16
2025    85minDrama, Crimen
5.562%6.1
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Henry es un abogado cuya vida se desmorona tras ayudar a un antiguo amigo recién salido de prisión. A partir de ahí, entra en una espiral moral y psicológica mientras busca una guía ética entre distintas figuras de autoridad, incluido Gene, un carismático y manipulador recluso.
Directed by David Mamet
  • Evan JonigkeitHenry / Productor
  • Shia LaBeoufGene
  • Chris BauerMr. Barnes
  • Dominic HoffmanJerry
  • Ari BasileCounselor
  • David MametDirector / Escritor
  • Erin KennedyCoproductor
  • Pam SusemiehlCoproductor
  • Marcel Bonn-MillerProductor ejecutivo
  • Sheldon StoneProductor ejecutivo
  • Peter BaxterProductor ejecutivo
  • Lije SarkiProductor
  • Gabrael WilsonProduction Design
  • Sing Howe YamDirector Of Photography
  • Laura BauerCostume Designer
  • Cara GiallanzaFirst Assistant Director
  • Banner GwinEditor
  • Jay WadleyCompositor de música original
  • Justin M. DaveyDiseñador de sonido
  • Abe Froman28 de marzo de 2026
    Shia LeBeef confuses and convinces a man into making his life worse and it seems like a damn good idea.
  • KnightxGhost6 de junio de 2025
    It’s hard to believe Henry Johnson was written and directed by David Mamet. There are only four scenes and five characters, but that’s not the issue. The issue is how it leaves you feeling like you’re watching something important without ever being allowed to understand why. There is meaning here—but it’s buried so deep under cryptic dialogue and missing context that it becomes exhausting to chase. My wife and I, both fans of layered storytelling, followed the plot. We knew what was happening. But knowing what’s happening and feeling anything from it are two different things. The main character, Henry, is a puppet—manipulated by everyone around him, devoid of agency, drifting through the film with no spine and no mind of his own. That might be the point, but it makes for an incredibly frustrating viewing experience. You keep waiting for him to wake up, push back, do something—but he never does. Watching Henry Johnson is like trying to solve a puzzle with half the pieces intentionally missing. Or worse, it’s like being handed a locked briefcase and told the combination is “meaning.” You twist the dial for two hours and finally crack it open—only to find a single post-it that says, “Good luck.” There’s a version of this film that could’ve been brilliant. This isn’t it.

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