Vincent Maraval
Producent, Herec
1. července 1968 (57 let)
Vincent Maraval, born in July 1968, is a French producer.
He is one of the founders of the international distribution and sales company Wild Bunch. He also holds the position of international sales director there.
Vincent Maraval began his career in the video department of UGC before working at TF1 and then Studio Canal . Within this entity, he created the Wild Bunch label to promote independent cinema. He left Canal+ in 2002 at the time of the arrival of Jean-Marie Messier.
He was the one who brought Harvey Weinstein into the promotion of Michel Hazanavicius's film The Artist: he was the one who invited him, in March 2011, to see a film without specifying what it was about.
In December 2012, he sparked controversy by publishing an article in the daily newspaper Le Monde in which he argued that French actors were overpaid. In his analysis, he asserted that big-budget French films were not financed by box office receipts but by money from television networks, and that it was solely thanks to this money that French actors could obtain such high salaries. His analysis provoked numerous reactions within the film industry, such as that of Jean-Michel Frodon, who partially refuted the claim while acknowledging certain perverse effects in the French film financing system, and that of Serge Toubiana, who deplored the lack of nuance in Maraval's argument and feared. that his text would lead to questioning the French film financing system. For his part, Jean-Philippe Tessé notes that "the stone thrown into the pond by Vincent Maraval has not finished splashing", but that "Maraval's angle of attack, suggesting that the State pours millions to enrich a few wealthy people, has led the debate down a false path."
In Elia Suleiman 's film It Must Be Heaven (2019) , Vincent Maraval appears in the role of a film producer who refuses to finance the film.
Description above from the Wikipedia article Vincent Maraval, licensed under CC-BY-SA, full list of contributors on Wikipedia.
He is one of the founders of the international distribution and sales company Wild Bunch. He also holds the position of international sales director there.
Vincent Maraval began his career in the video department of UGC before working at TF1 and then Studio Canal . Within this entity, he created the Wild Bunch label to promote independent cinema. He left Canal+ in 2002 at the time of the arrival of Jean-Marie Messier.
He was the one who brought Harvey Weinstein into the promotion of Michel Hazanavicius's film The Artist: he was the one who invited him, in March 2011, to see a film without specifying what it was about.
In December 2012, he sparked controversy by publishing an article in the daily newspaper Le Monde in which he argued that French actors were overpaid. In his analysis, he asserted that big-budget French films were not financed by box office receipts but by money from television networks, and that it was solely thanks to this money that French actors could obtain such high salaries. His analysis provoked numerous reactions within the film industry, such as that of Jean-Michel Frodon, who partially refuted the claim while acknowledging certain perverse effects in the French film financing system, and that of Serge Toubiana, who deplored the lack of nuance in Maraval's argument and feared. that his text would lead to questioning the French film financing system. For his part, Jean-Philippe Tessé notes that "the stone thrown into the pond by Vincent Maraval has not finished splashing", but that "Maraval's angle of attack, suggesting that the State pours millions to enrich a few wealthy people, has led the debate down a false path."
In Elia Suleiman 's film It Must Be Heaven (2019) , Vincent Maraval appears in the role of a film producer who refuses to finance the film.
