinema, a critique of cinema and human behaviour, with excellent cinematography and music.
  • James Saenz
    James Saenz1 de octubre de 2025
    surprisingly nice compositions and an intriguing commentary on the relationship between audience expectations and the purpose of art, both of which aren’t enough to save it from being a bit of a bore. ironically, with “no reason” being the thematic core of the film, it left me with no reason to come back to it.

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