13
1967    1h 32minCrimen, Drama
7.293%83%7.0
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Después de haber dado un golpe muy lucrativo, un hombre es traicionado por su esposa y por su mejor amigo. Ambos lo abandonan, dándolo por muerto, en una celda de la abandonada prisión de Alcatraz. Años después, intentará vengarse y recobrar su parte del botín.
Directed by John Boorman
  • Lee MarvinWalker
  • Angie DickinsonChris
  • John VernonMal Reese
  • Keenan WynnYost
  • Carroll O'ConnorBrewster
  • Lloyd BochnerFrederick Carter
  • Michael StrongStegman
  • Sharon AckerLynne
  • James B. SikkingHired Gun
  • Sandra WarnerWaitress
  • Roberta HaynesMrs. Carter
  • Kathleen FreemanFirst Citizen
  • Victor CreatoreCarter's Man
  • Lawrence HaubenCar Salesman
  • Susan HollowayGirl Customer
  • Sid Haig1st Penthouse Lobby Guard
  • Michael Bell2nd Penthouse Lobby Guard
  • Priscilla BoydReceptionist
  • John McMurtryMessenger
  • Ron WaltersYoung Man in Apartment
  • Patrick Wai24 de junio de 2026
    John Boorman’s Point Blank is often labeled a crime thriller, but I think the best way to enjoy it is as a psychological mystery. Go in expecting a straightforward revenge story and you’ll probably be disappointed. Instead, embrace the film’s ambiguity and dreamlike quality, and it becomes a much richer experience. It’s always a pleasure to see Lee Marvin on screen. He has an incredible presence without saying very much. Walker isn’t portrayed as an invincible superhero. He’s simply relentless, a man driven by purpose who absorbs punishment and just keeps moving forward. That persistence makes him far more believable and compelling than the typical action hero. The cinematography is outstanding. Nearly every shot feels carefully composed, with beautiful framing, bold use of architecture, and clever sound design that often says more than the dialogue. There are moments that feel surprisingly modern, while others are unapologetically artistic. The jazz club sequences, in particular, create an unforgettable atmosphere that perfectly captures the cool, detached mood of the film. The dialogue and performances also reflect their era. Conversations often feel theatrical rather than naturalistic, which may seem strange to viewers accustomed to modern films. Once I accepted that style, it actually became part of the movie’s unique charm. The traditional gender roles and masculine archetypes also firmly place the film in its time, making it an interesting snapshot of late 1960s cinema. Perhaps the film’s greatest strength is that it refuses to explain everything. Depending on how you interpret the clues, Point Blank can be viewed as a straightforward revenge tale, a psychological study, or even something far more existential. That lingering uncertainty is exactly what makes it memorable and worthy of discussion decades later.
  • Burnharm11 de abril de 2026
    Point Blank (1967) is one of those films that feels both intriguing and disorienting at the same time. At the beginning I almost felt like I was watching a sequel, but the more I went with it, the more it worked on its own terms. It is stylish, easy to watch, and very well made, especially if you just let the film take you where it wants to go.
  • Mister Arn17 de mayo de 2025
    The simple story is complex because of the protagonist's unrelenting desire for revenge.

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