Robert Herlth
Režisér, Scénárista
2. května 1893 — 6. ledna 1962 (68 let)
Influential German art director, the son of a brewer. Herlth studied at the Staatliche Kunstgewerbeschule in Berlin. Between 1916 and 1918, he designed his first theatrical sets during wartime army service in Vilnius, collaborating with the set designer Hermann Warm. From 1922, he worked in tandem with Walter Röhrig on some of the most seminal motion pictures made by Ufa. He put into being at once elaborate and massive baroque sets for stage and screen, as well as the distorted, expressionist visions of directors like Fritz Lang and F.W. Murnau. Herlth also excelled at creating the simpler sets required for the more intimate and naturalistic Kammerspielfilms. His best work in both categories is well exemplified by The Last Laugh (1924), Faust (1923), Congress Dances (1931) and Amphitryon (1935). The partnership with Roehrig ended in 1936 and Herlth began to work on more commercial properties. After the war, he alternated routine entertainments (Das doppelte Lottchen (1950), Im Weissen Rössl (1952) with the occasional masterpiece (Film Without a Name (1948)). For his work on the two-part adaptation of The Buddenbrooks (1959) he was awarded the German Film Award (Bundesfilmpreis) in 1959.
- IMDb mini biography by: I.S.Mowis
- IMDb mini biography by: I.S.Mowis
Filmografie
| 1936 |
| 1936 | Hans im Glück · as Screenplay |
| 1960 | Gustav Adolfs Page · as Production Designer |
| 1960 | Auf Engel schießt man nicht · as Production Designer |
| 1959 | The Buddenbrooks · as Production Design |
| 1959 | The Buddenbrooks · as Production Design |
| 1959 | Beautiful Adventure · as Production Designer |
| 1959 | A Matter of Minutes · as Production Designer |
| 1958 | The Trapp Family in America · as Set Decoration |
| 1958 | Auferstehung · as Production Designer |
| 1958 | Das Wirtshaus im Spessart · as Production Design |
| 1957 | And Lead Us Not Into Temptation · as Production Designer |
| 1957 | Confessions of Felix Krull · as Production Design |
| 1957 | The Last Ones Shall Be First · as Production Design |
| 1956 | The Trapp Family · as Art Direction |
| 1956 | My Husband's Getting Married Today · as Production Designer |
| 1956 | Magic Fire · as Art Direction |
| 1956 | Teufel in Seide · as Production Designer |
| 1955 | The Last Man · as Production Designer |
| 1955 | Hanussen · as Production Designer |
| 1955 | Beautiful Girls · as Production Design |
| 1954 | The Last Summer · as Art Director |
| 1954 | Flying Classroom · as Production Designer |
| 1954 | The Life of Surgeon Sauerbruch · as Production Design |
| 1954 | Hochzeitsglocken · as Art Director |
| 1953 | The Divorcée · as Production Design |
| 1953 | Music by Night · as Production Designer |
| 1953 | Das Dorf unterm Himmel · as Art Director |
| 1952 | Im Weissen Rössl · as Art Director |
| 1952 | Alraune · as Set Decoration |
| 1952 | The Unholy Intruders · as Production Design |
| 1952 | No Greater Love · as Production Designer |
| 1951 | Der Teufel führt Regie · as Art Direction |
| 1950 | Das doppelte Lottchen · as Production Design |
| 1950 | Liebe auf Eis · as Production Designer |
| 1948 | Film Without a Name · as Production Designer |
| 1947 | Zwischen gestern und morgen · as Production Designer |
| 1946 | Die Fledermaus · as Production Designer |
| 1943 | Ein Mann mit Grundsätzen? · as Production Designer |
| 1943 | Liebespremiere · as Production Designer |
| 1942 | Andreas Schlüter · as Production Designer |
| 1941 | Die schwedische Nachtigall · as Production Designer |
| 1940 | Rosen in Tirol · as Art Director |
| 1940 | Rosen in Tirol · as Costume Designer |
| 1940 | Kleider machen Leute · as Production Designer |
| 1939 | Opernball · as Production Design |
| 1939 | Maria Ilona · as Production Designer |
| 1938 | Der Spieler · as Art Director |
| 1938 | Le joueur · as Art Director |
| 1938 | Der Maulkorb · as Art Director |
| 1937 | Der Herrscher · as Production Design |
| 1936 | Unter heißem Himmel · as Art Director |
| 1936 | Hans im Glück · as Production Designer |
| 1936 | Savoy-Hotel 217 · as Production Designer |
| 1935 | The Broken Jug · as Production Design |
| 1935 | The Broken Jug · as Costume Designer |
| 1935 | Amphitryon · as Production Design |
| 1935 | Das Mädchen Johanna · as Production Designer |
| 1935 | Das Mädchen Johanna · as Costume Designer |
| 1935 | Barcarole · as Art Director |
| 1934 | Prinzessin Turandot · as Production Designer |
| 1934 | Der ewige Traum · as Art Direction |
| 1933 | Flüchtlinge · as Art Director |
| 1933 | Waltz War · as Art Director |
| 1933 | Ich und die Kaiserin · as Art Director |
| 1933 | Ich und die Kaiserin · as Costume Designer |
| 1933 | Dawn · as Art Direction |
| 1932 | Der schwarze Husar · as Art Director |
| 1932 | The Countess of Monte-Christo · as Production Design |
| 1932 | The Congress Dances · as Art Director |
| 1931 | Congress Dances · as Art Direction |
| 1931 | Nie wieder Liebe! · as Set Decorator |
| 1931 | The Man in Search of His Murderer · as Art Direction |
| 1930 | The Flute Concert of Sans-Souci · as Production Design |
| 1930 | Ein Burschenlied aus Heidelberg · as Production Design |
| 1930 | Hocuspocus · as Art Direction |
| 1929 | Manolescu - Der König der Hochstapler · as Art Director |
| 1929 | The Wonderful Lies of Nina Petrovna · as Production Design |
| 1929 | Asphalt · as Art DirectionNa Plexu |
| 1928 | 4 Devils · as Production Designer |
| 1928 | Looping the Loop · as Art Direction |
| 1926 | Faust · as Art Direction |
| 1926 | Faust · as Costume Design |
| 1925 | Tartuffe · as Art Direction |
| 1925 | Tartuffe · as Costume Design |
| 1925 | The Chronicles of the Gray House · as Production Design |
| 1924 | The Last Laugh · as Art Direction |
| 1923 | The Treasure · as Production Design |
| 1922 | Fräulein Julie · as Art Director |
| 1921 | Destiny · as Art Direction |