'Allo 'Allo!
'Allo 'Allo!
In France during World War II, René Artois runs a small café where Resistance fighters, Gestapo men, German Army officers and escaped Allied POWs interact daily, ignorant of one another's true identity or presence, exasperating René.
Richardさんがレビューしました
2025年10月26日•
Saw it on TV, loved it and even went to see the stage play. It was like watching your favorite sitcom characters step out of the screen and onto the boards, live and cheeky.
Set in Nazi occupied France, this farcical gem follows café owner René Artois as he juggles Resistance fighters, Gestapo agents, bumbling German officers and a parade of absurd schemes, all while trying to keep his affairs (and life) under wraps.
The tone? Pure British farce, with innuendo, slapstick and accents so exaggerated they became iconic.
The cast is unforgettable: Gorden Kaye’s weary René, Carmen Silvera’s tone deaf Edith, Vicki Michelle’s sultry Yvette and Arthur Bostrom’s legendary Officer Crabtree (“Good moaning!”).
Every episode is a masterclass in comic timing, double entendres and escalating chaos.
Watching it again feels like slipping into a warm bath of nostalgia, the kind that smells faintly of onion soup and wet celery.
And seeing it live in the theatre? A surreal delight.
The jokes landed harder, the costumes sparkled and the audience roared with recognition.
It was like meeting old friends in a new setting and they hadn’t aged a bit.
Richardさんがレビューしました
2025年10月26日•
Saw it on TV, loved it and even went to see the stage play. It was like watching your favorite sitcom characters step out of the screen and onto the boards, live and cheeky.
Set in Nazi occupied France, this farcical gem follows café owner René Artois as he juggles Resistance fighters, Gestapo agents, bumbling German officers and a parade of absurd schemes, all while trying to keep his affairs (and life) under wraps.
The tone? Pure British farce, with innuendo, slapstick and accents so exaggerated they became iconic.
The cast is unforgettable: Gorden Kaye’s weary René, Carmen Silvera’s tone deaf Edith, Vicki Michelle’s sultry Yvette and Arthur Bostrom’s legendary Officer Crabtree (“Good moaning!”).
Every episode is a masterclass in comic timing, double entendres and escalating chaos.
Watching it again feels like slipping into a warm bath of nostalgia, the kind that smells faintly of onion soup and wet celery.
And seeing it live in the theatre? A surreal delight.
The jokes landed harder, the costumes sparkled and the audience roared with recognition.
It was like meeting old friends in a new setting and they hadn’t aged a bit.