Montgomery Clift
Herec, Scénárista
17. října 1920 — 23. července 1966 (45 let)
Edward Montgomery “Monty” Clift (October 17, 1920 - July 23, 1966) was an American actor of the Golden Age, known for often playing sensitive or conflicted outcast characters with realistic emotional depth and anxieties.
Clift, Marlon Brando and James Dean are the trio typically associated with the new wave of film acting, with Clift being the oldest and first to make his stage and screen debuts. Starting at age 14, he was a breakout talent on Broadway throughout 1935-1945. He finally accepted one of many Hollywood offers: starring in the Western “Red River” which was filmed in 1946 but delayed release for 2 years. Fred Zinnemann’s “The Search” preceded “Red River” as his first film in 1948 and first Academy Award nomination. Clift’s next major films were “The Heiress” (1949) and “A Place in the Sun” (1951), cementing his romantic lead status. At the time, audiences had rarely seen a type of masculinity softened with Clift’s vulnerability. Hollywood had also never seen a young actor control his career and instant stardom the way Clift did in the late 1940’s: notoriously selective, refusing the standard seven-year studio contracts and rewriting scripts to preserve his artistic freedom. In 1953, Zinnemann again directed Clift to an Academy Award nomination in war drama “From Here to Eternity.”
After suffering a near-fatal car accident during “Raintree County” (1957) he starred in acclaimed 1960’s films "Wild River,” "The Misfits” and “Judgment at Nuremberg” for which he earned a fourth and final Academy Award nomination for his 12-minute scene. Despite a 4-year hiatus and mounting health problems, Clift was eager to make a comeback in "Reflections in a Golden Eye,” secured by the insurance and insistence of co-star Elizabeth Taylor, but he tragically died of a heart attack at the age of 45 just weeks before shooting began.
Clift, Marlon Brando and James Dean are the trio typically associated with the new wave of film acting, with Clift being the oldest and first to make his stage and screen debuts. Starting at age 14, he was a breakout talent on Broadway throughout 1935-1945. He finally accepted one of many Hollywood offers: starring in the Western “Red River” which was filmed in 1946 but delayed release for 2 years. Fred Zinnemann’s “The Search” preceded “Red River” as his first film in 1948 and first Academy Award nomination. Clift’s next major films were “The Heiress” (1949) and “A Place in the Sun” (1951), cementing his romantic lead status. At the time, audiences had rarely seen a type of masculinity softened with Clift’s vulnerability. Hollywood had also never seen a young actor control his career and instant stardom the way Clift did in the late 1940’s: notoriously selective, refusing the standard seven-year studio contracts and rewriting scripts to preserve his artistic freedom. In 1953, Zinnemann again directed Clift to an Academy Award nomination in war drama “From Here to Eternity.”
After suffering a near-fatal car accident during “Raintree County” (1957) he starred in acclaimed 1960’s films "Wild River,” "The Misfits” and “Judgment at Nuremberg” for which he earned a fourth and final Academy Award nomination for his 12-minute scene. Despite a 4-year hiatus and mounting health problems, Clift was eager to make a comeback in "Reflections in a Golden Eye,” secured by the insurance and insistence of co-star Elizabeth Taylor, but he tragically died of a heart attack at the age of 45 just weeks before shooting began.
Známý pro
Filmografie
| 2019 | Hitchcock Confidential · as Father Michael Logan |
| 2011 | These Amazing Shadows · as Matt Garth |
| 2008 | How the West Was Lost · as Perce Howland |
| 2004 | |
| 2002 | Edith Head: The Paramount Years · as (archive Footage) |
| 1997 | |
| 1995 | The Celluloid Closet · as Matthew Garth |
| 1990 | Hollywood Heaven: Tragic Lives, Tragic Deaths · as (archive Footage)Na Plexu |
| 1981 | Sixty Years of Seduction · as Cast |
| 1976 | America at the Movies · as Matt Garth |
| 1966 | The Defector · as Professor James Bower |
| 1965 | The Legend of Marilyn Monroe · as Perce Howland |
| 1962 | Freud · as Sigmund Freud |
| 1961 | Judgment at Nuremberg · as Rudolph Petersen |
| 1961 | The Misfits · as Perce HowlandNa Plexu |
| 1960 | Wild River · as Chuck Glover |
| 1959 | Suddenly, Last Summer · as Dr. Cukrowicz |
| 1958 | Lonelyhearts · as Adam White |
| 1958 | The Young Lions · as Noah Ackerman |
| 1957 | Raintree County · as John Wickliff ShawnessyNa Plexu |
| 1953 | From Here to Eternity · as Pvt. Robert E. Lee 'prew' Prewitt |
| 1953 | Indiscretion of an American Wife · as Giovanni DoriaNa Plexu |
| 1953 | I Confess · as Fr. Michael William Logan |
| 1951 | A Place in the Sun · as George Eastman |
| 1950 | The Big Lift · as Sgt. 1st Class Danny MacculloughNa Plexu |
| 1949 | The Heiress · as Morris Townsend |
| 1948 | Red River · as Matthew Garth |
| 1948 | The Search · as Ralph Stevenson |
| 2024 | Elizabeth Taylor: The Lost Tapes · as Self (archive Footage) |
| 2022 | My Name Is Alfred Hitchcock · as Self |
| 2022 | Rat Pack · as Self (archive Footage) |
| 2021 | King of Cool · as Self |
| 2018 | Making Montgomery Clift · as Self (archive Footage) |
| 2017 | The Fabulous Allan Carr · as Self (archive) |
| 2016 | Becoming Mike Nichols · as Self |
| 2015 | Frank Sinatra. Die Stimme Amerikas · as Self |
| 2015 | Listen to Me Marlon · as Self (archive Footage) |
| 2014 | Marlon Brando: An Actor Named Desire · as Self - Actor (archive Footage) |
| 2007 | Brando · as Self |
| 1999 | The Rat Pack · as Self |
| 1997 | The Silver Screen: Color Me Lavender · as Self (archive Footage) |
| 1994 | 100 Years at the Movies · as Self |
| 1984 | George Stevens: A Filmmaker's Journey · as Self |
| 1983 | Montgomery Clift · as Self (archive Footage) |
| 1973 | The Men Who Made the Movies: Howard Hawks · as Self (archive Footage) |
| 1965 | The Love Goddesses · as Self |
| 1962 | The Merv Griffin Show · as Self |
| 1960 | Here's Hollywood · as Self |
| 1950 | What's My Line? · as Self - Mystery Guest |
| 1948 | The Ed Sullivan Show · as Self |
| 1966 |