Tambi Larsen
11. září 1914 — 24. března 2001 (86 let)
Tambi Larsen was a Dane born in Bangalore, India. He emigrated to the United States at the age of 20, where he attended Yale Drama School. He married Barbara Dole (daughter of James Dole) in 1941 and became an American citizen in 1943. Tambi (pronounced "Tom' bee") struggled to make a living as a set designer for Broadway shows. During World War II, Larsen worked for the Office of War Information, first broadcasting the news in Danish, and after V-E Day, designing exhibits in Denmark as Assistant Cultural Relations Officer.
After the war, the family—which now included son Peter and daughter Pamela—moved to Hollywood, where Larsen tried his hand in the movie industry. He was immediately hired by Paramount Pictures as an Assistant Art Director. His first official job was on 1953's The Secret of the Incas. Two years after that debut, he won an Oscar for The Rose Tattoo. He was also nominated for Hud, The Spy Who Came in from the Cold, The Molly Maguires, and Heaven's Gate, and he won the British BAFTA award for The Spy Who Came In From The Cold. He designed at least 41 movies during his career.
From Wikipedia, the free encyclopedia.
After the war, the family—which now included son Peter and daughter Pamela—moved to Hollywood, where Larsen tried his hand in the movie industry. He was immediately hired by Paramount Pictures as an Assistant Art Director. His first official job was on 1953's The Secret of the Incas. Two years after that debut, he won an Oscar for The Rose Tattoo. He was also nominated for Hud, The Spy Who Came in from the Cold, The Molly Maguires, and Heaven's Gate, and he won the British BAFTA award for The Spy Who Came In From The Cold. He designed at least 41 movies during his career.
From Wikipedia, the free encyclopedia.
Filmografie
| 1980 | Heaven's Gate · as Production DesignNa Plexu |
| 1979 | The Sacketts · as Production Design |
| 1978 | Circle of Iron · as Production Design |
| 1977 | The White Buffalo · as Production Design |
| 1976 | The Outlaw Josey Wales · as Production Design |
| 1976 | The Message · as Production Design |
| 1975 | Breakheart Pass · as Art DirectionNa Plexu |
| 1974 | Thunderbolt and Lightfoot · as Art Direction |
| 1974 | Where the Lilies Bloom · as Production Design |
| 1973 | The Outfit · as Art DirectionNa Plexu |
| 1972 | The Life and Times of Judge Roy Bean · as Art Direction |
| 1972 | Pocket Money · as Art Direction |
| 1971 | A Gunfight · as Production Design |
| 1970 | The Grasshopper · as Production Design |
| 1970 | The Molly Maguires · as Art Direction |
| 1968 | The Brotherhood · as Art Direction |
| 1967 | Chuka · as Art Director |
| 1967 | Captain Nice · as Art Director |
| 1966 | Nevada Smith · as Art Director |
| 1965 | The Spy Who Came in from the Cold · as Production Design |
| 1964 | The Disorderly Orderly · as Art Direction |
| 1964 | The Outrage · as Art Direction |
| 1964 | Man's Favorite Sport? · as Art Director |
| 1963 | Hud · as Art Direction |
| 1962 | It's Only Money · as Art Direction |
| 1962 | The Counterfeit Traitor · as Art Director |
| 1961 | Too Late Blues · as Art Direction |
| 1961 | Father of the Bride · as Art Director |
| 1961 | The Pleasure of His Company · as Art Direction |
| 1960 | The Rat Race · as Art Direction |
| 1959 | The Five Pennies · as Art Direction |
| 1958 | The Geisha Boy · as Art Direction |
| 1958 | The Party Crashers · as Art Direction |
| 1958 | Rock-a-Bye Baby · as Art Direction |
| 1958 | Hot Spell · as Art Direction |
| 1957 | Wild Is the Wind · as Art Direction |
| 1957 | Spanish Affair · as Art Direction |
| 1956 | The Scarlet Hour · as Art Direction |
| 1955 | The Rose Tattoo · as Art Direction |
| 1955 | Artists and Models · as Art Direction |
| 1954 | 3 Ring Circus · as Art Direction |
| 1954 | Secret of the Incas · as Art Direction |