13
1960    90minDrama, Crimen
7.695%89%7.5
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Michel Poiccard es un ex-figurante de cine admirador de Bogart. Tras robar un coche en Marsella para ir a París, mata fortuitamente a un motorista de la policía. Sin remordimiento alguno por lo que acaba de hacer, prosigue el viaje. En París, tras robar dinero a una amiga, busca a Patricia, una joven burguesa americana, que aspira a ser escritora y vende el New York Herald Tribune por los Campos Elíseos; sueña también con matricularse en la Sorbona y escribir algún día en ese periódico. En Europa cree haber hallado la libertad que no conoció en América. Lo que Michel ignora es que la policía lo está buscando por la muerte del motorista.
Directed by Jean-Luc Godard
  • Jean-Paul BelmondoMichel Poiccard / László Kovács
  • Jean SebergPatricia Franchini
  • Daniel BoulangerPolice Inspector Vital
  • Henri-Jacques HuetAntonio Berrutti
  • Roger HaninCarl Zubart
  • Van DoudeAmerican Journalist, Patricia's Friend
  • Claude MansardClaudius Mansard
  • Liliane DreyfusLiliane / Minouche
  • Michel FabrePolice Inspector #2
  • Jean-Pierre MelvilleParvulesco the Writer
  • Jean-Luc GodardThe Snitch / Director / Guión
  • Richard BalducciTolmatchoff
  • André S. LabartheJournalist at Orly
  • François MoreuilJournalist at Orly
  • Jacques Lourcelles
  • Liliane RobinMinouche
  • Gérard BrachPhotographer (uncredited)
  • Philippe de BrocaA Journalist (uncredited)
  • José BénazérafMan in a White Car (uncredited)
  • Jean DomarchiA Drunk (uncredited)
  • Jefferson Bittencourt25 de enero de 2026
    It's worth seeing for the experimentation and innovation of language, but as a work of art, I still prefer David Lean's films.
  • Mister Arn17 de mayo de 2025
    The protagonist is an amoral hustler with charm I cannot seem to find, but the women love him. Everything in this film is a little disconnected and jolting, including the music, all fitting with the main character.
  • cultfilmliker8 de abril de 2025
    “Do you think about death? I do. All the time.” “What’s ‘bonkers?’” “That’s me.” The handheld indie camerawork is lovely and seeing all the extras gawk at the crew is hilarious. Loved the editing especially regarding the dialogue-heavy scenes. Either inspired Noé or is just French lol The music is great and hits all the beats perfectly. Keeps it upbeat too! Often! Funniest earnest high-five in cinema Watched via Criterion Channel free week

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