18
1998    1h 47minDrama, Suspense
6.754%56%6.6
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Un día de 1984, Todd Bowden, un brillante chico de secundaria fascinado por la historia del nazismo, tropieza casualmente con un anciano cuyo aspecto se asemeja al de Kurt Dussander, un buscado criminal de guerra nazi. Un mes después, Todd decide llamar a su puerta.
Directed by Bryan Singer
  • Brad RenfroTodd Bowden
  • Ian McKellenKurt Dussander
  • Bruce DavisonRichard Bowden
  • Elias KoteasArchie
  • Joe MortonDan Richler
  • David SchwimmerEdward French
  • Jan TřískaIsaac Weiskopf
  • Michael ByrneBen Kramer
  • Ann DowdMonica Bowden
  • Heather McCombBecky Trask
  • James KarenVictor Bowden
  • Joshua JacksonJoey
  • Mickey CottrellSociology Teacher
  • Michael Reid MacKayNightmare Victim
  • Marjorie LovettAgnes Bowden
  • David CooleyGym Teacher
  • Blake Anthony TibbettsTeammate
  • Katherine MaloneStudent
  • Grace SindenSecretary
  • Anthony MooreUmpire
  • ርልዪረ20 de febrero de 2025
    Based on a Steven King novella this is a chilling and disturbing tale which explores the pervasive nature of evil and poses the question whether its presence and manifestation is due to nature or nurture. Set in suburban America the highly unlikely conceit is that a bright middle-class teenage boy notices a curious resemblance between an old man living in his neighbourhood and the face of a Nazi officer contained within wartime photographs he has been researching for a school project. The confirmation comes early in the film and within a tense atmosphere of blackmail and suspicion there develops a disquieting co-dependence between the two protagonists. Ian McKellan’s sublime performance as the unrepentant chain-smoking war criminal is almost matched by that of Bran Renfro as the manipulative youngster obsessed by Nazism and the Holocaust. There are some notable scenes and that involving the SS uniform is perhaps the most intense as it encapsulates the power dynamics between the two. An impressive film, quietly understated but nevertheless powerful.
  • Callum21 de diciembre de 2025
    ⭐⭐⭐⭐½ – Apt Pupil A study in curiosity curdling into complicity. Apt Pupil isn’t a thriller in the way people expect one. There’s no rush, no cathartic justice, no real release. Instead, it’s a slow, suffocating examination of what happens when intellect, boredom, and moral vacancy collide. This is a film about fascination turning poisonous — not through accident, but through choice. Ian McKellen is, frankly, terrifying here not because he shouts or postures, but because of how easily he rationalises. Evil isn’t presented as monstrous spectacle; it’s presented as routine, conversational, almost instructional. Brad Renfro matches him disturbingly well, portraying a teenager whose curiosity doesn’t shock him into revulsion, but instead sharpens into something colder and more deliberate. Watching the balance of power shift between them is deeply uncomfortable — and that’s the point. What makes Apt Pupil linger isn’t what it shows, but what it refuses to soften. There’s no comforting moral framing, no external hand stepping in to reassure you that everything will be put right. The film trusts the audience to sit with the ugliness, to recognise that corruption doesn’t always announce itself — sometimes it arrives as intellectual interest, as arrogance, as the belief that you’re immune because you’re “just observing.” This isn’t a film you enjoy in the conventional sense. It’s one you respect, then think about later when you didn’t expect to. It’s heavy, deliberate, and morally abrasive — and it earns that discomfort rather than exploiting it. You don’t recommend this casually. But if someone asks for something challenging, unsettling, and intelligent — this belongs on the list. 🥃 Drink Pairing A neat Islay single-malt Scotch — smoky, medicinal, and unapologetically harsh. Much like the film, there’s no sweetness to hide behind, only a lingering reminder that discomfort was the point.
  • klit758 de octubre de 2025
    Still entertaining. The movie's aged well and the cast is solid.

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