APTA
1982    1h 55minFamilia, Ciencia ficción
7.999%72%7.5
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Un pequeño ser de otro planeta se queda abandonado en la Tierra cuando su nave se marcha olvidándose de él. Tiene miedo. Está completamente solo, pero se hará amigo de un niño, que lo esconde en su casa. El niño y sus hermanos intentarán encontrar la forma de que el pequeño extraterrestre regrese a su planeta antes de que los científicos y la policía lo encuentren.
Directed by Steven Spielberg
  • Henry ThomasElliott
  • Drew BarrymoreGertie
  • Robert MacNaughtonMichael
  • Peter CoyoteKeys
  • Dee WallaceMary
  • Erika EleniakPretty Girl
  • K.C. MartelGreg
  • C. Thomas HowellTyler
  • Sean FryeSteve
  • David M. O'DellSchoolboy
  • Richard SwinglerScience Teacher
  • Frank TothPoliceman
  • Robert BartonUltra Sound Man
  • Michael DarrellVan Man
  • David BerksonMedical Unit
  • David CarlbergMedical Unit
  • Milt KoganMedical Unit
  • Alexander LamponeMedical Unit
  • Rhoda MakoffMedical Unit
  • Robert D. MurphyMedical Unit
  • carmen.s29hace 3 d
    I put it on for my daughter to watch, I wanted to watch it again because I haven't watched it in decades. My daughter seemed like she wasn't into it at first. but by the end of the movie I could hear her giggling out loud at the funny parts.
  • Rafael Santos Bezerra10 de junio de 2026
    E.T. the Extra-Terrestrial has been pretty much the blueprint for the movie magic adventure ever since its original release, yet somehow the magic was lost on me this time around. Maybe it was the visual effects, which look extremely dated by today's standards, or maybe it was the actor who plays Elliot, whose stilted performance took me out of the film almost instantly; I can't really tell. Whatever it was, Spielberg was still conjuring up some really inspired compositions here, so he's definitely not the one to blame.
  • Eric Bakke13 de octubre de 2024
    Movie magic accompanied by one of the greatest music scores in film history.
  • Splitvision8911 de mayo de 2026
    Dumb little puppet just wanted to go home!
  • Tony30 de abril de 2026
    A classic!
  • Rowan Krzysiak13 de febrero de 2025
    There are good moments in the early 'discovery' parts of the film and the concept still has a bold sense about it but it all just felt a bit too ragged for me, even stupid at points. Some people probably find that to be part of its charm.
  • Danny Fresh7 de marzo de 2026
    Still great after 44 years.
  • GBWest22 de febrero de 2026
    The classic 1982 film filled full for wonder and excitement for ages of all kids...
  • Phineas10 de julio de 2025
    I watched this as a kid, and you better make sure your kids watch it too.
  • thepaged13 de enero de 2026
    it was a great movie when I saw it when I was eight and it's a great movie when I saw it at 48
  • Ross Duff5 de julio de 2025
    Classic!
  • Jon Westwood24 de octubre de 2025
    Even after 40+ years, E.T. remains one of those rare films that can melt even the coldest, diesel-soaked trucker heart. Spielberg’s tale of a stranded alien and a lonely boy still hits with that perfect mix of wonder, humor, and lump-in-the-throat nostalgia. The effects may show their age, but the emotion sure doesn’t — it’s pure, timeless magic. A heartwarming classic that reminds you to keep your feet on the ground but let your heart phone home.
  • RipLinesMan30 de diciembre de 2025
    Honestly, Event Horizon (1997) is a masterclass in how a movie earns its mood through consequence, and that makes E.T. the Extra Terrestrial feel a lot more engineered than mystical on a rewatch. Spielberg’s craft is immaculate, but the film is constantly cueing you toward a specific emotional response with glow, music swells, and repeated beats of awe, until the experience can feel less like discovery and more like being guided to the exact spot where you are supposed to tear up. Henry Thomas is genuinely affecting as Elliott and Drew Barrymore is the best kind of natural as Gertie, with Dee Wallace grounding the family’s reality, yet the story keeps sanding the world into a moral binary where childhood wonder is pure and most adults are reduced to faceless menace in keys and hazmat suits. Peter Coyote’s Keys hints at nuance, but he is written more as a symbol than a person, and the government pursuit often plays like manufactured turbulence designed to keep the sentiment machine running. When the plot shifts into the clinical lab stretch, the movie turns oddly sterile and mechanical, replacing lived-in tension with ritualized suffering, and the end result, for all its iconic imagery, can register as expertly produced emotional compliance rather than truly earned complexity.
  • mleona61 de noviembre de 2025
    An absolute 80’s classic. Heartfelt and draws you right in.
  • joseorellana6630 de diciembre de 2025
    It's a good movie in the first half but when et falls and both start dying it turns great and recontextulizes it.

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