William C. Mellor
29. června 1903 — 30. dubna 1963 (59 let)
William C. Mellor was an American cinematographer, who's career in filmmaking spanned almost three decades. He was nominated for 3 Oscars throughout his career and won 2.
Filmografie
| 1965 | The Greatest Story Ever Told · as Director Of Photography |
| 1963 | Vacation Playhouse · as Cinematographer |
| 1962 | Mr. Hobbs Takes a Vacation · as Director Of Photography |
| 1962 | State Fair · as Director Of Photography |
| 1961 | The Big Gamble · as Director Of Photography |
| 1961 | Wild in the Country · as Director Of Photography |
| 1960 | One Foot in Hell · as Director Of Photography |
| 1960 | Crack in the Mirror · as Director Of Photography |
| 1959 | The Best of Everything · as Director Of Photography |
| 1959 | Woman Obsessed · as Director Of Photography |
| 1959 | Compulsion · as Director Of Photography |
| 1959 | The Diary of Anne Frank · as Director Of Photography |
| 1958 | Sing Boy Sing · as Director Of Photography |
| 1957 | Peyton Place · as Director Of Photography |
| 1957 | Love in the Afternoon · as Director Of Photography |
| 1956 | Giant · as Director Of Photography |
| 1956 | Back from Eternity · as Director Of Photography |
| 1956 | Johnny Concho · as Director Of Photography |
| 1955 | The Last Frontier · as Director Of Photography |
| 1955 | Bad Day at Black Rock · as Director Of Photography |
| 1954 | Alaska Seas · as Director Of Photography |
| 1953 | Give a Girl a Break · as Director Of Photography |
| 1953 | Big Leaguer · as Director Of Photography |
| 1953 | The Affairs of Dobie Gillis · as Director Of Photography |
| 1953 | The Naked Spur · as Director Of Photography |
| 1952 | The Adventures of Ozzie & Harriet · as CinematographerNa Plexu |
| 1952 | My Man and I · as Director Of Photography |
| 1952 | Skirts Ahoy! · as Director Of Photography |
| 1952 | Carbine Williams · as Director Of Photography |
| 1951 | Westward the Women · as Director Of Photography |
| 1951 | It's a Big Country: An American Anthology · as Director Of Photography |
| 1951 | The Unknown Man · as Director Of Photography |
| 1951 | A Place in the Sun · as Director Of Photography |
| 1951 | Across the Wide Missouri · as Director Of Photography |
| 1951 | Soldiers Three · as Director Of Photography |
| 1950 | The Next Voice You Hear... · as Director Of Photography |
| 1949 | Love Happy · as Director Of Photography |
| 1949 | Too Late for Tears · as Director Of PhotographyNa Plexu |
| 1948 | Man-Eater of Kumaon · as Director Of Photography |
| 1948 | Texas, Brooklyn & Heaven · as Director Of Photography |
| 1947 | The Senator Was Indiscreet · as Director Of Photography |
| 1947 | Blaze of Noon · as Director Of Photography |
| 1946 | Abie's Irish Rose · as Director Of Photography |
| 1943 | Dixie · as Director Of Photography |
| 1942 | Commandos Strike at Dawn · as Director Of Photography |
| 1942 | Road to Morocco · as Director Of Photography |
| 1942 | Beyond the Blue Horizon · as Director Of Photography |
| 1942 | My Favorite Blonde · as Director Of Photography |
| 1942 | Wake Island · as Director Of Photography |
| 1942 | The Fleet's In · as Director Of Photography |
| 1941 | Birth of the Blues · as Director Of Photography |
| 1941 | The Great Man's Lady · as Director Of Photography |
| 1941 | Reaching for the Sun · as Director Of Photography |
| 1941 | Las Vegas Nights · as Director Of Photography |
| 1940 | Moon Over Burma · as Director Of Photography |
| 1940 | The Great McGinty · as Director Of Photography |
| 1940 | Comin' Round the Mountain · as Cinematographer |
| 1940 | Typhoon · as Director Of Photography |
| 1940 | Road to Singapore · as Director Of Photography |
| 1939 | Disputed Passage · as Director Of Photography |
| 1939 | $1000 a Touchdown · as Director Of Photography |
| 1939 | The Magnificent Fraud · as Director Of Photography |
| 1939 | Undercover Doctor · as Cinematographer |
| 1939 | Hotel Imperial · as Director Of Photography |
| 1939 | Ambush · as Cinematographer |
| 1938 | Ride a Crooked Mile · as Director Of Photography |
| 1938 | Bulldog Drummond in Africa · as Director Of PhotographyNa Plexu |
| 1938 | Stolen Heaven · as Cinematographer |
| 1938 | Romance in the Dark · as Director Of Photography |
| 1937 | Thrill of a Lifetime · as Director Of Photography |
| 1937 | Bulldog Drummond Comes Back · as Director Of PhotographyNa Plexu |
| 1937 | Exclusive · as Director Of Photography |
| 1937 | Make Way for Tomorrow · as Director Of Photography |
| 1937 | Champagne Waltz · as Cinematographer |
| 1936 | College Holiday · as Cinematographer |
| 1936 | Poppy · as Cinematographer |
| 1935 | Car 99 · as Director Of Photography |
| 1935 | Wings in the Dark · as Cinematographer |
| 1935 | Home on the Range · as Cinematographer |
| 1934 | Enter Madame! · as Director Of Photography |
| 1934 | Wagon Wheels · as Director Of PhotographyNa Plexu |