Description above from the Wikipedia article Vincent Maraval, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmy a seriály na Plexu
Známý pro
Filmografie
| 2026 | |
| 2025 | |
| 2025 | The Six Billion Dollar Man · as Executive Producer |
| 2025 | |
| 2025 | |
| 2025 | Prime Rush · as Co-Producer |
| 2025 | |
| 2025 | |
| 2024 | MadS · as Associate Producer |
| 2024 | |
| 2024 | Emilia Pérez · as Executive Producer |
| 2023 | Vincent Must Die · as Associate Producer |
| 2023 | Night of the Hunted · as Executive Producer |
| 2023 | The Old Oak · as Executive Producer |
| 2023 | In His Shadow · as Executive Producer |
| 2022 | |
| 2022 | Stars at Noon · as Associate Producer |
| 2022 | Rebel · as Co-Producer |
| 2022 | Holy Spider · as Co-Producer |
| 2022 | |
| 2022 | |
| 2021 | |
| 2021 | |
| 2021 | Flag Day · as Executive Producer |
| 2021 | |
| 2020 | French Exit · as Executive Producer |
| 2020 | Gogo · as Co-Producer |
| 2020 | Epicentro · as Executive Producer |
| 2019 | Sorry We Missed You · as Executive Producer |
| 2019 | Thalasso · as Co-Producer |
| 2018 | Dilili in ParisNa Plexu |
| 2018 | |
| 2018 | The Factory · as Co-Producer |
| 2017 | |
| 2017 | Wind River · as Executive Producer |
| 2017 | Loveless · as Co-Producer |
| 2017 | Ismael's GhostsNa Plexu |
| 2016 | The History of Love · as Co-Producer |
| 2016 | I, Daniel Blake · as Executive Producer |
| 2016 | The Dancer · as Co-Producer |
| 2016 | |
| 2016 | |
| 2016 | Graduation · as Co-Producer |
| 2015 | The Lady in the Car with Glasses and a Gun · as Associate Producer |
| 2015 | |
| 2014 | Jimmy's Hall · as Executive Producer |
| 2014 | |
| 2014 | Smart Ass · as Co-Producer |
| 2013 | The Immigrant · as Executive ProducerNa Plexu |
| 2013 | Haunter · as Executive Producer |
| 2013 | Blue Is the Warmest ColourNa Plexu |
| 2013 | Blood Ties · as Executive Producer |
| 2013 | Bastards · as Executive Producer |
| 2013 | Only God ForgivesNa Plexu |
| 2013 | The Last Days · as Co-ProducerNa Plexu |
| 2012 | Beyond the Hills · as Co-Producer |
| 2012 | Shadow Dancer · as Executive ProducerNa Plexu |
| 2012 | Lay the Favorite · as Executive ProducerNa Plexu |
| 2012 | The Angels' Share · as Executive Producer |
| 2012 | Sons of the Clouds · as Executive Producer |
| 2011 | |
| 2010 | Route Irish · as Executive Producer |
| 2010 | The Extra Man · as Executive ProducerNa Plexu |
| 2009 | Hierro · as Co-Producer |
| 2009 | The Man Who Came with the Snow · as Co-Producer |
| 2009 | Whatever Works · as Executive Producer |
| 2009 | |
| 2009 | Looking for Eric · as Executive Producer |
| 2008 | Che: Part Two · as Executive Producer |
| 2008 | The Wrestler · as Executive Producer |
| 2008 | Che: Part One · as Executive Producer |
| 2008 | Maradona by Kusturica · as Co-Producer |
| 2008 | A Christmas Tale · as Co-Producer |
| 2008 | Where in the World Is Osama Bin Laden? · as Executive Producer |
| 2007 | My Enemy's Enemy · as Co-ProducerNa Plexu |
| 2007 | Cassandra's Dream · as Executive ProducerNa Plexu |
| 2007 | Terror's Advocate · as Co-ProducerNa Plexu |
| 2003 | Purple Butterfly · as Executive Producer |
| 2003 | Two Angels · as Associate Producer |
| 2003 | At Five in the Afternoon · as Executive Producer |
| 2003 | Persona Non Grata · as Executive Producer |
| 2002 | Love Liza · as Executive Producer |
| 2002 | |
| 2002 | |
| 2002 | Spun · as Co-ProducerNa Plexu |
| 2002 | Raising Victor Vargas · as Executive ProducerNa Plexu |
| 2001 | Bully · as Executive ProducerNa Plexu |
| 2000 | Durian Durian · as Executive Producer |
| 1983 | America Undercover · as Executive Producer |
| 2022 | Our Ties · as Le Chroniqueur De Foot |
| 2019 | It Must Be Heaven · as Producer In Paris |
| 2015 | Love · as Lieutenant Castel |
| 2023 | Beau Geste · as Self |
| 2010 | Sound of Noise · as Executive Producer: Wild BunchNa Plexu |