R
2026    88minTerror, Romance
6.992%82%7.0
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Two teenage boys must escape a violent entity that takes the form of the person they desire most - each other.
Directed by Adrian Chiarella
  • Joe BirdNaim Reid
  • Stacy ClausenRyan Whelan
  • Mia WasikowskaArlene Reid / Productor ejecutivo
  • Nicholas HopeDeliverance Healer
  • Tyallah BullockMarnie
  • Ewen LeslieRod
  • Jeremy BlewittHunter
  • Davida McKenzieIzzie
  • Shannon BerryJessica
  • Julia GraceCathy
  • Hyu MotokiMacca
  • Edwina WrenJacky
  • Anna MtungwaziGirl Reading Poem
  • David SerafinBill
  • Flynn GlazebrookMacca's Mate
  • James MargettsMacca's Mate
  • Samuel Ostik-SmithMacca's Mate
  • Jasdeep SainiMacca's Mate
  • Hasini WalpolaService Station Manager
  • Zahra NewmanRita
  • Ronhace 3 d
    i hopped to the next city just to watch this and it was worth it. never have i left the cinema feeling like a completely different person. no one can top this movie for me this year. bye!
  • James Saenz24 de junio de 2026
    genuinely so bleak and so upsetting to watch at times. conversion therapy is abusive and ineffective and only serves to satisfy the self-serving and shame-ridden desire to conform to the norms of organized religion. the only lasting impact of it is the trauma inflicted upon these children. it can get better, and community can be found, but that trauma never truly goes away. p.s. there were these annoying teenage boys in my row that stood up and left the moment the protagonists kissed within the first five minutes. i don’t understand how you can be so ignorant as to purchase tickets to the gay boy horror movie™ and then be be so surprised and offended when the gay boys start kissing in the gay boy horror movie™ and you’re so homophobic that you immediately run away. snowflakes.
  • Nick20 de junio de 2026
    A masterclass in queer horror! Adrian Chiarella brilliantly subverts the conversion therapy trope by turning the "cleansing" ritual into a living, shape-shifting nightmare. The entity taking the shape of what the boys desire most—each other—is a devastatingly poetic metaphor. Tyson Perkins’ gorgeous, bleak cinematography of rural Australia makes every frame feel loaded with dread. It’s atmospheric, deeply romantic, and utterly heartbreaking.
  • Rick19 de junio de 2026
    Happy Pride!

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