What was the release date of Blow-Up?

Blow-Up was released on 18 de diciembre de 1966.

Who directed Blow-Up?

Blow-Up was directed by Michelangelo Antonioni.

Blow-Up has a runtime of 1h 51min.

Blow-Up was produced by Carlo Ponti.

The key characters in Blow-Up are Thomas (David Hemmings), Jane (Vanessa Redgrave), Patricia (Sarah Miles).

Blow-Up is a Drama, Misterio, Suspense film.

Blow-Up has an audience rating of 8.4 out of 10.

Blow-Up had a budget of 1,8 M US$.

Blow-Up has made 41.788 US$ at the box office.

Not Rated

1966 1h 51minDrama, Misterio

7.487%84%7.3

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Un fotógrafo realiza unas tomas en un parque londinense y descubre al revelarlas una forma irreconocible que resulta ser un cadáver.

Rowan Krzysiak5 de febrero de 2025
It's a film that's almost impossible to sum up with a pithy review. It's distracted and focused. It's grounded and dreamlike. It's stuffed with meaning but lacks resolve. It creeps over you and leaves you bewildered. Highly recommended.
1
renesys73 de noviembre de 2025
Waste of time
3
mickerdoo24 de diciembre de 2025
Loved the 60s fashion and his flat. Probably should have made a phone call earlier. What’s with the mimes? Needs more detective vibes.
Mister Arn21 de mayo de 2025
"Blow-Up" focuses on a photographer and employs strong visual storytelling. This cinematic approach results in deliberate pacing, compelling the audience to observe every detail. The film then cleverly uses these details to confuse and mislead the viewer. This approach takes a lot of work by the viewer and may not be for everyone.
1
ca69898 de julio de 2025
Magnificent review of swinging London film par excellence!
vangh114 de mayo de 2025
As inscrutable as it is intriguing. In the early going I thought it was going to be one of those movies where nothing really happens. And then something really happens! But does it really amount to all that much? Maybe! The filmmaker didn't really tell me. So I guess it's up to me to decide. Much like the troupe of mimes who expect a complete stranger to toss back their imaginary tennis ball, I guess. I love how much the cinematographer loves frame-within-a-frame imagery. It's pushed to it's aesthetic limits in this one.
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