Leon Shamroy
Herec
16. července 1901 — 7. července 1974 (72 let)
Leon Shamroy (July 16, 1901 – July 7, 1974) was an American film cinematographer known for his work in 20th Century Fox motion pictures shot in Technicolor. During his half-century career, he earned a record 18 Academy Award nominations (tied with Charles Lang) for Best Cinematography with a record 4 wins (tied with Joseph Ruttenberg).
Známý pro
Filmografie
| 1967 | Caprice · as Extra |
| 1996 | |
| 1964 | The 36th Annual Academy Awards · as Self - Winner |
| 1963 | Hollywood and the Stars · as Self - Director Of Photography |
| 1953 | The Academy Awards · as Self |
| 1970 | Arnie · as Cinematographer |
| 1969 | Footprints on the Moon: Apollo 11 · as Director Of Photography |
| 1969 | Justine · as Director Of Photography |
| 1968 | Skidoo · as Director Of PhotographyNa Plexu |
| 1968 | The Secret Life of an American Wife · as Director Of Photography |
| 1968 | Planet of the Apes · as Director Of PhotographyNa Plexu |
| 1967 | Caprice · as Director Of Photography |
| 1966 | The Glass Bottom Boat · as Director Of Photography |
| 1965 | Do Not Disturb · as Director Of Photography |
| 1965 | The Agony and the Ecstasy · as Director Of Photography |
| 1965 | John Goldfarb, Please Come Home! · as Director Of Photography |
| 1964 | What a Way to Go! · as Director Of Photography |
| 1963 | The Cardinal · as Director Of Photography |
| 1963 | Cleopatra · as Director Of Photography |
| 1962 | Tender Is the Night · as Director Of Photography |
| 1961 | Snow White and the Three Stooges · as Director Of Photography |
| 1960 | North to Alaska · as Director Of Photography |
| 1960 | Wake Me When It's Over · as Director Of Photography |
| 1959 | Beloved Infidel · as Director Of Photography |
| 1959 | The Blue Angel · as Director Of Photography |
| 1959 | Porgy and Bess · as Director Of Photography |
| 1958 | Rally 'Round the Flag, Boys! · as Director Of Photography |
| 1958 | The Bravados · as Director Of Photography |
| 1958 | South Pacific · as Director Of PhotographyNa Plexu |
| 1957 | Desk Set · as Director Of Photography |
| 1956 | The Girl Can't Help It · as Director Of Photography |
| 1956 | The Best Things in Life Are Free · as Director Of Photography |
| 1956 | The King and I · as Director Of Photography |
| 1955 | Good Morning, Miss Dove · as Director Of Photography |
| 1955 | Love Is a Many-Splendored Thing · as Director Of Photography |
| 1955 | Daddy Long Legs · as Director Of Photography |
| 1954 | The Egyptian · as Director Of Photography |
| 1954 | There's No Business Like Show Business · as Director Of Photography |
| 1953 | King of the Khyber Rifles · as Director Of Photography |
| 1953 | The Robe · as Director Of Photography |
| 1953 | White Witch Doctor · as Director Of Photography |
| 1953 | The Girl Next Door · as Director Of Photography |
| 1953 | Call Me Madam · as Director Of Photography |
| 1953 | Tonight We Sing · as Director Of Photography |
| 1952 | Down Among the Sheltering Palms · as Director Of Photography |
| 1952 | The Snows of Kilimanjaro · as Director Of PhotographyNa Plexu |
| 1952 | Wait Till the Sun Shines, Nellie · as Director Of Photography |
| 1952 | With a Song in My Heart · as Director Of Photography |
| 1951 | David and Bathsheba · as Director Of Photography |
| 1951 | On the Riviera · as Director Of Photography |
| 1950 | Two Flags West · as Director Of Photography |
| 1950 | Cheaper by the Dozen · as Director Of Photography |
| 1949 | Twelve O'Clock High · as Director Of Photography |
| 1949 | Prince of Foxes · as Director Of Photography |
| 1948 | That Lady in Ermine · as Director Of Photography |
| 1947 | Daisy Kenyon · as Director Of Photography |
| 1947 | Forever Amber · as Director Of Photography |
| 1947 | The Shocking Miss Pilgrim · as Director Of Photography |
| 1945 | Leave Her to Heaven · as Director Of Photography |
| 1945 | State Fair · as Director Of Photography |
| 1945 | Where Do We Go from Here? · as Director Of Photography |
| 1945 | A Tree Grows in Brooklyn · as Director Of Photography |
| 1944 | Greenwich Village · as Director Of Photography |
| 1944 | Wilson · as Director Of Photography |
| 1944 | Buffalo Bill · as Director Of Photography |
| 1943 | Stormy Weather · as Director Of Photography |
| 1943 | Claudia · as Director Of Photography |
| 1943 | Crash Dive · as Director Of Photography |
| 1942 | The Black Swan · as Director Of Photography |
| 1942 | Ten Gentlemen from West Point · as Director Of Photography |
| 1942 | Roxie Hart · as Director Of Photography |
| 1941 | Confirm or Deny · as Director Of Photography |
| 1941 | A Yank in the R.A.F. · as Director Of Photography |
| 1941 | Moon Over Miami · as Director Of Photography |
| 1941 | The Great American Broadcast · as Director Of Photography |
| 1941 | That Night in Rio · as Director Of Photography |
| 1940 | Tin Pan Alley · as Director Of Photography |
| 1940 | Down Argentine Way · as Director Of Photography |
| 1940 | Four Sons · as Director Of Photography |
| 1940 | Lillian Russell · as Director Of Photography |
| 1940 | I Was an Adventuress · as Director Of Photography |
| 1940 | Little Old New York · as Director Of Photography |
| 1939 | The Adventures of Sherlock Holmes · as Director Of Photography |
| 1939 | Second Fiddle · as Director Of Photography |
| 1939 | The Story of Alexander Graham Bell · as Director Of Photography |
| 1939 | Made for Each Other · as Director Of PhotographyNa Plexu |
| 1938 | The Young in Heart · as Director Of Photography |
| 1937 | The Great Gambini · as Cinematographer |
| 1937 | You Only Live Once · as Director Of PhotographyNa Plexu |
| 1936 | Wedding Present · as Director Of Photography |
| 1936 | Spendthrift · as Director Of Photography |
| 1936 | Fatal Lady · as Director Of Photography |
| 1936 | Soak the Rich · as Director Of Photography |
| 1935 | Mary Burns, Fugitive · as Director Of Photography |
| 1935 | She Couldn't Take It · as Director Of Photography |
| 1935 | She Married Her Boss · as Director Of Photography |
| 1935 | Accent on Youth · as Director Of Photography |
| 1935 | Private Worlds · as Director Of Photography |
| 1934 | Behold My Wife! · as Director Of Photography |
| 1934 | Ready for Love · as Director Of Photography |
| 1934 | Kiss and Make-Up · as Director Of Photography |
| 1934 | Are We Civilized? · as Cinematographer |
| 1934 | The Mystic Hour · as Director Of Photography |
| 1934 | Thirty Day Princess · as Director Of Photography |
| 1934 | Good Dame · as Director Of Photography |
| 1933 | Three Cornered Moon · as Director Of Photography |
| 1933 | Jennie Gerhardt · as Director Of Photography |
| 1932 | A Strange Adventure · as Director Of Photography |