12
2008    1h 41minCiencia ficción, Action
5.57%26%5.7
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Tras la caída de las instituciones mundiales más importantes, la humanidad vive en un estado de anarquía total. El aventurero y mercenario Hugo Cornelius Toorop recibe la misión de escoltar a una bella joven desde un remoto convento de Rusia hasta Nueva York. Cuanto más se acerca a su destino, más grande es su sospecha de que lo que debe proteger no es solo una simple muchacha.
Directed by Mathieu Kassovitz
  • Vin DieselToorop
  • Mélanie ThierryAurora
  • Lambert WilsonDr. Arthur Darquandier
  • Charlotte RamplingCEO of Noelite Church
  • Michelle YeohSister Rebeka
  • Gérard DepardieuGorsky
  • Mark StrongFinn
  • Jérôme Le BannerKilla
  • David BelleHacker Kid
  • Joel KirbyDr. Newton
  • Radek BrunaKarl
  • Jan UngerFight Promoter
  • Abraham BelagaAssistant to High Priestess
  • David GasmanNeolite Researcher
  • Gary CowanNeolite Executive
  • Lemmy ConstantineNeolite Marketing Executive
  • Pete ThiasNeolite MIB
  • Curtis MatthewSubmarine Captain
  • SoloJamal
  • Alex Vladimír PieterS.W.A.T. Soldier
  • Callum28 de diciembre de 2025
    ⭐⭐⭐½ – Babylon A.D. – Grit, gunfire, and a plot that eats itself. It’s been a while since I last watched this — maybe eighteen months — but the opening still sticks. Brutal, grounded, and confidently bleak. For a moment, it feels like it knows exactly what it wants to be: a hard-edged, near-future slog through a world that’s already lost its soul. Then the story keeps going. What starts as grimy sci-fi slowly drifts into outright absurdity, piling ideas on ideas until the tone collapses under its own weight. You can almost feel the film fighting itself — part street-level dystopia, part grand metaphysical nonsense — and never quite deciding which one deserves to win. The result is messy, uneven, and undeniably compromised. I’ve heard it called a poor man’s Children of Men. I can’t really judge that comparison firsthand, so I’ll take it with a grain of salt, but I can see where the sentiment comes from. Babylon A.D. wants to say something about faith, control, and the future of humanity — it just doesn’t have the discipline to land those ideas cleanly. And yet… I still kind of like it. Maybe it’s the atmosphere. Maybe it’s Vin Diesel dialling things down into a weary, functional performance. Or maybe it’s Mark Strong, who reliably elevates anything he’s in just by showing up and taking the material seriously. Whatever the reason, this film earned a few bonus points in my head despite its flaws. It’s not good-good. But it’s interesting-bad in a way that sticks longer than it probably should. 🥃 A cheap whisky in a scratched glass — rough, warming, and better than you expect once you’ve committed to it.
  • Elli5 de enero de 2025
    Story was kind of confusing and didn't really feel like it knew where to go. I usually really like Diesel movies but this one wasn't one of them.
  • Vandyt27 de diciembre de 2025
    An absolutely brutal opening, undermined by a story that, as it goes on, becomes completely absurd
  • Daniel Gustavsson5 de enero de 2025
    The movie feels very low budget throughout, and that really works against it. The story is nonsensical too and seems to have been through many revisions. A bad movie. Avoid.

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