18
2007    1h 37minTerror, Suspense
5.935%36%6.2
Es Nochebuena y Angela (Rachel Nichols) sale tarde de trabajar. Cuando llega al parking de su oficina, el coche no arranca y las puertas están cerradas. En el edificio sólo quedan ella y Thomas (Wes Bentley), el guarda del aparcamiento, que le propone que cene con él. Ella rechaza la proposición e intenta salir para coger un taxi, pero antes de llegar al exterior, alguien la asalta por sorpresa y la duerme con cloroformo. Cuando despierta, se encuentra encadenada a una mesa y vestida para una terrorífica cena de Nochebuena.
Directed by Franck Khalfoun
  • Rachel NicholsAngela Bridges
  • Wes BentleyThomas
  • Simon ReynoldsBob Harper
  • Philip AkinKarl
  • Miranda EdwardsJody
  • Paul Sun-Hyung LeeMan in Elevator
  • Grace Lynn KungWoman in Elevator
  • Philip WilliamsCop #1
  • Arnold PinnockCop #2
  • Bathsheba GarnettHomeless Woman
  • Franck KhalfounNewsman / Director / Guión
  • Stephanie MooreLorraine (voice)
  • Grégory LevasseurGuión / Productor
  • Andrew MatosichAsistente de producción
  • Bob HaywardProductor ejecutivo
  • Alix TaylorProductor ejecutivo
  • Daniel J. HeffnerCoproductor
  • David GarrettProductor ejecutivo
  • Alexandre AjaProductor / Historia
  • Patrick WachsbergerProductor
  • Dario Tibay18 de mayo de 2026
    P2 is exactly the kind of film Plex is good for — an underseen genre entry from 2007 that didn't find its audience theatrically and has spent nearly two decades being slowly rediscovered by horror fans with patience. The setup: a businesswoman (Rachel Nichols) is the last person in her Manhattan office building on Christmas Eve. She goes down to P2 — the second underground parking level — finds her car won't start, and gradually realizes that the security guard (Wes Bentley) who offered to help has trapped her there on purpose. What follows is a tight survival thriller set entirely in the garage, shot in a real Toronto parking structure over 25 consecutive nights. Nichols carries the film. Her Angela is not a passive victim — she thinks, adapts, and eventually fights back with an escalating fury that the film earns through patience. Bentley plays Thomas as a lonely, delusional man whose obsession has convinced him that control and love are the same thing. Those dark, intense eyes from American Beauty are back, but now in service of something genuinely menacing. The score by tomandandy — industrial drones and metallic stings rather than conventional orchestral horror — makes the garage feel like a living trap. The film was the first ever distributed by Summit Entertainment, was inspired by real-life attacks on women in Paris parking garages, and was produced by Alexandre Aja (High Tension, Crawl) during the height of his New French Extremity period. For fans of confined-space horror and competent survival thrillers, it's an easy recommendation.
  • drosan26 de enero de 2026
    You get what you expect, and you don't get upset
  • Robert Shaw7 de enero de 2026
    I watch this every Christmas
  • David Telford18 de julio de 2025
    Great movie fantastic lady never quitting qualified at not becoming terrified and finding victory
  • linda-shearer@sky.com9 de noviembre de 2025
    Brilliant film, loved it would definitely recommend it ( already have) and would watch it again.
  • My Media21 de octubre de 2025
    Great film, much better than was expecting. Great acting and story!!
  • JaredXIII5 de octubre de 2025
    This movie has grown on me over the years to become a Chistmas Cult Classic.
  • Cassius5 de octubre de 2025
    Now I understand why some people don’t like parking garages

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